The Mammoth Hunters (Earth's Children 3)

“Is your technique commonly used, Jondalar?” Wymez asked, obviously continuing a discussion that Ayla had interrupted.

“More or less. Most people detach blades from a prepared core to make into other tools—chisels, knives, scrapers, or points for smaller spears.”

“What about bigger spears? Do you hunt mammoth?”

“Some,” Jondalar said. “We don’t specialize in it the way you do. Points for bigger spears are made out of bone—I like to use the foreleg of deer. A chisel is used to rough it out by cutting grooves in the general outline and going over them until it breaks free. Then it is shaved to the right shape with a scraper made on the side of a blade. They can be brought to a strong, sharp point with wet sandstone.”

Ayla, who had helped him make the bone spear points they used, was impressed by their effectiveness. They were long and deadly, and pierced deep when the spears were thrown with force, particularly with the spear-thrower. Much lighter weight than the ones she had used, which were patterned after the heavy spear of the Clan, Jondalar’s spears were all meant for throwing, not thrusting.

“A bone point punctures deep,” Wymez said. “If you hit a vital spot, it’s a quick kill, but there’s not much blood. It’s harder to get to a vital spot on a mammoth or rhinoceros. The fur is deep, skin is thick, if you get between ribs, there is still a lot of fat and muscle to go through. The eye is a good target, but it’s small, and always moving. A mammoth can be killed with a spear in the throat, but that’s dangerous. You have to get too close. A flint spear point has sharp edges. It cuts through tough skin easier, and it draws blood, and that weakens an animal. If you can make them bleed, the gut or the bladder is the best place to aim. It’s not quite as quick, but a lot safer.”

Ayla was fascinated. Toolmaking was interesting enough, but she had never hunted mammoth.

“You are right,” Jondalar said, “but how do you make a big spear point straight? No matter what technique you use to detach a blade, it’s always curved. That’s the nature of the stone. You can’t throw a spear with a curved point, you’d lose accuracy, you’d lose penetration, and probably half your force. That’s why flint points are small. By the time you pressure flake off enough of the underside to shape a straight point, there isn’t much left.”

Wymez was smiling, nodding his head in agreement. “That’s true, Jondalar, but let me show you something.” The older man got a heavy hide-wrapped bundle from behind him and opened it up. He picked up a huge axe head, a gigantolith the size of a sledgehammer, made from a whole nodule of flint. It had a rounded butt, and had been shaped to a rather thick cutting end that came to a point. “You’ve made something like this, I’m sure.”

Jondalar smiled. “Yes, I’ve made axes, but nothing as big as that. That must be for Talut.”

“Yes, I was going to haft this to a long bone for Talut … or maybe Danug,” Wymez said, smiling at the young man. “These are used to break mammoth bones or to sever tusks. It takes a powerful man to wield one. Talut handles it like a stick. I think Danug can do the same by now.”

“He can. He cut poles for me,” Ayla said, looking at Danug with appreciation, which brought on a flush and a shy smile. She, too, had made and used hand axes, but not of that size.

“How do you make an axe?” Wymez continued.

“I usually start by breaking off a thick flake with a hammerstone, and retouching on both sides to give it an edge and a point.”

“Ranec’s mother’s people, the Aterians, make a spear point with bifacial retouch.”

“Bifacial? Knapped on both sides like an axe? To get it reasonably straight, you’d have to start with a big slab of a flake, not a fine, thin blade. Wouldn’t that be too clumsy for a spear point?”

“It was somewhat thick and heavy, but a definite improvement over an axe. And very effective for the animals they hunted. It’s true, though. To pierce a mammoth or a rhino, you need a flint point that is long and straight, and strong, and thin. How would you do it?” Wymez asked.

“Bifacially. It’s the only way. On a flake that thick, I’d use flat pressure retouch to remove fine slivers from both sides,” Jondalar said thoughtfully, trying to imagine how he would make such a weapon, “but that would take tremendous control.”

“Exactly. The problem is control, and the quality of the stone.”

“Yes. It would have to be fresh. Dalanar, the man who taught me, lives near an exposed cliff of chalk that bears flint at ground level. Maybe some of his stone would work. But even then, it would be hard. We’ve made some fine axes, but I don’t know how you’d make a decent spear point that way.”

Wymez reached for another package wrapped in fine soft leather. He opened it carefully and exposed several flint points.

Jondalar’s eyes opened in surprise. He looked up at Wymez, then at Danug, who was smiling with pride for his mentor, then he picked up one of the points. He turned it over in his hands tenderly, almost caressing the beautifully worked stone.

The flint had a slippery feel, a smooth, not-quite-oily quality, and a sheen that glistened from the many facets in the sunlight. The object had the shape of a willow leaf, with near perfect symmetry in all dimensions, and it extended the full length of his hand from the base of his palm to his fingertips. Starting at one end in a point, it spread out to the breadth of four fingers in the middle, then back to a point at the other end. Turning it on edge, Jondalar saw that it did indeed lack the characteristic bowed shape of the blade tools. It was perfectly straight, with a cross section about the thickness of his small finger.

He felt the edge professionally. Very sharp, just slightly denticulated by the scars of the many tiny flakes that had been removed. He ran his fingertips lightly over the surface and felt the small ridges left behind by the many similar tiny flakes that had been detached to give the flint point such a fine, precise shape.

“This is too beautiful to use for a weapon,” Jondalar said. “This is a work of art.”

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“That one is not used for a weapon,” Wymez said, pleased by the praise of a fellow craftsman. “I made it as a model to show the technique.”

Ayla was craning her neck to look at the exquisitely crafted tools nestled in the soft leather on the ground, not daring to touch. She had never seen such beautifully made points. They were of variable sizes and types. Besides the leaf-shaped ones, there were asymmetrical shouldered points that tapered sharply back on one side to a projecting shank, which would be inserted in a handle so it could be used as a knife, and more symmetrical stemmed points with a centered tang that might be spear points or knives of another kind.

“Would you like to examine them closer?” Wymez asked.

Her eyes gleaming with wonder, she picked each one up, handling them as though they were precious jewels. They very nearly were.