Far above me, outside in the open air, I could hear the distant babble of women's voices:
'It's not true...'
'But my dear Mildred, how awful...'
'The man must be mad...'
'Your poor mouth, just look at it...'
'A sex maniac...'
'A sadist...'
'Someone ought to write to the bishop...'
And then Miss Roach's voice, louder than the others, swearing and screeching like a parakeet:
'He's damn lucky I didn't kill him, the little bastard!... I said to him, listen, I said, if ever I happen to want any of my teeth extracted, I'll go to a dentist, not to a goddamn vicar... It isn't as though I'd given him any encouragement either!...'
'Where is he now, Mildred?'
'God knows. In the bloody summer-house, I suppose.'
'Hey girls, let's go and root him out!'
Oh dear, oh dear. Looking back on it all now, some three weeks later, I don't know how I ever came through the nightmare of that awful afternoon without taking leave of my senses.
A gang of witches like that is a very dangerous thing to fool around with, and had they managed to catch me in the summer-house right then and there when their blood was up, they would as likely as not have torn me limb from limb on the spot.
Either that, or I should have been frog-marched down to the police station with Lady Birdwell and Miss Roach leading the procession through the main street of the village.
But of course they didn't catch me.
They didn't catch me then, and they haven't caught me yet, and if my luck continues to hold, I think I've got a fair chance of evading them altogether - or anyway for a few months, until they forget about the whole affair.
As you might guess, I am having to keep entirely to myself and to take no part in public affairs or social life. I find that writing is a most salutary occupation at a time like this, and I spend many hours each day playing with sentences. I regard each sentence as a little wheel, and my ambition lately has been to gather several hundred of them together at once and to fit them all end to end, with the cogs interlocking, like gears, but each wheel a different size, each turning at a different speed. Now and again I try to put a really big one right next to a very small one in such a way that the big one, turning slowly, will make the small one spin so fast that it hums. Very tricky, that.
I also sing madrigals in the evenings, but I miss my own harpsichord terribly.
All the same, this isn't such a bad place, and I have made myself as comfortable as I possibly can. It is a small chamber situated in what is almost certainly the primary section of the duodenal loop, just before it begins to run vertically downward in front of the right kidney. The floor is quite level - indeed it was the first level place I came to during that horrible descent down Miss Roach's throat - and that's the only reason I managed to stop at all. Above me, I can see a pulpy sort of opening that I take to be the pylorus, where the stomach enters the small intestine (I can still remember some of those diagrams my mother used to show me), and below me, there is a funny little hole in the wall where the pancreatic duct enters the lower section of the duodenum.
It is all a trifle bizarre for a man of conservative tastes like myself. Personally I prefer oak furniture and parquet flooring. But there is anyway one thing here that pleases me greatly, and that is the walls. They are lovely and soft, like a sort of padding, and the advantage of this is that I can bounce up against them as much as I wish without hurting myself.
There are several other people about, which is rather surprising,
but thank God they are every one of them males. For some reason or other, they all wear white coats, and they bustle around pretending to be very busy and important. In actual fact, they are an uncommonly ignorant bunch of fellows. They don't even seem to realize who they are. I try to tell them, but they refuse to listen. Sometimes I get so angry and frustrated with them that I lose my temper and start to shout; and then a sly mistrustful look comes over their faces and they begin backing slowly away, and saying, 'Now then. Take it easy. Take it easy, Vicar, there's a good boy. Take it easy.'
What sort of talk is that?
But there is one oldish man - he comes in to see me every morning after breakfast - who appears to live slightly closer to reality than the others. He is civil and dignified, and I imagine he is lonely because he likes nothing better than to sit quietly in my room and listen to me talk. The only trouble is that whenever we get on the subject of our whereabouts, he starts telling me that he's going to help me to escape. He said it again this morning, and we had quite an argument about it.
'But can't you see,' I said patiently, 'I don't want to escape.'
'My dear Vicar, why ever not?'
'I keep telling you - because they're all searching for me outside.'
'Who?'