The Wonderful Story of Henry Sugar and Six More

"Thank you," he said. "That is a high compliment."

"I must congratulate your assistant as well," I said, nodding to the small boy. "He is very brave."

"He cannot speak English," the Indian said. "But I will tell him what you said." He spoke rapidly to the boy in Hindustani and the boy nodded solemnly but said nothing.

"Look," I said. "I did you a small favour this morning. Would you do me one in return? Would you consent to come out and have supper with me?"

All the wrappings were off his head now. He smiled at me and said, "I think you are feeling curious, doctor. Am I not right?"

"Very curious," I said. "I'd like to talk to you."

Once again, I was struck by the peculiarly thick matting of black hair growing on the outsides of his ears. I had not seen anything quite like it on another person. "I have never been questioned by a doctor before," he said. "But I have no objection. It would be a pleasure to have supper with you."

"Shall I wait in the car?"

"Yes, please," he said. "I must wash myself and get out of these dirty clothes."

I told him what my car looked like and said I would be waiting outside.

He emerged fifteen minutes later, wearing a clean white cotton robe and the usual sandals on his bare feet. And soon the two of us were sitting comfortably in a small restaurant that I sometimes went to because it made the best curry in the city. I drank beer with my curry. Imhrat Khan drank lemonade.

"I am not a writer," I said to him. "I am a doctor. But if you will tell me your story from the beginning, if you will explain to me how you developed this magical power of being able to see without your eyes, I will write it down as faithfully as I can. And then, perhaps, I can get it published in the British Medical Journal or even in some famous magazine. And because I am a doctor and not just some writer trying to sell a story for money, people will be far more inclined to take seriously what I say. It would help you, wouldn't it, to become better known?"

"It would help me very much," he said. "But why should you want to do this?"

"Because I am madly curious," I answered. "That is the only reason."

Imhrat Khan took a mouthful of curried rice and chewed it slowly. Then he said, "Very well, my friend. I will do it."

"Splendid!" I cried. "Let's go back to my flat as soon as we've finished eating and then we can talk without anyone disturbing us."

We finished our meal. I paid the bill. Then I drove Imhrat Khan back to my flat.

In the living-room, I got out paper and pencils so that I could make notes. I have a sort of private shorthand of my own that I use for taking down the medical history of patients, and with it I am able to record most of what a person says if he doesn't speak too quickly. I think I got just about everything Imhrat Khan said to me that evening, word for word, and here it is. I give it to you exactly as he spoke it:

"I am an Indian, a Hindu," said Imhrat Khan, "and I was born in Akhnur, in Kashmir State, in 1905. My family is poor and my father worked as a ticket inspector on the railway. When I was a small boy of thirteen, an Indian conjurer comes to our school and gives a performance. His name, I remember, is Professor Moor -- all conjurers in India call themselves 'professor' -- and his tricks are very good. I am tremendously impressed. I think it is real magic. I feel -- how shall I call it -- I feel a powerful wish to learn about this magic myself, so two days later I run away from home, determined to find and t

o follow my new hero, Professor Moor. I take all my savings, fourteen rupees, and only the clothes I am wearing. I am wearing a white dhoti and sandals. This is in 1918 and I am thirteen years old.

"I find out that Professor Moor has gone to Lahore, two hundred miles away, so all alone, I take a ticket, third class, and I get on the train and follow him. In Lahore, I discover the Professor. He is working at his conjuring in a very cheap-type show. I tell him of my admiration and offer myself to him as assistant. He accepts me. My pay? Ah yes, my pay is eight annas a day.

"The Professor teaches me to do the linking-rings trick and my job is to stand in the street before the theatre doing this trick and calling to the people to come in and see the show.

"For six whole weeks this is very fine. It is much better than going to school. But then what a terrible bombshell I receive when suddenly it comes to me that there is no real magic in Professor Moor, that all is trickery and quickness of the hand. Immediately the Professor is no longer my hero. I lose every bit of interest in my job, but at the same time my whole mind becomes filled with a very strong longing. I long above all things to find out about the real magic and to discover something about the strange power which is called yoga.

"To do this, I must find a yogi who is willing to let me become his disciple. This is not going to be easy. True yogis do not grow on trees. There are very few of them in the whole of India. Also, they are fanatically religious people. Therefore, if I am to have success in finding a teacher, I too will have to pretend to be a very religious man.

"No, I am actually not religious. And because of that, I am what you would call a bit of a cheat. I wanted to acquire yoga powers purely for selfish reasons. I wanted to use these powers to get fame and fortune.

"Now this was something the true yogi would despise more than anything in the world. In fact, the true yogi believes that any yogi who misuses his powers will die an early and sudden death. A yogi must never perform in public. He must practise his art only in absolute privacy and as a religious service, otherwise he will be smitten to death. This I did not believe and I still don't.

"So now my search for a yogi instructor begins. I leave Professor Moor and go to a town called Amritsar in the Punjab, where I join a travelling theatre company. I have to make a living while I am searching for the secret, and already I have had success in amateur acting at my school. So for three years I travel with this theatre group all over the Punjab and by the end of it, when I am sixteen and a half years old, I am playing top of the bill. All the time I am saving money and now I have altogether a very great sum, two thousand rupees.

"It is at this moment that I hear news of a man called Banerjee. This Banerjee, it is said, is one of the truly great yogis of India, and he possesses extraordinary powers. Above all, people are telling of how he has acquired the rare power of levitation, so that when he prays his whole body leaves the ground and becomes suspended in the air eighteen inches from the soil.

"Ah-ha, I think. This surely is the man for me. This Banerjee is the one that I must seek. So at once, I take my savings and leave the theatre company and make my way to Rishikesh, on the banks of the Ganges, where rumour says that Banerjee is living.

"For six months I search for Banerjee. Where is he? Where? Where is Banerjee? Ah yes, they say in Rishikesh, Banerjee has certainly been in the town, but that is a while ago, and even then no one saw him. And now? Now Banerjee has gone to another place. What other place? Ah well, they say, how can one know that. How indeed? How can one know about the movements of such a one as Banerjee. Does he not live a life of absolute seclusion? Does he not? And I say yes. Yes, yes, yes. Of course. That is obvious. Even to me.