Dexter in the Dark (Dexter 3)

and while it was enjoyable I did not feel the same cold, savage glee that I was used to at such moments. Still, it was better than watching the commercial, and I let him go on until his face started to turn purple and the thrashing subsided into a helpless wobble.

“Be still and be quiet,” I said, “and I will let you breathe.”

It was very much to his credit that he understood at once and stopped his feeble floundering. I eased off on the noose just a bit and listened while he forced in a breath. Just one—and then I tightened up again and pulled him to his feet. “Come,” I said, and he came.

I stood behind him, keeping the pressure on the line just tight enough so that he could breathe a little if he tried really hard, and I led him down the hall to the back of the house and into the garage.

As I pushed him to the workbench he went down to one knee, either a stumble or a foolish attempt to escape. Either way, I was in no mood for it, and I pulled hard enough to make his eyes bulge out and watched as his face got dark and he slumped over on the floor, unconscious.

Much easier for me. I got his dead weight up onto the workbench and duct-taped securely into place while he still wallowed in gape-mouthed unconsciousness. A thin stream of drool ran from one corner of his mouth and his breath came very rough, even after I loosened the noos

e. I looked down at Starzak, taped to the table with his unlovely face hanging open, and I thought, as I never had before, this is what we all are. This is what it comes to. A bag of meat that breathes, and when that stops, nothing but rotting garbage.

Starzak began to cough, and more phlegm dribbled from his mouth. He pushed against the duct tape, found he could not move, and fluttered open his eyes. He said something incomprehensible, composed of far too many consonants, and then rolled his eyes back and saw me. Of course he could not see my face through my mask, but I got the very unsettling feeling that he recognized me anyway.

He moved his mouth a few times, but said nothing until he finally rolled his eyes back down to point at his feet and said in a dry and raspy voice with a Central European accent, but very little of the expected emotion in it, “You are making a very large mistake.”

DEXTER IN THE DARK

183

I searched for an automatic sinister reply, and found nothing.

“You will see,” he said in his terrible flat and raw voice. “He will get you anyway, even without me. It is too late for you.”

And there it was. As close to a confession as I needed that he had been following me with sinister intent. But all I could think to say was, “Who is he?”

He forgot he was taped to the bench and tried to shake his head.

It didn’t work, but it didn’t seem to bother him much, either. “They will find you,” he repeated. “Soon enough.” He twitched a little, as if he was trying to wave a hand, and said, “Go ahead. Kill me now.

They will find you.”

I looked down at him, so passively taped and ready for my special attentions, and I should have been filled with icy delight at the job ahead of me—and I was not. I was not filled with anything except emptiness, the same feeling of hopeless futility that had come over me while I waited outside the house.

I shook myself out of the funk and taped Starzak’s mouth shut.

He flinched a little, but other than that he continued to look straight away, with no show of any kind of emotion.

I raised my knife and looked down at my unmoving and unmoved prey. I could still hear his awful wet breath rattling in and out through his nostrils and I wanted to stop it, turn out his lights, shut down this noxious thing, cut it into pieces and seal them into neat dry garbage bags, unmoving chunks of compost that would no longer threaten, no longer eat and excrete and flail around in the patternless maze of human life—

And I could not.

I called silently for the familiar rush of dark wings to sweep out of me and light up my knife with the wicked gleam of savage purpose, and nothing came. Nothing moved within me at the thought of doing this sharp and necessary thing I had done so happily so many times. The only thing that welled up inside me was emptiness.

I lowered the knife, turned away, and walked out into the night.

T W E N T Y - F O U R

Somehow I pulled myself out of bed and went in to work the next day, in spite of the gnawing sense of dull despair that bloomed in me like a brittle garden of thorns. I felt wrapped in a fog of dull pain that hurt only enough to remind me that it, too, was without purpose, and there seemed no point to going through the empty motions of breakfast, the long slow drive to work, no reason at all beyond the slavery of habit. But I did it, allowing muscle memory to push me all the way into the chair at my desk, where I sat, turned on the computer, and let the day drag me off into gray drudgery.

I had failed with Starzak. I was no longer me, and had no idea who or what I was.

Rita was waiting for me at the door when I got home with a look of anxious annoyance on her face.

“We need to decide about the band,” she said. “They may already be booked.”

“All right,” I said. Why not decide about bands? It was as mean-ingful as anything else.