The suggestion that she might be fishing for the chance to go out with him again inflamed Jess and stung her pride. She flipped round to face him, light grey eyes bright as silver with antagonism. ‘No, I’m sorry, that wouldn’t be appropriate. I need to talk to you about something relating to my family.’
‘Your…family?’ Lean dark features stamped with a bemused frown, Cesario dealt her an enquiring glance, contriving without effort to look so breathtakingly handsome that he momentarily made it virtually impossible for her to concentrate.
A prickling shimmy of sensation pinched her nipples to tautness and made her spine stiffen defensively, for she recognised that physical response for what it was and loathed it. He was a devastatingly handsome man and she was convinced that no healthy woman with hormones could be fully indifferent to that level of masculine magnetism. Her body was literally programmed to react in what she had long since mentally labelled a ‘knee-jerk response’ to Cesario’s chemical appeal. It was Mother Nature, whose sexual conditioning she could not totally suppress, having the last laugh on her.
Her colour fluctuating in response to her rattled composure, Jess sent her eyes in a meaningful sweep in the direction of the stable staff still within hearing. ‘I’d prefer not to discuss the matter out here.’
His attention locked onto her taut facial muscles and the nervous pulse flickering in a hollow at the base of her slender throat, Cesario was even more curious to find out what she could possibly be so wired up about. He was also noting in a haze of innate sensuality that her skin was so fine that he could see the faint blue tracery of her veins beneath it. That fast he wanted to see her naked, all that creamy skin bare and unadorned for his benefit. Naked and willing, he thought hungrily. ‘Follow me up to the house, then,’ he instructed, irritably shaking free of the sexual spell she c
ould cast to swing into his low-slung sports car.
In the driving mirror he watched her coax the sleeping greyhound from the puddle up into her arms, without worrying about the mess the bedraggled animal would make of her clothes. As she settled the dog into the rear of the old Land Rover she drove her other pets fawned on her as if she had been absent a day rather than an hour. Aware she took in the local homeless animals, he had always been grudgingly impressed by her compassionate nature, even if he could not approve of her indifference to her appearance. Although she was beautiful she did not behave as if she was, and that could only intrigue a man accustomed to finding women superficial and predictable. Somewhere along the line something had happened to Jess Martin that had prevented her from developing the narcissistic outlook of a beauty and the expectation that she should always be the centre of attention.
Jess parked beside the Ferrari at the front of the magnificent rambling Elizabethan house. Built of mellow brick and ornamented by tall elaborate chimneys and rows of symmetrical mullioned windows that reflected the sunshine, Halston Hall had considerable charm and antiquity. Although Dot Smithers had on one memorable occasion entertained Jess and her mother in the kitchen quarters there, Jess had never set foot in the main house. The Dunn-Montgomery family, who had owned the hall for several centuries, and whose male heirs had been often prominent in government, had not held open days at their ancestral home. Dwindling cash resources had forced the family to sell up six years earlier. To the great relief of the staff, who had feared that the property would be broken up and that they would lose their jobs, Cesario di Silvestri had bought the estate in its entirety. He had renovated the house, rescued the failing land with modern farming methods and set up a very successful stud farm.
Dot’s male replacement, following her early retirement, a middle-aged and rotund Italian known as Tommaso, ushered Jess indoors. The splendid hall was dominated by a massive Tudor chimney piece with a seventeenth-century date swirled in the plaster above it. Her nervous tension at an all-time high in the face of such grandeur, Jess defied the urge to satisfy her curiosity and gape at her surroundings. She was shown into a room fitted out like a modern office, in surrealistic contrast to the linen fold panelling on the walls and the picturesque view of an ornate box-bush-edged knot garden beyond the windows.
‘Your family?’ Cesario prompted with a slight warning hint of impatience. Propped up against the edge of what appeared to be his desk in an attitude of relaxation, he was the very epitome of English country-casual style with a twist of elegant designer Italian in his tailored open-necked shirt and beautifully cut trousers.
‘They’re tenants of yours in the village, and my father and my brothers work for you here on the estate,’ Jess volunteered.
‘I was aware of those facts,’ Cesario countered with a wry smile. ‘My estate manager made the connection for me the first time I met you.’
Jess lifted her chin and straightened her slight shoulders, wondering if that information had originally been given to emphasise that she hailed from working-class country stock, rather than the snobbish county set. If so, the news of her humble beginnings and lower social standing must have failed to dim his initial interest, for the dinner invitation had followed soon afterwards. Stubbornly refusing to meet those gorgeous dark eyes in a head-on collision and blocking her awareness to him as she had learnt to do to maintain her composure and show of indifference, she breathed in deep. ‘I have something to tell you and it relates to the robbery here…’
With a sudden flashing frown, Cesario leant forward, any hint of relaxation instantly banished by her opening words. ‘The theft of my painting?’
Beneath that daunting stare, the colour in her cheeks steadily drained away. ‘I’m afraid so.’
‘If you have information relating to the robbery, why haven’t you gone to the police with it?’
Jess could feel her ever-rising tension turning her skin clammy with nervous perspiration. Suddenly aware that she was way too warm, she shrugged free of the heavy jacket she wore over her shirt and draped it clumsily over the seat of the chair beside her. ‘Because my father’s involved and I was keen to get the chance to speak to you first.’
Cesario was not slow to grasp essential facts and his keen gaze glimmered as he instantly added two and two. As the estate handyman, who also acted as caretaker when the hall was unoccupied, Robert Martin had long been entrusted with the right to enter the hall at any time to perform maintenance checks and carry out repairs. ‘If your father helped the thieves, you’re wasting your time looking to me for sympathy—’
‘Let me explain what happened first. I only found out about this matter yesterday. Last year my mother was diagnosed with breast cancer and it was a very stressful time for my family,’ Jess told him tightly.
‘While I am naturally sympathetic to anyone in your mother’s situation, I fail to see what her ill health has to do with me or the loss of my painting,’ Cesario asserted drily.
‘If you listen, I’ll tell you—’
‘No. I think I am much more inclined in this scenario to call in the police and leave them to ask the questions. It’s their job, not mine,’ Cesario cut across her to declare with derision, his lean, darkly handsome features forbidding as he straightened and began to reach for the phone with a lean, shapely hand. ‘I am not comfortable with this conversation.’
‘Please don’t phone the police yet!’ Jess exclaimed, grey eyes wide with urgency as she moved forward suddenly, appearing as if she was trying to physically impose her slight body between him and the telephone. ‘Please give me the chance to explain things first.’
‘Get on with the explanation, then,’ Cesario advised curtly, leaving the phone untouched, while surveying her with dark eyes flaming bronze with suspicion and anger. Even so, on a primitive masculine level he was already starting to get a kick out of her pleading with him. The tables had been turned with a vengeance, he savoured with satisfaction. She was no longer treating him to frozen silence or looking down that superior little nose of hers at him.
‘Dad was worried sick about Mum and he wanted to take her away for a holiday after she finished her treatment, but he had to borrow the money to do so. Unfortunately he borrowed it from my uncle at an extortionate rate of interest.’ Stumbling in her eagerness to tell the whole story, Jess outlined her father’s efforts to deal with being pressed for his debt, followed by the approach and the offer made by her cousins.
‘This is your family you’re talking about,’ Cesario reminded her dulcetly, marvelling at what she was willing to tell him about her less than scrupulous relations. For the first time it genuinely struck him that, for all her educational achievements, she truly was, unlike him, from the other side of the tracks.
‘My mother’s brother was in and out of prison for much of his life. He doesn’t much care how he makes his money as long as he makes it. But his sons have never been in serious trouble with the police.’ Her cheeks burned red with embarrassment as she filled in the disagreeable facts. ‘My father believed what he was told—that Jason and Mark only wanted to get into this house to take photos which they could sell.’
Cesario dealt her a withering appraisal. ‘This property is full of valuable antiques and art works. Are you seriously expecting me to believe that any man could be that stupid?’
‘I don’t think my father’s stupid, I think he was simply desperate to do what they asked and be free of that debt. He was frantically trying to protect Mum from the distress of finding out how foolish he had been,’ Jess confided ruefully. ‘I don’t believe he thought beyond that and what he did was very wrong. I’m not trying to excuse his behaviour. He’s had access to this house for many years because he was a trusted employee and in acting as he did he betrayed your trust, but I’m convinced that my cousins intentionally targeted him.’
His handsome mouth taut with angry constraint, Cesario studied her grimly. ‘It is immaterial to me whether your father was deliberately set-up or otherwise. Your mother’s illness, the debt that ensued…those are not my concerns. My sole interest is in the loss of my painting and unless you have information to offer about how it might be recovered and from whom…’