The Red Tent - Page 46

Within a year my shed was cluttered with a collection of objects I did not use or care for. Meryt looked around one day and declared that I needed a wicker box to contain my belongings. Since I owned more than enough to trade, Meryt selected an auspicious day for us to go to market.

By then I had gone out to attend at many births, still I dreaded this venture out into the larger world. Meryt knew I was afraid and held my hand as we walked out of my garden, chattering all the way to keep me from dwelling upon my fears. I held on to her like a baby in fear of losing her mother but after a time found the courage to look upon the sights of the busy Theban quay. The harvest was still many days off and most of the farmers had little to do but wait for ripening, so the stalls were clogged with country folk who had nothing much to trade except time.

Meryt exchanged a beaded necklace from one of her mothers for some sweet cake, and we ate as we wandered, arm in arm, from one stall to the next, I marveled at the amount of jewelry for sale and wondered who could afford so many baubles. I saw sandal-makers turning out cheap shoes, made to order. A line of men waited for one particular barber, known to have the best gossip. I averted my eyes from a pile of Canaanite woolens, which might have been woven by my own aunts. Meryt and I laughed over the antics of a monkey, who held a brace of tall, hungry-looking dogs on leads and made them beg for scraps of food.

After we had taken in the sights, my friend said it was time to start our hunt, but the first basket-maker we came upon had nothing large enough to suit my needs, so we walked on, passing the wine and oil merchants, bakers, and men selling live birds. We saw many beautiful things, too: incised Kushite pottery, hammered bronze vases, household gods and goddesses, three-legged stools and chairs. My eye fell upon a handsome box with an inlaid cover that bloomed with a garden made of ivory and faience and mother-of-pearl. “Now there’s a piece for the master’s tomb,” said Meryt, in honest admiration.

The carpenter appeared behind his work and began to tell the story of its making: where he purchased the acacia wood, and how much difficulty he had in applying the ivory. He spoke thoughtfully and slowly, as though he were telling a story rather than trying to make a sale. I kept my eyes on the box as he spoke, hearing only the warmth of his voice, and staring at his hands as they traced the design upon his handiwork.

Meryt started teasing the fellow. “What do you take us for, knave?” she asked. “Do you think we are rich ladies disguised as midwives? Who but a rich man could afford anything so fine as this? Who could lay claim to such a work of art except the king’s own tomb-maker? You are pulling my leg, little man,” she said.

He laughed at her words and replied, “If you think me little, you must come from a land of giants, sister. I am Benia,” he introduced himself. “And you might be surprised at the bargains available at my stall. It all depends upon the buyer, my dear,” he teased back. “Beautiful women always get what they want.”

At this, Meryt howled with laughter and poked me in the ribs, but I said nothing, for I knew that his words had been aimed at me. In an instant Meryt, too, understood that the carpenter had been talking to me, and although I had not said a word, the “sound of his voice and the gentleness of his words had moved me.

My fingers, almost of their own accord, traced the pattern of a milky-white leaf that was inlaid upon the box. “This comes from the heart of a sea creature that lives far to the north,” Benia said, pointing to another part of the design.

I noticed the size of his hands. His fingers were thick as the branches on a young fruit tree, and even longer than his massive palms, which hard work had gnarled into mountains and valleys of muscle. He caught me staring and drew his hand away, as if in shame.

“When I was born, my mother took one look at me and cried out when she saw these,” Benia said. “They were far too large for my body, even then. ‘A sculptor,’ she said to my father, who apprenticed me to the finest stonecutter.

“But I had no talent for stone. The alabaster cracked when I so much as looked at it, and even granite would not permit me to approach. Only wood understood my hands. Supple and warm and alive, wood speaks to me and tells me where to cut, how to shape it. I love my work, lady.”

He looked into my eyes, which I had raised to his face as he spoke.

Meryt saw the look pass between us and leaped into the silence like a shrewd fishwife. “This is Den-ner, tradesman, a widow and the finest midwife

in Thebes. We come to the market in search of a simple basket to hold payment from her grateful mothers.”

“But a basket will not do for a master,” said Benia, turning to bargain with Meryt. “Let me see what you brought to trade, Mother, for I have been sitting here all day without luck.”

Meryt unpacked our collection of trinkets: a carved slate for mixing malachite into green eye shadow, a large carnelian scarab too red for my stomach, and a beautiful beaded head covering, the gift of a pretty young concubine who gave birth to a fine little boy she handed directly to her mistress, without even looking at the baby. (Meryt and I saw many strange things in the birthing rooms of Thebes.)

Bema feigned interest in the scarab. “For your wife?” Meryt asked, without pretense at subtlety.

“No wife,” Benia replied, simply. “I live in my sister’s house and have these many years, but her husband is impatient of my place at his table. Soon I will be leaving the city to live among the workmen in the Valley of the Kings,” he said slowly, speaking again to me.

At this, Meryt grew excited on her own behalf and told him all about her sons, who were bakers employed for the workmen there. “When I go, I will seek them out,” Benia promised, and added, “I will be given my own house there, as befits a master craftsman. Four rooms for myself only,” he said, as though he could hear his own voice echoing through the empty chambers already.

“What a waste, carpenter,” Meryt replied.

As the two of them exchanged these confidences for my benefit, my fingers followed the edges of the pond that Benia had fashioned on the box cover. Before I could draw away, he covered my hand with his own.

I was afraid to look into his face. Perhaps he was leering. Perhaps he thought by making this absurd transaction—trading a pretty bauble for a masterwork—I then would owe him the use of my body. But when Meryt jabbed me in the ribs to answer, I saw only kindness on the carpenter’s face.

“Bring the box to the garden door at the house of Nakht-re, scribe to the priests of Amun-Re,” Meryt said. “Bring it tomorrow.” She handed over the scarab.

“Tomorrow in the morning,” he said. And we left.

“Now that was a good transaction, girl,” said Meryt. “And that scarab was a lucky piece to buy you a treasure box and a husband, too.”

I shook my head at my friend and smiled as though she were babbling, but I did not say no. I said nothing at all. I was embarrassed and thrilled. I felt an unfamiliar tightness between my legs and my cheeks were flushed.

And yet, I did not fully understand my own heart, for this was nothing like what I felt when I first saw Shalem. No hot wind blew through Benia and into me. This feeling was much cooler and calmer. Even so, my heart beat faster and I knew my eyes were brighter than they had been earlier in the day.

Benia and I had exchanged a few words and brushed against each other’s fingers. And yet, I felt connected to this stranger. I had no doubt that he felt the same.

All the way home, my step beat out the rhythm of my wonder—“How can this be? How can this be?”

Tags: Anita Diamant Historical
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