Revelations (Blue Bloods 3)

She did notice that when Mimi returned, she looked extremely pleased with herself, even more so than usual.

As for Oliver, Bliss didn't have a chance to catch up with him. Whatever Mimi said to him shook him up so much, he never did visit Dylan that day.

She heard the car before it turned the corner. A soft purring engine that grew to a massive roar. It pulled up to the alley behind the Perry Street building. A silver gray 1961  XKE Jaguar convertible, sleek and gorgeous as a bullet, with Jack Force at the wheel.

Schuyler slipped inside the car, admiring its classic finish, its silver antique gauges and simple old-fashioned mechanisms. Jack shifted the gears and the car roared up the highway.

They would only have a few hours together, but it was enough - although, of course, it would never be enough.

Each day brought the bonding closer and closer.

She had spied the invitations, and had merited one herself. She'd been surprised at first, then realized it was Mimi's way of letting her know exactly where she stood. The other day she had even caught a glimpse of Mimi in her bonding dress. Schuyler didn't know who was more the fool - she or the girl in the white dress. They were both mad to be in love with the same boy.

Jack was the fool, Schuyler thought, watching him expertly maneuver the car through the thoroughfare. A crazy fool. But she loved him, God how she loved him. She only wished they didn't have to hide, that they could declare their love to the world. The other evening she had told him she was tired of hiding in one place. As much as the apartment afforded an escape, it was also a prison.

Schuyler was longing to be with him somewhere else, even for one night. In answer Jack had slipped her a note that morning telling her to meet him at twilight at the designated location. She had no idea what he was planning, but the small smile that now played at the edge of his lips hinted at a wonderful surprise.

Jack drove the car across the bridge into New Jersey. In a few minutes they pulled into a private airfield at Teterboro, where a jet was waiting.

"You can't be serious." Schuyler laughed and clapped her hands when she saw the airplane.

"You said you wanted to get away." Jack smiled. "How about Tokyo? Or London? Seoul? I feel like barbecue. Madrid? Bruges? Where would you like to go tonight? Tonight the world is yours, as am I."

Schuyler didn't ask where Mimi was; she didn't care and she didn't want to know. If Jack was going to risk it, then she didn't need to ask.

"Vienna," Schuyler decided. "There's a painting there that I've always wanted to see."

So this is what it's like to be one of the richest and most powerful vampires in the world, Schuyler thought, as she followed Jack inside the Osterreichische Galerie in the Belvedere palace. The museum was closed for the night, but when they arrived at the great entrance doors a gloved security guard greeted them, and the museum curator led them to the proper gallery.

"Is this what you are looking for?" the curator asked, pointing to a dark painting in the middle of the room.

"Yes." Schuyler took a deep breath and looked at Jack for reassurance. In answer he squeezed her hand tightly.

She moved closer to the painting. She had a faded poster of the same image tacked up in her bedroom. The reality of it astonished her. The colors were so much more vibrant and engaging, fresh and alive. Egon Schiele had always been one of Schuyler's favorite artists. She'd always been drawn to his portraits - those heavy, tortured dark lines, the gaunt figures, the eloquent sadness applied as thick as paint.

It was called simply The Embrace, and depicted a man and a woman with their bodies entwined together. There was a ferocious energy to the piece, and Schuyler felt as if she could sense the couple's intense connection to each other. And yet the piece was far from romantic. It was fraught with angst, as if the two people in the painting knew their embrace was their last.

There was a melancholy to his art - it wasn't for everyone. In Schuyler's Art Hum. class everyone was enamored by Gustav Klimt's Art Nouveau masterpiece The Kiss. But Schuyler thought liking that painting was too easy; it was dorm-room decor, a typical safe choice.

She preferred madness and tragedy, loneliness and torment. Schiele had died young, perhaps of a broken heart. Her art teacher was always talking about the "redemptive and transformative quality of art," and as she stood in front of the painting Schuyler completely understood what that meant.

She had no words for what she was feeling. She felt Jack's hand in hers - so cool and dry, and counted herself the luckiest girl in the world.

"Where to now?" Jack asked as they left the museum.

"Your choice."

Jack cocked an eyebrow. "Let's stop by a caf§Ù® I have a taste for Sacher torte."

They dined on the rooftop of an apartment building and watched the dawn break over the horizon. One of the advantages of being a vampire was that it was easy to adjust to a nocturnal schedule. Schuyler didn't need as much sleep as she used to, and on the nights when she met Jack, they hardly slept at all.

"Is this what you wanted?" Jack asked, leaning over the small rickety table and pouring her more wine.

"How did you know?" she smiled, tucking her hair behind her ear. He had surprised her by bringing her to yet another beautiful apartment his family owned. The Forces had more real estate than Schuyler had holey black sweaters in her closet.

"Come on, let's go back downstairs," Jack said, leading her by the hand back inside the apartment. "I want you to hear something."

The Force pied-a-terre was located in a building that dated back to 1897, in the prestigious Ninth District, with vaulted ceilings, ornate moldings, and views from every window. It was airy and spacious, yet unlike their sumptuously decorated New York home, the place was sparsely furnished and almost monastic.