Cinnabar Shadows (Dark Sun: Chronicles of Athas 4)

Dead? Dead like Father, like Mika, and all the others in the cavern? What hope had she of finding Kakzim if Lord Escrissar was dead?

Mahtra lowered her head. She was cold and, worse than shivering, she felt alone, without the powerful patrons Father mentioned in his last words to her. Blinding pressure throbbed behind her eyes and strange high-pitched sounds brewed in her throat. She couldn't cry, but she couldn't stop trying, any more than she could bring back the makers' protection.

Suddenly, there was warmth, but not from within. The high templar had left her chair. She stood behind Mahtra, massaging her neck.

"How witless of me," the august emerita said. Lord Escrissar had used the same words in his apology after he'd left her alone with Kakzim. There was more pressure behind her eyes, more sound brewing in her sore throat. The coincidence had been too great; Mahtra couldn't bear the pain any longer. She slumped sideways, and only the considerable strength in the old templar's arm kept her from falling to the floor.

Mahtra was ready to tell someone—anyone—what had happened, but it was very difficul

t to keep her thoughts dear enough for the august emerita to understand without saying the words, however poorly, as they formed in her mind. And without her mask, Mahtra was too self-conscious to speak. So, when Bettin returned to the atrium with a plate of sliced fruits and other appetizing morsels, the high templar sent him off after the mask.

"You'll eat everything on that plate first, child."

Eating, like talking, made Mahtra uncomfortable, but the light of food had awakened her stomach and the august emerita was not a person to be disobeyed. Mahtra ate with her fingers, ignoring the sharp-edged knife and sharp-tined fork the slave, Bettin, had laid beside the plate. She'd seen much devices before, in other high templar residences, and knew they were more polite, more elegant, than fingertips. She was eleganta, though, not elegant, and she made do with sticking her fingers under the concealing folds of her thawl. The august emerita didn't say anything about Mahtra's manners; the august emerita seemed to have forgotten the had a guest.

Clutching an ornate walking-stick as if it were a weapon rather than a crutch, the old woman paced circles around her fountain and her trees. She wasn't the tallest human woman Mahtra had ever seen, but she was just about the straightest: her shoulders stayed square above her hips as she took-her measured steps, and her nose pointed forward only, never to either side, even when Mahtra accidently hudged her unused fork, and it skidded and clattered loudly to the mosaic floor.

Yet the august emerita was paying attention to her. She returned to her own chair on the opposite side of the table as soon as Mahtra had swallowed the last morsel of the last sweet-meat pastry. Bettin appeared, suddenly and silently, out of nowhere and disappeared the same way once he'd deposited Mahtra's mask on the table beside his master. Like her clothes and sandals, the mask had been carefully tended. Its leather parts had been oiled, the metal parts, polished, and the cinnabar-colored suede that would touch her skin once she fastened the mask on had been brushed until it was soft and fragrant again. The august emerita looked aside while Mahtra adjusted the clasps that held the mask in place.

"Now, child, from the beginning."

The beginning was a hot, barren wasteland, with the makers behind her and the unknown in front of her. It was running until she couldn't run anymore. It was falling onto her hands and knees, resting, then rising and running some more—

"The cavern, Mahtra. Begin again with the cavern however many days ago it was. You lived by the reservoir. You were going home. What happened? What did you see? What did this Father-person say to you?"

Perhaps it was only the sun moving overhead, but the creases in the august emerita's face seemed to have gotten deeper and her eyes even harder than they'd been before. She sat on the edge of her chair, as arrow-straight as she'd paced, with her palms resting lightly on the pommel of the walking stick. The pommel was carved in the likeness of a hooded snake with yellow gemstones for its eyes. Mahtra couldn't decide if the snake or the august emerita herself unnerved her more.

She went back to that not-so-long-ago morning and retraced her steps: cabra fruits, cinnabar beads, and Henthoren's eerie message. The snake's eyes didn't blink, and neither—or so it seemed—had the high templar's. Indeed, there was no reaction from the far side of the table until Mahtra came to the very end of her tale.

"... Father said he'd been killed with Mika and the others. He gave me an image of the man who'd killed them. He said... He said I had patrons who could make certain no one else was killed. I knew the man in Father's last image, Lord Escrissar's halfling slave, Kakzim. So I went to Lord Escrissar—to House Escrissar—to wait for him."

The august emerita was on her feet again, and pacing, holding her snake-stick but not using it. Her free hand rose to the medallion she wore, then fell to her side.

"You had no right to live there. The reservoir is a proscribed place; you saw King Hamanu's wards and circumvented them. The one you call 'Father,' broke the king's law living there and taking you there. Urik has places for those who cannot work or have no kin. They'd all be alive if they lived within the law where the templarate could protect them."

The august emerita's stick struck the mosaic a second time. "Ask him," she said, thereby reminding Mahtra that her thoughts were not private here.

She took her thoughts back to the cavern, then, and Father's last image.

"Yes, yes—" the old woman said wearily. "The wheels of fortune'? chariot turn fair and strange, child. None of you should have been living beside the reservoir, and you should have been among them when catastrophe struck. Had the wheel turned as it should have turned, there'd be no tale to tell or no one to tell it. But Kakzim... Damn Elabon!" She struck her stick loud enough to disturb her caged birds and insects. "He was warned."

Not knowing whether "he" was Kakzim or Lord Escrissar, Mahtra closed her eyes and tried very hard to think of neither man. It must have worked; the august emerita started pacing again.

"This is more than I can know: Elabon's mad slave and Urik's reservoir. I have been too long behind my own walls, do you understand me, Mahtra?"

Mahtra didn't, but she nodded, and the woman did not skim her thoughts to know she'd lied.

"I do not go to the bureau. I do not go to the court. I am emerita; I've put such things behind me. I cannot pick them up again. I mistook your purpose on his doorstep, child. I thought you were his, or carrying his, that's all. In my dreams I saw nothing like this. Damn Elabon!"

The old woman strode to a wall where hung several knotted silk ropes that Mahtra had not noticed before. She yanked on one that was twisted black and gold and another that was plain blue, then turned to Mahtra.

"Follow me. I will write a message for you. That is all I dare do. There would be too many questions, too much risk. There is only one who can look and listen and act."

A message for her, and written, too. Mahtra shivered as she rose from the table. Writing was forbidden. Lord Escrissar and Father both had warned her that she must never try to master its secrets; Lord Escrissar and Father had almost never given her the same advice. But the august emerita was going to write a message for her. Surely this was what Father meant when he said her powerful patrons would help her.

Mahtra snatched another cinnabar pebble from Ver's fountain, then hurried to keep up with the fast-striding woman. They wound up in a smaller room where the only furnishings were another table, another chair, and shelf upon shelf of identical chests, each with a green-glowing lock. On the wall behind the table someone had painted a fresco-portrait of Lord Hamanu. The Lion-King glowered at Mahtra through gemstone eyes while the august emerita snipped a corner off a fresh sheet of parchment and covered it with bold, red lines of ink.

Two more human slaves, neither of whom was Benin but who were like him in all other ways—lithe, tanned, and lightly scarred—joined them. Mahtra guessed that one of them was the blue rope while the other was the black-and-gold, but she had no way of knowing for certain, and the august emerita did not address them by name.