Bridget Jones: The Edge of Reason (Bridget Jones 2)

BJ: (Sulkily) Do you think that Mr. Darcy has a political dimension?

CF: I did speculate on what his politics might be, if he had any. And I don't think that they would be very appealing to a reader of the independent. It's that pre-Victorian or Victorian idea of being the rich social benefactor, which would be very Thatcherite probably. I mean the thought of socialism obviously hadn't entered the ...

BJ: No.

CF: ... entered his sphere. And it is clearly stated by way of showing what a good chap he is that he is very nice towards his tenants. But I think that he'd be closer to a sort of Nietzschean figure, a ...

BJ: What is neacher?

CF: You know, the idea of the, er, human being as superman.

BJ: Superman?

CF: Not Superman himself, no. No. (Slight groaning noise) I don't think he wore his underpants over his breeches, no. Look, I'd really like to get off this subject now.

BJ: What will be your next project?

CF: It's called The World of Moss.

BJ: Is it a nature programme?

CF: No. No, no. No. It's um, it's, er, about an eccentric family in the 30s, the father of which owns a moss factory.

BJ: Doesn't moss grow naturally?

CF: Well, no, he makes something called Sphagnum moss, which was used to dress World War One wounds and, er, it's, er, quite a light, er, comic ...

BJ: (Very unconvincingly) It sounds very good.

CF: I very much hope it will be.

BJ: Could I just check something about the shirt?

CF: Yes.

BJ: How many times altogether exactly did you have to take it off and put it on again?

CF: Precisely ... I don't know. Um. Let me see ... there was the bit where I was walking towards Pemberley. That was shot once. One take. Then there was the bit where I give my horse to somebody ... I think there was a change.

BJ: (Brightening) There was a change?

CF: (Strictly) There was. One change.

BJ: So it was mainly just the one wet shirt, though?

CF: The one wet shirt, which they kept respraying, yes. All right?

BJ: Yes. What is your favourite colour?

CF: We've had that.

BJ: Urn. (Paper rustling) Do you think the film Fever Pitch was in reality all about emotional fuckwittage?

CF: Emotional what?

BJ: Fuckwittage. You know: men being mad alcoholic commitment phobics and just being interested in football all the time.

CF: No, I don't really. I think in some ways Paul is much more at case with his emotions and has much more liberty with them than his girlfriend. I think that, in fact, in the final analysis, is what's so appealing about what Nick Hornby's trying to say on his behalf: that, in a rather mundane, everyday world he has found something where you have access to emotional experiences that ...