The Urban Fantasy Anthology (Peter S. Beagle) (Kitty Norville 1.50)
Page 164
The grounds, as I say, were sprawling, but I was not allowed to make use of that sprawl. There were too many opportunities to be “hurt.” The swinging motion I have already described could, of course, be accomplished to dire effect by the swing set just beyond the Italian-tiled patio; there was also at that spot a set of monkey bars which “would upset the balance of your hormones if you were to use it, since hanging upside down by a boy of your delicate constitution would only lead your body to hormone imbalance. The features of your face would begin to move about by the action of the blood rushing to your head, and you would end up looking something like this.” He made an extremely grotesque—and terribly funny—face then, and I laughed along with him until I abruptly began to cry. If my memory serves me correctly, I ran and threw my arms around him, thanking him for saving me and asking him to promise never to leave or send me away; and, yes, I remember pointedly and now as clearly as if the moment were again occurring that my teary eyes were staring at his hands, still behind his back, and I was willing them to move around toward me, to show me anything parental and physical. I believe that may be the moment when I thought something was not right between us; for a fleeting second I entertained the thought that maybe he didn’t love me after all but then quickly dismissed it, knowing that it must have been me, that I may already have been in danger of contracting some vile disease, something transmitted by a touch of the hands to the head, something transmitted by a loving hold, and that he was merely, as lovingly as he could, trying to avoid exposing me to it. He was saving me from himself. I threw myself from him, aching with apology for what I had almost accomplished. I don’t remember if he thanked me or just went away.
“If you gaze at the sky too long,” he said, after catching me leaning out of an upper-story window at the moon overhead, “your head is very liable to fall off or stay locked in that position at least. Never look up in the daytime.”
“Not even to watch a bird fly overhead?”
“Never. How old are you now?”
“Seven.”
“Never look up again, Alfred. Until now you have been lucky, but with the age of reason comes a severity of life that you will only too soon realize.”
I never looked up.
“If you sit in a chair for more than five minutes, your feet will begin to lose their circulation and may never get it back. If you stand for more than five minutes, too much blood will rush to the bottom of your body and your feet will become heavy, as if filled with lead.” I crouched when I walked.
“Meat will cause you to turn red.”
I did not eat meat.
“Vegetables will cause you to turn their own color—yellow, green, orange.” I only ate vegetables when desperate.
“Chocolate will cause you to turn black. Wheat you may take, and potatoes, and you may drink water in moderation after boiling, cooling and then boiling again. Do not drink milk: it will make you white as paper.”
He showed me a book with these things in it, or rather read to me from one. The book, I later discovered, was Moby Dick. Such a thick book, such thick lies.
And yet I followed his instructions and thanked him for it. I grew. I grew fat. Wheat and potatoes were my diet, and teenagehood found me stout and ugly. I wore glasses thick with mottled glass, because he told me a lucid pair would cause my eyes to change color and shape. My teeth hurt, and he scolded, saying that I had eaten something, possibly so long ago I could not remember, something that had gone against his wishes and was now catching up with me.
I will kill him when I find him.
He left abruptly; abandoned that massive estate in the dead of night when I was fifteen years old. There was only one hint that this would happen. Late in December of the winter he left, during the coldest part of a cold month, Mandy, the ghostly mute, took to her bed believing she would die. She was attended to by other of the staff, and even my father occasionally visited her. I was told never to go into her bedroom. I had once had a peek into that room—enormous and cluttered, with a high sculpted ceiling (there were paintings on it, clouds and blue sky which made me fearful lest my eyes and neck lock on it) and deep brown carved wooden walls. A huge bed, with high spikes at the four corners. A green-and-yellow coverlet. This was all I remembered. In the very last days of December, when it was made known with the usual whispering (whispers were what filled that manse, whispers and lies) that she would die before the night was gone, I went in to see her.
I knew she was alone. There were statues on that floor, as on every floor, behind which I had often hidden and which I had no neuroses about since my father did not know or had never caught me at it. There was one particular statue, a golden, tiny wood goddess with bow, set prominently high on a pedestal just to the left of the wide winding staircase (I used to occasionally slide down that staircase railing also, until He found me at it one day and told me that my genitals would be forced back into my body by the pressure of the railing if I continued), which gave an excellent view of Mandy’s sickroom entrance. Shortly after supper I secreted myself there, watching the comings and goings of the servants, the dour doctor who came from somewhere and departed again to it, and, finally and surprisingly, my father, who came quietly out of the door somewhere just before midnight. He had no reason to check on my whereabouts, since he had made sure I was tucked solidly into my bedchamber just after dinner and had no reason to believe I would be anywhere else (he told me as a baby of the “things that were abroad after dark”), but this was one of the few of his lies that I had managed to outgrow, even though at times on my nightly sojourns I thought I spied one of his “beasties of the night”—more likely optical illusions of the night. It occurs to me that he was neglectful in this, but why quibble; I seem to recall he was getting a little old by this time and had forgotten to reinforce some of the foul walls he had built, brick by blood-red brick, around me for my fifteen years. Anyway, here I was when he hobbled off (he was getting old, and I remember him making use of a cane just before he left the next month) to his own voluptuous quarters somewhere to the other side of the building and one flight up (I had seen those quarters once, too, and they made Mandy’s into a tent) and, probably, to one of his live-in paramours, servant-man or-woman or possibly someone from outside who was occasionally flown in, usually around the holiday season (which was not, naturally, celebrated, in this household).
I waited a full ten minutes, crouched in my hiding spot and beginning to balance the two fears—fear of discovery by leaving the shadow of that statue too soon and fear of my legs being lost to me since I could feel numbness setting into them—before slowly moving out toward the door in a rabbit’s crouch.
The lock ticked open easily. The room was not as big as I had remembered, but the bed seemed even bigger. Grey moonlight suffused the room, throwing a pale line of light across the bottom half of the bed; there was also a low wattage bulb set into the wall over the
bedstead, illuminating the upper half.
All I could see was a pile of pillows and that same green-and-yellow comforter, which looked as flat as if no one were under it. At first I thought that this might be the case; perhaps they had moved her without my seeing; perhaps she had died and they had lowered her from the window into the waiting arms of the dour doctor to be carted off for burial or burning; perhaps this had all been a setup to lure me to this spot so that my hiding place behind that wood goddess could be uncovered and I could be mind-tortured further. I whirled quickly around but saw no one at the doorway behind me and no one, seemingly, in the corners of the room ready to jump out.
By this time I had moved close enough to see that, yes, she was in bed after all. Barely there, what was left of her. There was a head above the line of the quilt that looked like the head of a monkey, shriveled and nut brown; and below that the coverlet stretched as flat as I had imagined it did, scarcely revealing the outline of an evaporated body.
I leaned down over her, wanting very badly to peel up her eyelids as I had seen once on television (before He had decided that this pleasure, too, should be denied me for my own good), when her eyes opened of their own and she stared straight into my face.
She tried to scream, but nothing came out. Her features contorted, her lips pulling back over her teeth, making her look even more like a monkey. It was now that I saw why she was mute: her tongue ended in a surgically sharp line at the back of her throat, giving her nothing to articulate with. Or so I thought.
After a moment she ceased trying to scream, and a curious calm descended on her. She looked at me for a few moments, apparently recognizing me now. Why had she tried to scream? Possibly she had thought I was someone else. But now, recognizing me as she did, her eyes brightened and she tried desperately to say something.
“What?” I asked, leaning down close with my ear to her mouth, wanting to draw back because of the disease she might impart to me but overcome with a violent compulsion, for the first time in my life, to explore a mystery on my own. “I can’t hear you.”
She was muttering something, so far under her breath and with such obvious effort that I hushed my own breathing, concentrating doubly hard to pick up her faint, insect’s voice.
“Mo…” she was saying. “Mot…”
“What?” I rasped at her, impatient and now with one eye on the door lest someone hear the faint struggle going on in here.
“Mot…”