Last Night in Twisted River

"Yeah, I wouldn't be surprised," May said.

"Now look at him!" Dot whispered. "He's got food in front of him, and he still can't stop writin'!"

But the food was good; Danny liked most of his memories of Mao's, and he'd liked all the food there. The dialogue he'd written was also good--it would work fine, Danny had decided. It was just that the timing was wrong, and he wanted to remind himself of the right time to use the line. Before turning his attention to the beef satay, the writer simply circled the dialogue and wrote a note to himself in the margin of the notebook.

"Not now," Danny wrote. "Tell the part about the pig roast first."

CHAPTER 10

LADY SKY

SPRING WAS A BIG DEAL IN IOWA; THE FIELDS WERE A SPECIAL green. Pig roasts were the rage with the art-department types and the writing students. Danny had avoided most of the Writers' Workshop parties when he'd been a student, but Katie dragged him to the artists' parties, which in Danny's opinion were worse than whatever trouble the writers managed to cause themselves. Katie knew everyone in the Iowa art department, because of her modeling for the life-drawing classes; though he'd been a life-drawing model in New Hampshire, Danny hadn't been married at the time. In Iowa, it made him uncomfortable to know that many of the graduate students in art--not to mention some of the faculty--had seen his wife naked. Danny didn't know most of their names.

This particular pig roast had been hard to find. Little Joe cried the whole way to Tiffin on U.S. 6, but Danny, who was driving, wouldn't let Katie take the two-year-old out of his car seat. They left the highway in Tiffin but were nearer to North Liberty when they got lost; either Buffalo Creek Road didn't exist, or it wasn't marked, and by the time they found the dilapidated farmhouse, Danny had spoken sarcastically on the subject of art students. (They were either too nonverbal or too abstract to give good directions, in his opinion.)

"What do you care if we can't find the stupid farm?" Katie had asked him. "You never want to go to the parties I'm invited to, anyway."

"I never want to go to the parties I'm invited to, either," he pointed out to her.

"Which makes you loads of fun, fuckhead," Katie said.

The farmer tended to his pigs in the early morning, and once again in the late afterno

on; he lived in one of those motel-looking but expensive ranch houses on Rochester Avenue in Iowa City, and he rented his falling-apart farmhouse to four scruffy young men who were graduate students in art. Katie called them artists--as if they'd already achieved something.

The writer was more cynically inclined; Danny thought of the male graduate students on the pig farm as three half-assed painters and one pretentious photographer. Though Danny did know that the half-assed painters had all drawn Katie in one or another life-drawing class, he hadn't known that the pretentious photographer had photographed her in the nude--this unwelcome news had emerged in the car, when they got lost on their way to the pig roast--and Danny had been unprepared for the drawings and photos of his naked wife in the graduate students' untidy farmhouse.

Joe didn't seem to recognize his mother in the first of the sketches the two-year-old saw; in the farmhouse kitchen and dining room, some smudged charcoal drawings of Katie were taped to the walls. "Nice decor," Danny said to his wife. Katie shrugged. Danny saw that someone had already given her a glass of wine. He hoped there was beer; Danny was always the driver, and he drove a little better on beer.

In the car, he'd said to his wife: "I didn't know that the life-drawing classes were open to photographers."

"They aren't," Katie had told him. "It was arranged outside class."

"Arranged," he'd repeated.

"God, now you're repeating everything," she'd said, "like your fucking father."

While Danny looked in vain for a beer in the refrigerator, Joe told him that he needed to go to the bathroom. Danny knew that Joe wasn't yet toilet-trained. When the boy said he needed to go to the bathroom, he meant that it was time for someone to change his diaper.

Katie usually resented carrying diapers in her purse, but she had wanted to go to the pig roast badly enough that she hadn't complained--until now. "It's about time the two-year-old was house-broken, isn't it?" she said to Danny, handing him a clean diaper. Katie called Joe the two-year-old as if the boy's age condemned him to denigration.

In the downstairs bathroom of the farmhouse, there was no curtain for the shower stall, and the bathroom floor was wet. Father and son both washed their hands in the grimy sink, but finding a towel was no more successful an endeavor than Danny's search for a beer. "We can wave our hands dry," Danny said to the boy, who waved to his dad as if he were saying good-bye--the standard one-handed wave.

"Try waving both hands, Joe."

"Look--Mommy!" the boy said. He was pointing to the photographs on the wall behind his father. There was a black-and-white contact sheet and half a dozen enlargements thumbtacked to the wall above the empty towel rack. Katie was naked with her hands hiding her small breasts, but her crotch was fully exposed; it looked as if her modesty had been purposely manipulated or misplaced. Someone's conscious idea, clearly--a deliberate statement, but of what? Danny wondered. And had it been Katie's idea or the photographer's? (His name was Rolf--he was one of the bearded ones, Danny only now remembered.)

"Yes, the lady looks a lot like Mommy," Danny said, but this strategy backfired. Joe looked more closely at the photos, frowning.

"It is Mommy," the boy said.

"You think?" his dad asked. He'd taken his son's small hand and was leading him out of the filthy bathroom.

"Yes, it's really Mommy," Joe answered gravely.

Danny poured himself a glass of red wine; there were no wineglasses left, so he used a milk glass. There were no plastic cups, either. In one of the kitchen cabinets, he found a coffee mug that looked sturdy enough--if not completely childproof--and he gave Joe some ginger ale. Danny wouldn't have trusted any milk in the fridge, if he'd been able to find some, and the ginger ale was the only mixer there that could possibly appeal to a child.

The party was outside on the lawn, near the pigpen. Given the late-afternoon, early-evening time of day, Danny assumed that the farmer had already fed his pigs for the day and departed. At least the pigs looked contented, though they watched the assembled partygoers with almost human curiosity; on an average day, the pigs probably didn't get to observe a dozen or more artists.