Kill the Dead (Sandman Slim 2)

When I was a kid, I once took a sharp piece of wood from the backyard and smacked one of our neighbors’ Dobermans with it. The dog chased me all the way to the end of the block, and when he was done, I had bruises and bloody teeth marks all down my left calf. My father was in the driveway, working on my mom’s old Impala, and saw the whole thing. When I asked why he didn’t stop the dog from biting me, he said, “’Cause you deserved it.”

“What’s that line from The Maltese Falcon?”

“Excuse me?” asks the guard. His name tag reads Huston.

“Bogart says it. ‘The cheaper the crook, the gaudier the patter.’ You ever think about that when you’re patting people down?”

“We’re just doing our jobs, sir.”

“Trust me, I know. I’ve been coming here about every week for six months. You’re doing a really thorough job of looking at my fingerprints for the four-hundredth time and talking to the same guy inside you always talk to, the one who always gives you the same answer. I mean, I always get invited in, right?”

“We have to establish your identity, sir. It’s procedure.”

“You know who I am. Or do a lot people show up here covered in blood and goofer dust?”

That last bit sets off the Shut Eye. An unsubstantiated claim of identity. Catnip to psychic snoops. I can feel it when they’re slipping their ghost fingers into my skull. It tickles behind my eyes.

There are two basic ways to deal with a peeper. You can back off and go blank. Name all the presidents or run through multiplication tables.

The other way to deal with psychics is to welcome them in. Throw open all the doors and windows and invite them deep inside your mind. Then grab them by the throat and drag them straight down to Hell. Well, that’s what I do. It’s not mandatory. The point is that once you’ve led them deep enough into your psyche, you’re the one behind the wheel and they’re strapped in the kiddy seat in back.

I give them the grand tour of Downtown, starting out with a quick jolt of the early days in Hell when it was all nausea and panic. Give them a quick taste of psychic rape. Experiments and Elephant Man exhibitions. Being the fox in a mounted hunt through forests of flayed, burning souls. Then some highlights from the arena. Killing, eleven years of killing. I let them see exactly what being Sandman Slim is all about. Most of them don’t get that far.

This Shut Eye doesn’t make it past my first week Downtown, when a drunk Hellion guard slit me open and tried to pull out my intestines because he’d heard that’s where humans hid their souls. But I don’t let the Shut Eye off that easy. I hold him inside long enough to feel me running away from the neighbor’s dog and getting my leg chewed up.

When I let go, Criswell flies out of my head like a goose through a jet engine. He gasps and is on the verge of tears when the connection finally breaks.

Huston grabs him by the shoulder.>“Hey, Speedy Gonzales. You like chasing things? Why don’t I knock your head across the street and you can chase that?”

“Get him, Nellie. Look at that scarred piece of shit. He’s too ugly to drink. Waste that faggot.”

It’s one of the boys talking. The one who got me with the chunk of wood. He has a southern accent. Somewhere deep, old, and hot. You can almost hear the kudzu wrapped around his words.

Eleanor says, “Shut up, Jed Clampett. Jethro is waiting for you to blow him in the parking lot.”

Everyone laughs but Jed.

While Eleanor does an “Evening at the Improv” thing for her dead friends, I do a Hellion chant over and over, keeping my hand in the glass and letting the blood flow. For once, Hellion’s guttural grunts work in my favor. The Lost Boys think I’m moaning.

“Why were you following me, asshole? Did Mutti send you? Mom, I mean? Does Daddy know? All she has to do is put on her knee pads and she can get him to do anything.”

The wind starts as a breeze from the back of the theater, sweeping from the balcony and ripping down the rotten curtains that flank the dead movie screen. Eleanor drops the comedy act and the others go silent as the wind picks up force. Now they’re the ones unsteady on their feet.

Even though I can’t read the dead like the living, vampires still have minds and I feel around for Eleanor’s. I can’t tell you her lottery numbers or her kitten’s name, but I can pick up images and impressions. She’s gone from pissed to nervous and is steering into the skid, heading for scared. She hasn’t been a Lurker long enough to run into anybody with real hoodoo power and she can’t figure out what’s happening.

Mommy is in her head, too, a black hole of anger and fear. Eleanor might even have gotten herself bit just to spite her. She has a secret, too. She thought it would save her in the end, but now she’s having her doubts.

A gust blasts down the aisle like an invisible fist, knocking all five of them ass over horseshoes into the air. Eleanor loses the two-by-four and lands on top of me. I can smell the fear through her burned skin. The wind keeps going, moving up from Hurricane Katrina to space shuttle exhaust.

With all her strength, Eleanor pushes herself off of me.

“It’s him! He’s doing it!” she yells. “What do we do?”

Jed Clampett hauls his ass up off the floor and pulls himself to me using seat backs like crutches. I’ve changed the chant, but he hasn’t noticed yet.

The wind shifts from a wind tunnel to a swirling twister. I haul myself to my knees and shrug off my leather jacket. The twister rips the carpet from the floor, throwing a junk-yardful of broken glass into the air. The shards circle us like a million glittering razor blades, which doesn’t do much more than annoy Eleanor and her friends. They bat the glass away like flies. Each of their hundred cuts heals before the second hundred happen. But I’m getting cut, too. In a few seconds I’m the fountain in front of the Bellagio Hotel and all that broken glass is doing a water ballet in my blood.

The swirling air turns pink as I bleed out, which Jed and his girlfriend think is goddamn hysterical. They stick out their tongues and catch drops of my blood like kids catching snowflakes. About ten seconds later they’re both screaming and tearing open their throats with their fingernails. Then the other three start to feel it. They try to run, but the wind and glass are everywhere. It’s one big Veg-O-Matic in here, spraying my tainted blood down their throats and onto their million wounds.