Kill the Dead (Sandman Slim 2)

I get up and glance at my phone. There’s still time to make a couple of stops before I have to be at the Chateau.

“Fuck my old self. My old self got his life stolen by morons and the person he cared about most killed. If I start turning into that asshole again, I’ll peel these scars off myself and put a shotgun to my forehead.”

“But how do you really feel?” asks Allegra.

“Thanks for fixing me up. I’ll see you later.”

“Where are you going?”

“I’ve got to buy a prom dress.”

I MAKE A quick stop at the Bamboo House of Dolls. You don’t want to play into the “do me a favor, I’m a rock star” thing too often, but when you’re being followed around because you’re the celebrity killer of the month, why not use it occasionally, like when you need a human in the paranormal biz and you don’t have time to screw around?

Mediums, exorcists, and sin eaters at Bamboo House aren’t the big-money kind, so most of them have to do odd jobs to stay afloat. When you’ve been career-counseling ghosts all night, it’s hard to answer phones or sling lattes for yuppies all day. Most human paranormals tend to dabble in things like gambling, sex work, and cream-puff crime. I only have to ask a couple of people to find a well-stocked thief. He sells me a new leather sport jacket and a rifle frock coat for a hundred, which even by booster standards is cheap. Of course, now he can tell his clients that he sells to Sandman Slim and jack up his prices. Let the circle of celebrity be unbroken. Amen.

There’s still time to kill before I have to head over to Chateau Marmont and I’m restless. I haven’t stolen a car in a month. All death and no play makes Stark a dull boy.

Hollywood Boulevard is long and the side streets aren’t always well lit. You’d be surprised how cheap rich people can be when it comes to parking. They’d rather leave a half-million-dollar Lamborghini in a drugstore parking lot after hours than pay a valet fifteen bucks. Their car insurance payments are what most people put out for a mortgage, and they pay them for the privilege of being stupid, so they can leave their car on the street alone and unprotected, like a four-wheel Red Riding Hood waiting for a wolf like me. I’m doing people like that a favor when I take their cars. Every time stupid rich people get ripped off, it makes them feel better about hating poor people. All they did was leave the equivalent of a big pile of cash by a parking meter, and when they came back, they were horrified to find it was gone. Leaving their stuff out for people to steal proves to them that people want to steal their stuff. Fear is like curling up under a warm blanket for some people, especially the rich.

Something evil and full of testosterone must be smiling down on me tonight. About half a block from Sunset on Cahuenga Boulevard, parked right out in the street like Grandma’s Camry, is a silver Bugatti Veyron 16.4. An easy two million dollars in precision engineering and eyeball kicks. If Hugh Hefner designed the Space Shuttle, it would look like the Veyron. Luke Skywalker would be conceived in the backseat of this car, if it had a backseat.

The Veyron is stuffed with more tech than a particle accelerator, so the black blade won’t get me through the electronic lock without alerting every screaming bit of it. Fortunately, this isn’t the first time the genius who owns the car has left it out in the open. A thin layer of dust covers the top. Just enough for me to draw in. I face west and move my finger slowly over the swept-back plastic roof, trying not to trip the alarm. I finish with a counterclockwise twist on Murmur’s sigil. Murmur is a big-mouth Hellion prick with a voice like a 747 engine, but when you reverse his name, you can hear a pin drop from a mile away. When I’m done, I give the car a good shove. It rocks for a second, the lights flutter as the alarm tries to activate, but it gives up and dies. I slip inside through a shadow, jam the black blade into the ignition, and start it up. There’s something very satisfying about stabbing two million dollars in the heart.

Murmur’s silence fills the car inside and out. My brain starts to untangle after a long, weird day.

Which is good and bad. It leaves me asking the big question I need answered: Why is Lucifer in L.A.? There’s nothing I’ve picked up from Kasabian that gives me a clue, and he can’t lie as well as a five-year-old. Have I done anything to piss Lucifer off or make him especially happy lately? Not that I know of. I haven’t done anything for him at all except take his cash. His retainer checks are a decent amount of money, and if I didn’t piss it all away on the big black money pit that is Max Overload, I’d be doing all right. If I was a regular desk monkey with a regular apartment and a used Honda Civic, I’d be living pretty well. But I like my little tree fort. Any more room and I’d get lost. Vidocq would find me a week later, starving and hallucinating in the breakfast nook. Max Overload is all I need or want. There’s a bed, a closet, a bathroom, and a million movies downstairs. I didn’t crawl out of Hell to hit the pillow sales at Bed, Bath & Beyond. I have a hard enough time keeping clothes for more than a week.

So, what the hell does Lucifer want? I don’t have my gun or the na’at with me, which is probably just as well. I have the black knife and the stone Lucifer gave me the last time we saw each other. I tested it. I’ve thrown every kind of magic I can think of at it and it seems to just be a rock. I don’t know why I carry the damned thing around. Superstition, maybe. When the devil tells you you might need something someday, I figure it pays to listen. Between the rock, Azazel’s knife, the na’at, Mason’s lighter, and Kasabian’s head, I’m starting to feel like a Gnostic junkyard.

As I cruise the streets, my mind wanders. Never a good idea. An image of Alice tries to form in my brain, but I concentrate on the lights, the billboards, and the other cars and it goes away. I spend a fair amount of time and energy not thinking about Alice these days. On the other hand, I think about Mason all the time. I know Kasabian knows more about Mason than he’s telling me. I’d love to get some alone time with the Daimonion Codex, but I’m not willing to get my head cut off for the privilege.>Vidocq, with Allegra’s help, has turned the place into the Library of Alexandria, only French, with a schmear of L.A. art school punk. On a floor-to-ceiling bookshelf sits the foot-high three-thousand-year-old statue of Bast that Vidocq stole from an aristocratic bastard back in France. Next to Bast, Allegra has propped a pink Hello Kitty doll with tentacles. Hello Cthulhu.

The rest of the place is stacks of old manuscripts, crystals, weird scientific instruments, potions, herbs, and the gear to cut, cook, and mix them. Merlin’s workshop with a big flat-screen TV and stacks of movies Allegra brings home from the Max Overload. There’s porn stashed under the sofa, but they don’t know I know about that. I think they watch it together.

“Where did Vidocq say he was going?”

“Out for mazarine ice.”

“Sounds like wine cooler. What is it?”

“When he gets back, he can tell us both.”

When I met Allegra her head was shaved smooth. Now she’s letting it grow out short and shaggy. It suits her. It’s pretty.

My shirt is off as she smears green jasmine-smelling paste on my burned shoulder with her hand. Somewhere in L.A. there’s some poor guy who dreams about having a pretty girl rub paste on him, but none of the girls he knows will do it. Here I am taking his turn at bat and not even appreciating it.

“Does this hurt?”

“It’s fine.”

“That’s not what I asked.”

“Nurse, some psycho is making mud pies on my blisters with her hairy meat hooks and it hurts.”

“That’s more like it, baby boy. Knowing when I’m hurting you and not hurting is how I get better at this.”

“You’re doing fine. I’m a happy guinea pig.”

Allegra sets down the jar and uses the lid to rub the excess paste from her hand.