IT ISN’T A long walk to Hell. Shorter than the walk to Eden. No surprise there.
The stairs lead to a long passage that looks like an abandoned maintenance tunnel. Someone needs to sweep up down here. Here and there whole sections of the ceiling have crashed onto the cement floor. I have to half walk, half hopscotch around it to keep from tripping. In the flickering fluorescent light, I swear some of the rusted rebar looks like bones.
After an hour of wandering I come to another set of metal stairs. It’s not the best feeling being this close to Hell again. But it’s what I signed up for. If Mason has a Hellion bike gang with chains and knuckle-dusters stationed at the top of these stairs, I’m going to be pissed. I could have stayed home and let Medea Bava kill me while eating hundred-dollar chicken and waffles with Candy.
There are double doors at the top of the stairs, the kind you see in front of old buildings for deliveries. I push with my arms, but can’t budge them. I go up a few more steps, brace my back against the doors, and push.
The doors feel hot against my back. I can’t tell if it’s the metal or if I still hurt from where Rizoel tagged me. I ignore the pain and keep pushing. Nothing seems to be happening, but then light shines down through a space between the doors. I bend my knees and spring straight up, knocking both doors open.
And I’m instantly on fire. I roll off the pile of burning trash and keep rolling until all the flames are out. I get to my feet and look around.
Fuck me.
I’m back in the Hollywood Forever Cemetery and it’s on fire. All of L.A. is on fire.
EVERYTHING IS WRONG. This is exactly where I was when I crawled out of Hell eight months ago. Now I’m back. Only I’m not. Everything is wrong, from the smells to the sounds to the light.
The cemetery looks like it was worked over by drunk bikers with garbage trucks for feet. Tombstones are knocked over or snapped in two. A lot of them are just dust. Some of the graves are open and spouting fountains of blue flames, like a gas line exploded beneath them. Clothes are strewn across the blackened lawn from bodies nearby that were blown out of the ground when the line broke.
I walk to the cemetery gates but don’t step outside. The last time I walked out of he bued out re, a Beverly Hills crackhead tried to mug me. I mugged him instead. It was quite a welcome-home party. This time I stay put and take in the situation from my own comfy Sheol.
To my right I can see the giant Hollywood sign hanging over everything like a promise to a dead man. The hills and the tops of all the buildings are on fire. Someone must have thrown some hoodoo on the Hollywood sign. It isn’t catching, but the hills behind it are glowing orange ash.
The fires haven’t reached this neighborhood yet, but they’re on the move. From here it looks like the whole horizon is burning. The sky Downtown used to be all bruised purples and bloody reds. A mean perpetual twilight. Now it’s a solid mass of roiling black smoke. Lit from below, it looks like the belly of a black snake the size of the sky crawling over us.
So, where the hell am I? I was pretty crazy the last time I crawled out here. Wasn’t even looking for home this time, but I got it anyway. And it looks like someone broke it when I had my back turned.
How long was I unconscious after the Black Dahlia? Am I Rip van Winkle? Was I semidead for so long that Mason won and the universe thought it would be a hoot to wake me up just in time for the Apocalypse?
I get a fistful of graveyard dirt and scribble runes on my forehead while growling Hellion hoodoo. A death glamour. With any luck, no one will notice that I’m alive. I drop my coat on the ground and grab a corpse’s hoodie dangling from a statue of the Virgin of Guadalupe. I put on the hoodie and the coat over it. I do a last quick check outside the gates for muggers. Satisfied the street’s clear, I pull up the hood, covering as much of my face as I can, and head toward the big cookout.
A CRACK RUNS up Gower Street starting at the cemetery. A deep slash, as ragged as a lightning bolt and wide as a bus. What looks like a pool of bright red blood bubbles at the bottom. It smells like sewage but worse. Rotten eggs and dead fish.
I keep moving north, skirting a sinkhole at Fountain Avenue. Hellion bodies bloat at the bottom. Broken clockwork hellhounds writhe and twitch, leaking spinal fluid. I kick in a few pebbles. Watch them sink into the cherry muck.
Trees have collapsed on roofs and cars, like the ground simply couldn’t support them anymore. Cracks have ripped homes in half. A deep geologic rumble shakes the ground under my feet and the two broken halves of Gower move a few inches in different directions. Fuck me. These aren’t cracks. They’re fault lines. Have I mentioned lately how much I hate everything?
On the side streets some of the new faults must have been exposed for a while because locals have strung them together with half-assed rope and plank and bridges. Idiot militias toss rocks and spears across the chasms, fighting to see who gets to take the crossing tolls.
Sunset Boulevard looks like it was blowtorched from below. As far as I can see everything is gutted, fried, or melted in both directions. The only things still standing are the palm trees. They burn like votive candles in 00" candlea dark nave, throwing more shadows than light. Smoldering fronds fall like burning snow.
THERE’S A RIOT on Hollywood Boulevard.
When I crawled out of Hell eight months ago, I’d been surprised at how the boulevard had become a monochrome wilderness. The street was dead quiet, like someone had dropped a blanket over it. All empty-eyed street kids and vacant storefronts. There’d been plenty of traffic, but even the cars sounded like they were running on cotton candy instead of gas. Something had sucked the life out of the place. Maybe the Kissi. I still don’t know. This version of Hollywood Boulevard is livelier, but I’m already longing for the muffled gray-and-white version.
The mob is a punch-drunk mix of Hellions and damned souls. This isn’t fun, let’s-turn-the-Dumpster-over rioting. It’s the kind where you go at each other with knives and pipes, fighting over food and water and drugs.
I’ve only walked a quarter mile from the cemetery and I can already tell that the place is as bad off as Kasabian said. Lucifer would never let this happen. If Mason had any goddamn sense, he wouldn’t either. When you’re riding herd on a kingdom of killer Hellions, the first thing you do is make sure they’re well fed and at least half hammered most of the time. The way this bunch is tearing up butcher shops and stores, they’re neither. (Yes, Hell has stores and bars. It might be Hell, but it’s better than a dry county in Mississippi.) And who let all the damned souls run wild? I saw some crazy shit when I was trapped Downtown, but this is the first time I’ve ever seen a soul in Pandemonium that wasn’t tortured, locked up, or on a leash. If this really is Pandemonium. If it’s not, where the fuck am I?
A couple of hundred Hellion gendarmes take positions at opposite ends of the street, surrounding the crowd. Hell is all about power games and influence. Lucifer didn’t like too much power concentrated in anyone’s hands, so Pandemonium has two police forces with overlapping territories. And they hate each other. Instead of slowing the riot, the cop gangs smash into it like two hundred icebreakers. With their riot guns and heavy body armor, they rip through the crowd to claim as much of the swag as they can for their side.
I don’t stick around to see which side wins because I couldn’t possibly give less of a fuck. I hope they slaughter each other fast and get out of my way.
I hunch my shoulders, tug the hood, and head back to Gower. Maybe if I grabbed a cop, I could twist him around in interesting ways until he told me where Eleusis is, but seeing as how there are two hundred of them, that’ll have to wait for later. What I want now is to cut back to Sunset and do an end run around this particular shit storm. If this is really a fucked-up version of L.A., then Max Overdrive isn’t far from here. I can hole up until the riot blows over and figure out a next move.
“Where you going?”
A hand shoots out from the alcove of an out-of-business sex-toy shop and latches onto my arm. The Hellion the hand is iotthe hanattached to is dressed in layers of ragged coats, tunics, and greasy shirts. A Hellspawn hobo.