The loons over here watch a couple of old souls, maybe witches, spin a dust of tiny emerald pyramids into orbit around crystal glass cubes like imaginary constellations.
The second floor is for more impressive head cases. Jack said there were Hellions in the asylum and for once he wasn’t lying. There are several, mixed in with the human souls. They’re playing games that only they can possibly understand, tossing potion bottles and human or animal bones, then drawing symbols on the floor in blood and shit. When the drawing is done everyone takes a step and contorts into a strange new position. Dungeons & Dragons for actual monsters in an actual dungeon.
The third floor is the old-fashioned black-and-white Boris Karloff Bedlam I’ve been looking for. Dim, wet, and stinking. This is where they keep the one-percenters. All the cells on the lower two floors are open, but these have double-thick bars surrounded by bonding hexes. And they’re working because most of the cells are still occupied.
The good news is that the few third-floor patients who’ve escaped their cells look more dangerous to themselves than to me. Two grimy Hellions roll around on the floor, each gnawing on the other’s straitjacket. I can’t tell if they’re trying to help or eat each other. Going by the holes in the material and their broken teeth, it looks like they’ve been going at it for quite a while without getting anywhere. Still, you have to give them points for hanging in there.
A Hellion as big as Crab Man emerges suddenly from the dark and lumbers past without looking in my direction. He must have been shackled to the wall of his cell. He has metal cuffs and chains attached to his wrists and is hauling two huge carved stones behind him. Going by the deep scratches on the floor, it looks like all he’s done since getting out is drag his heavy chains and rocks around and around the third floor. As he passes each locked cell, damned souls and Hellions pound the doors and howl at him.
There’s a short hall off the main corridor. The worst of the worst will be down there. I go through the hall quietly and peer around the corner. Just two guards at the end. That’s where Alice will be. My breath cien My breatches in my throat. This is the closest I’ve been to her in over eleven years and there’s only a couple of bored doormen in the way.
For the first time I’ve been down here, I’m scared. Normally I’d get out the na’at and go completely brontosaurus on two lousy guards. But if I do anything spectacularly stupid, there might be another guard in the cell who could kill Alice. The angel reminds me that I’m also wearing a brand-new arm that I’ve never used in a fight. For once I need to think this through.
A couple of minutes later the rock-dragging Hellion makes the turn to this end of the corridor. The guards by Alice’s cell don’t even look up. They’ve heard him walk by a hundred times. The guards couldn’t look more bored.
I flatten myself against the wall. As the backwater Sisyphus passes, I get out the black blade and slice through his heavy chains while giving him a little kick in the ass. Not enough to hurt him. Just enough to push him into the side hall so that the guards will be the first thing he sees when he realizes he’s free.
At first he stands there, probably feeling off balance with the big load off his back. Then he looks at his empty hands. Sees the dark and gangrenous flesh around the shackles where they’ve been biting into his wrists for who knows how long. The guards aren’t pleased. They want him to keep dragging the stone exactly the way he always has. They don’t want him to improve himself. The boy with the wrist shackles must be picking up on the guards’ negative waves because he heads right at them for a heart-to-heart. I can’t be sure exactly what they’re saying, but I hear a lot of “ows” and “don’ts” along with the kind of crunching I’ve come to associate with smashed bones. The angel reminds me to be patient and wait for the conversation to die down by itself.
In a couple of minutes a still-disoriented giant wanders out of the side hall. He’s covered in blood and other colorful fluids that I don’t want to think about. He stares at his stones, lost and desperate without them. I go over and pick up the end of one of the chains. He looks up when he hears the links rattle against each other. I hold the chain out to him. He eyes me for a full minute. I’m not sure what he sees. I wonder if the insane can see through glamours? I still have Hellion skin plastered on my face, so I’d be pretty confusing to look at if he can see my living body.
Slowly, he puts out a hand. I wrap the chain around his palms and close his fingers over the metal. He leans forward. The weight is different, but familiar enough that he knows what to do. The moment he puts his head down, he forgets about me. He leans into the weight and pulls. The stones scrape reassuringly along the floor behind him.
I go down the side hall, stepping over pieces of the guards, until I come to the door in the back. It’s locked and the sliding viewing panel is welded shut. I can’t be a hundred percent sure what’s on the other side. I slash open the iron padlock with the blade. Before the lock hits the floor, I kick the door open as hard as I can. It swings back and one of the hinges pops as the door swings open and hits the wall.
As I step inside I hear a stifled scream from the farthest, darkest corner of the cell. It sounds awfully human.
“Alice?”
Nothing.
“Alice?”
And a second later there she is. Eleven years I’ve been waiting for this. I’ve lost track of how many beings I’ve killed, and destroyed everything in my way. I’ve been beaten, stabbed, burned, and maimed across two planes of existence to get to this moment. And here I am and here she is and we’re together in the same room maybe a few hours before the end of everything. I want to grab her and kiss her, but I don’t think the feeling is mutual.
She has her back to the far wall and her teeth are bared. She’s holding a wooden stake. It looks like she broke the leg off a chair and sharpened it on the floor. That’s my girl.
“Alice . . .”
“Keep away from me!” she screams, and kicks a metal dish covered with foul-smelling slop at me. Have these pinheads been trying to feed her Hellion food? Even I wouldn’t eat most of that stuff and I didn’t come here on a direct flight from Heaven.
“It’s okay,” I tell her. “It’s me. I’ve come to take you out of here.”
She holds the stake higher.
“I’m not going anywhere with you, asshole! Leave me alone!”
There’s only one small oil lamp in the cell. All she can see is my shadowed profile from the light in the hall. I get closer so I’m not a ghost anymore.
“Alice. I’ve come to save you.”
She lunges and jams the stake deep in my chest. I fall back against the wall. A couple of months ago Candy gave me the zombie-bite antidote on the point of a knife and now this. Why do all the women I like end up stabbing me?
In this case the answer is obvious. I got so excited at the idea of finally seeing her that I forgot I’m sporting a robo-bug arm and a Hellion’s face.
I pull the wood out of my chest and toss it into the hall. Even unarmed, Alice looks like she’s ready to go Frazier and Ali with me. She’s always been like that. She was never big on backing down from anything.
Are you really going to sacrifice yourself to save your great betrayer?