The Getaway God (Sandman Slim 6)

“Maybe you didn’t ask nice enough.”

Wells leads us through the place. The building is swarming with agents. Some in dark suits like Wells’s. Some in lab coats.

The building doesn’t resemble much of a country club anymore. They’ve knocked down walls and torn out floors and ceilings to bring in their special tech. I never had much use for the stuff, but I guess it suits whatever most of them do. The tech is a mix of hush-­hush black budget science-­fiction toys crossed with angelic hoodoo they used to get from Aelita. I don’t know what they’re doing for it now. Maybe they have another angel on the payroll. They sure can’t ask me for help. I’m a nephilim. Half human, half angel. And I worked hard to get the angel part of me under control. The little prick is a boy scout and a bore. I’m not bringing him out again just to sup up some laptops and ray guns.

Wells leads us into what used to be one of the business offices. Now the windows have been blacked out and it’s been turned into an occult space. A place where disreputable pixies like me can perform forbidden rites and magical high jinks.

Candy sets the cooler down on a worktable piled high with old books and manuscripts.

“What do you think? Looks like you finally got your hoodoo man-­cave.”

“I’ve seen the Vigil do worse. At least they’re admitting that they need something more than angelic halo polishers on their side.”

Candy flips through the old books, looking for wood prints of medieval monsters, one of her favorite things. I look around.

There are lab coats, aprons, gloves, and eye protection by the door. Dry-­erase boards mounted along one wall covered in English and angelic script. A few Angra runes too. There’s what looks like an alchemy setup in the corner, with test tubes, burners, alembics, and enough herbs, elixirs, and powders to build a hedge maze. Some clever boots has installed a silver magic circle in the floor. A massive crucifix is bolted to the back of the door. A rube’s talisman designed to keep our unholy magic from contaminating the rest of the Vigil’s headquarters. Same as always. They need us hoodoo types, but they never let us forget that we belong in the back of the bus.

“What’s that?” says Candy.

Back by the plants and lab gear is a broken-­down Japanese shrine, just big enough to hold a wizened old body. The coffin-­size shrine and mummy look hundreds of years old. The body sits cross-­legged in a meditation pose. It’s dressed in gold ceremonial robes and a conical monk’s hat, so someone is looking after it. Paper-­thin flesh stretches over delicate bones. It almost looks polished. L

ike the body isn’t a mummy at all, but a statue carved from lacquered wood. There are offerings of mochi, an orange, and incense at the foot of the shrine.

I go over and touch the dried, worm-­eaten word on the top of the shrine.

“Don’t know. It looks like Norman Bates’s prom date.”

Wells comes in and sees me.

“Don’t touch that,” he barks.

“What’s the deal with Skeletor here?”

With a creak, the mummy turns its head.

“Me? What’s the deal with you, fatty?”

Slowly, the mummy monk unfolds its arms and legs. It’s so slow and delicate, it looks like a giant stick insect waking up.

I take a few steps back. Candy comes around the table and stands beside me, holding on to my arm. Not out of fright but in a “Holy shit can you believe this shit?” way.

Finally, the mummy is standing. The golden robes hang off him like a layer of extra flesh. He stands up straight, puts out his arms, and stretches.

“Nice nap,” he says, then looks back at me. “You’re the one I’ve heard so much about. You been running around shooting more ­people, fatso?”

Dead man or not, Candy steps up.

“Don’t call him names, you bony bastard. He’s skinny as a rail.”

The mummy waves a dismissive hand at her.

“You need glasses.”

“That’s a holy man, young lady,” says Wells. “You do not speak to him like that.”

“Then he shouldn’t call ­people names,” she says.

“Stark, let me introduce you to Ishiro Shonin.”