Just After Sunset

He turned toward the men's room and then froze in midstep as a woman's voice, slightly distorted by echo but dismayingly close, spoke unexpectedly from behind him.

"No, Lee," she said. "No, honey, don't."

There was a slap, followed by a thump, a muffled meat thump. Dykstra realized he was listening to the unremarkable sounds of abuse. He could actually see the red hand shape on the woman's cheek and her head, only slightly cushioned by her hair (blond? dark?), bouncing off the wall of beige tile. She began to cry. The arc sodiums were bright enough for Dykstra to see that his arms had broken out in gooseflesh. He began to bite his lower lip.

"Fuckin' hoor."

Lee's voice was flat, declamatory. Hard to tell how you could know immediately that he was drunk, because each word was perfectly articulated. But you did know, because you had heard men speak that way before--at ballparks, at carnivals, sometimes through a thin motel-room wall (or drifting down through the ceiling) late at night, after the moon was down and the bars were closed. The female half of the conversation--could you call it a conversation?--might be drunk, too, but mostly she sounded scared.

Dykstra stood there in the little notch of an entryway, facing the men's room, his back turned toward the couple in the women's room. He was in shadow, surrounded on both sides by pictures of missing children that rustled faintly, like the fronds of the palm trees, in the night breeze. He stood there waiting, hoping there would be no more. But of course there was. The words of some country-music singer came to him, nonsensical and portentous: "By the time I found out I was no good, I was too rich to quit."

There was another meaty smack and another cry from the woman. There was a beat of silence, and then the man's voice came again, and you knew he was uneducated as well as drunk; it was the way he said hoor when he meant whore. You knew all sorts of things about him actually: that he'd sat at the back of the room in his high school English classes, that he drank milk straight out of the carton when he got home from school, that he'd dropped out in his sophomore or junior year, that he did the sort of job for which he needed to wear gloves and carry an X-Acto knife in his back pocket. You weren't supposed to make such generalizations--it was like saying all African-Americans had natural rhythm, that all Italians cried at the opera--but here in the dark at eleven o'clock, surrounded by posters of missing children, for some reason always printed on pink paper, as if that were the color of the missing, you knew it was true.

"Fuckin' little hoor."

He has freckles, Dykstra thought. And he sunburns easily. The sunburn makes him look like he's always mad, and usually he is mad. He drinks Kahlua when he's in funds, as we say, but mostly he drinks b--

"Lee, don't," came the voice of the woman. She was crying now, pleading, and Dykstra thought: Don't do that, lady. Don't you know that only makes it worse? Don't you know he sees that runner of snot hanging out of your nose, and it makes him madder than ever? "Don't hit me no more, I'm s--"

Whap!

It was followed by another thump and a sharp cry, almost a dog's yelp, of pain. Old Mr. PT Cruiser had once more smoked her hard enough to bounce the back of her head off the tiled bathroom wall, and what was that old joke? Why are there three hundred thousand cases of spousal abuse in America each year? Because they won't...fuckin'...listen.

"Fuckin' hoor." That was Lee's scripture tonight, right out of Second Drunkalonians, and what was scary in that voice--what Dykstra found utterly terrifying--was the lack of emotion. Anger would have been better. Anger would have been safer for the woman. Anger was like a flammable vapor--a spark could ignite it and burn it off in a single quick and gaudy burst--but this guy was just...dedicated. He wasn't going to hit her again and then apologize, perhaps starting to cry as he did so. Maybe he had on other nights, but not tonight. Tonight he was going for the long bomb. Hail Mary fulla grace, help me win this stock-car race.

So what do I do? What's my place in it? Do I have one?

He certainly wasn't going to go into the men's room and take the long, leisurely piss he had planned and looked forward to; his nuts were drawn up like a couple of hard little stones, and the pressure in his kidneys had spread both up his back and down his legs. His heart was hurrying in his chest, thudding along at a rapid jog-trot that would probably become a sprint at the sound of the next blow. It would be an hour or more before he'd be able to piss again, no matter how badly he had to, and then it would come in a series of unsatisfying little squirts. And God, how he wished that hour had already gone by, that he was sixty or seventy miles down the road from here!

What do you do if he hits her again?

Another question occurred: What would he do if the woman took to her heels and Mr. PT Cruiser followed her? There was only one way out of the women's room, and John Dykstra was standing in the middle of it. John Dykstra in the cowboy boots Rick Hardin had worn to Jacksonville, where once every two weeks a group of mystery writers--many of them plump women in pastel pantsuits--met to discuss techniques, agents, and sales, and to gossip about one another.

"Lee-Lee, don't hurt me, okay? Please don't hurt me. Please don't hurt the baby."

Lee-Lee. Jesus wept.

Oh, and another one; score one more. The baby. Please don't hurt the baby. Welcome to the fucking Lifetime Channel.

Dykstra's rapidly beating heart seemed to sink an inch in his chest. It felt as if he had been standing here in this little cinder-block notch between the men's room and the women's for at least twenty minutes, but when he looked at his watch, he wasn't surprised to see that not even forty seconds had passed since the first slap. It was the subjective nature of time and the eerie speed of thought when the mind was suddenly put under pressure. He had written about both many times. He supposed most quote-unquote suspense novelists had. It was a goddam staple. The next time it was his turn to address the Florida Thieves, perhaps he would take that as his subject and begin by telling them about this incident. About how he'd had time to think, Second Drunkalonians. Although he supposed it might be a little heavy for their biweekly get-togethers, a little--

A perfect flurry of blows interrupted this train of thought. Lee-Lee had snapped. Dykstra listened to the particular sound of these blows with the dismay of a man who understands he's hearing sounds he will never forget, not movie-soundtrack Foleys but a fists-hitting-a-feather-pillow sound, surprisingly light, actually almost delicate. The woman screamed once in surprise and once in pain. After that she was reduced to puffing little cries of pain and fear. Outside in the dark, Dykstra thought of all the public-service spots he'd seen about preventing domestic violence. They did not hint at this, how you could hear the wind in the palm trees in one ear (and the rustle of the missing-child posters, don't forget that) and those little groaning sounds of pain and fear in the other.

He heard shuffling feet on the tiles and knew Lee (Lee-Lee, the woman had called him, as if a pet name might defuse his rage) was closing in. Like Rick Hardin, Lee was boots. The Lee-Lees of the world tended to be Georgia Giant guys. They were Dingo men. The woman was in sneakers, white low-tops. He knew it.

"Bitch, you fuckin' bitch, I seen you talkin' to him, tossin' your tits at him, you fuckin' hoor--"

"No, Lee-Lee, I never--"

The sound of another blow, and then a hoarse expectoration that was neither male nor female. Retching. Tomorrow, whoever cleaned these restrooms would find vomit drying on the floor and one of the tiled walls in the women's, but Lee and his wife or girlfriend would be long departed, and to the cleaner it would be just another mess to clean up, the story of the puke both unclear and uninteresting, and what was Dykstra supposed to do? Jesus, did he have the sack to go in there? If he didn't, Lee might finish beating her up and call it good, but if a stranger interfered--

He could kill both of us.

But...

The baby. Please don't hurt the baby.

Dykstra clenched his fists and thought, Fucking Lifetime Channel!

The woman was still retching.

"Stop that, E

llen."

"I can't!"

"No? Okay, good. I'll stop it for you. Fuckin'...hoor."

Another whap! punctuated hoor. Dykstra's heart sank even lower. He would not have thought it possible. Soon it would be beating in his belly. If only he could channel the Dog! In a story it would work--he'd even been thinking about identity before making the evening's great mistake of turning into this rest area, and if that wasn't what the writing manuals called foreshadowing, then what was?

Yes, he would turn into his hit man, stride into the women's room, beat the living shit out of Lee, then go on his way. Like Shane in that old movie with Alan Ladd.

The woman retched again, the sound of a machine turning stones into gravel, and Dykstra knew he wasn't going to channel the Dog. The Dog was make-believe. This was reality, rolling out right here in front of him like a drunk's tongue.

"Do it again and see what it gets you," Lee invited, and now there was something deadly in his voice. He was getting ready to go all the way. Dykstra was sure of it.

I'll testify in court. And when they ask me what I did to stop it, I'll say nothing. I'll say that I listened. That I remembered. That I was a witness. And then I will explain that that is what writers do when they're not actually writing.

Dykstra thought of running back to his Jag--quietly!--and using the phone in the console to call the state police. 99 was all it took. The signs saying so were posted every ten miles or so: IN CASE OF ACCIDENT DIAL 99 ON CELLULAR. Except there was never a cop around when you needed one. The closest tonight would turn out to be in Bradenton or maybe Ybor City, and by the time the trooper got here, this little red rodeo would be over.

From the women's room there now came a series of thick hiccuping sounds, interspersed with low gagging noises. One of the stall doors banged. The woman knew that Lee meant it just as surely as Dykstra knew it. Just vomiting again would likely be enough to set him off. He would go crazy on her and finish the job. And if they caught him? Second degree. No premeditation. He could be out in fifteen months and dating this one's kid sister.

Go back to your car, John. Go back to your car, get in behind the wheel, and drive away from here. Start working on the idea that this never happened. And make sure you don't read the paper or watch the TV news for the next couple of days. That'll help. Do it. Do it now. You're a writer, not a fighter. You stand five-nine, you weigh 162 pounds, you've got a bad shoulder, and the only thing you can do here is make things worse. So get back in your car and send up a little prayer to whatever God looks out for women like Ellen.

And he actually turned away before an idea occurred to him.

The Dog wasn't real, but Rick Hardin was.

Ellen Whitlow of Nokomis had fallen into one of the toilets and landed on the hopper with her legs spread and her skirt up, just like the hoor she was, and Lee started in there after her, meaning to grab her by the ears and start slamming her dumb head against the tiles. He'd had enough. He was going to teach her a lesson she'd never forget.

Not that these thoughts went through his mind in any coherent fashion. What was in his mind now was mostly red. Under it, over it, seeping through it was a chanting voice that sounded like Steven Tyler of Aerosmith: Ain't my baby anyway, ain't mine, ain't mine, you ain't pinning it on me, you fuckin' hoor.

He took three steps, and that was when a car horn began to blat rhythmically somewhere close by, spoiling his own rhythm, spoiling his concentration, taking him out of his head, making him look around: Bamp! Bamp! Bamp! Bamp!

Car alarm, he thought, and looked from the entrance to the women's room back to the woman sitting in the stall. From the door to the hoor. His fists began to clench in indecision. Suddenly he pointed at her with his right index finger, the nail long and dirty.

"Move and you're dead, bitch," he told her, and started for the door.

It was brightly lit in the shithouse and almost as brightly lit in the rest-area parking lot, but in the notch between the two wings it was dark. For a moment he was blind, and that was when something hit him high up on the back, driving him forward in a stumbling run that took him only two steps forward before he tripped over something else--a leg--and went sprawling on the concrete.

There was no pause, no hesitation. A boot kicked him in the thigh, freezing the big muscle there, and then high up on his blue-jeaned ass, almost to the small of his back. He started to scramble--

A voice above him said, "Don't roll over, Lee. I've got a tire iron in my hand. Stay on your stomach or I'll beat your head in."

Lee lay where he was with his hands out in front of him, almost touching.

"Come out of there, Ellen," said the man who had hit him. "We have no time to fool around. Come out right now."

There was a pause. Then the hoor's voice, trembling and thick: "Did you hurt him? Don't you hurt him!"

"He's okay, but if you don't come out right now, I'm going to hurt him bad. I'll have to." A pause, then: "And it'll be your fault."

Meanwhile, the car horn, beating monotonously into the night--Bamp! Bamp! Bamp! Bamp!

Lee started to turn his head on the pavement. It hurt. What had the fucker hit him with? Had he said a tire iron? He couldn't remember.

The boot slammed into his ass again. Lee yelled and turned his face back to the pavement.

"Come out, lady, or I'm going to open up his head! I have no choice here!"

When she spoke again, she was closer. Her voice was unsteady, but now tending toward outrage: "Why did you do that? You didn't have to do that!"

"I called the police on my cell," the man standing above him said. "There was a trooper at mile 140. So we've got ten minutes, maybe a little less. Mr. Lee-Lee, do you have the car keys or does she?"

Lee had to think about it.

"She does," he said at last. "She said I was too drunk to drive."

"All right. Ellen, you go down there and get in that PT Cruiser, and you drive away. You keep going until you get to Lake City, and if you've got the brains God gave a duck, you won't turn around there, either."

"I ain't leaving him with you!" She sounded very angry now. "Not when you got that thing!"

"Yes, you are. You do it right now or I'll fuck him up royally."

"You bully!"

The man laughed, and the sound frightened Lee more than the fellow's speaking voice. "I'll count to thirty. If you're not driving southbound out of the rest area by then, I'll take his head right off his shoulders. I'll drive it like a golf ball."

"You can't--"

"Do it, Ellie. Do it, honey."

"You heard him," the man said. "Your big old teddy bear wants you to go. If you want to let him finish beating the shit out of you tomorrow night--and the baby--that's fine with me. I won't be around tomorrow night. But right now I'm done fucking with you; so you put your dumb ass in gear."

This was a command she understood, delivered in language familiar to her, and Lee saw her bare legs and sandals moving past his lowered line of vision. The man who'd sandbagged him started counting loudly: "One, two, three, four..."

"Hurry the hell up!" Lee shouted, and the boot was on his ass, but more gently now, rocking him rather than whacking him. But it still hurt. Meanwhile, Bamp! Bamp! Bamp! into the night. "Get your ass in gear!"

At that her sandals began to run. Her shadow ran beside them. The man had reached twenty when the PT Cruiser's little sewing-machine engine started up, had reached thirty when Lee saw its taillights backing into the parking area. Lee waited for the man to start whacking and was relieved when he didn't.

Then the PT Cruiser started down the exit lane and the engine sound began to fade, and then the man standing over him spoke with a kind of perplexity.

"Now," the man who'd sandbagged him said, "what am I going to do with you?"

"Don't hurt me," Lee said. "Don't hurt me, mister."

Once the PT Cruiser's taillights were out of sight, Hardin shifted the tire iron from one hand to the other. His palms were sweaty and he almost dropped it. That

would have been bad. The tire iron would have clanged loudly on the concrete if he'd dropped it, and Lee would have been up in a flash. He wasn't as big as Dykstra had imagined, but he was dangerous. He'd already proved that.

Sure, dangerous to pregnant women.

But that was no way to think. If he let old Lee-Lee get up on his feet, this would be a whole new ball game. He could feel Dykstra trying to come back, wanting to discuss this and perhaps a few other points. Hardin pushed him away. This was not the time or place for a college English instructor.

"Now, what am I going to do with you?" he asked, the question one of honest perplexity.

"Don't hurt me," the man on the ground said. He was wearing glasses. That had been a major surprise. No way had either Hardin or Dykstra seen this man wearing glasses. "Don't hurt me, mister."

"I got an idea." Dykstra would have said I have an idea. "Take your glasses off and put them beside you."

"Why--"

"Save the lip, just do it."

Lee, who was wearing faded Levi's and a Western-style shirt (now pulled out in the back and hanging over his butt), started to take off his wire-rimmed glasses with his right hand.

"No, do it with your other one."

"Why?"

"Don't ask me questions. Just do it. Take 'em off with your left hand."

Lee took off the queerly delicate spectacles and put them on the pavement. Hardin immediately stepped on them with the heel of one boot. There was a little snapping sound and the delicious grind of glass.

"Why'd you do that?" Lee cried.

"Why do you think? Have you got a gun or anything?"

"No! Jesus, no!"

And Hardin believed him. If there'd been one, it would have been a gator gun in the PT Cruiser's trunk. But he didn't think even that was likely. Standing outside the women's room, Dykstra had been imagining some big hulk of a construction worker. This guy looked like an accountant who worked out three times a week at Gold's Gym.

"I think I'll walk back to my car now," Hardin said. "Turn off the alarm and drive away."

"Yeah. Yeah, why don't you do th--"

Hardin put a warning foot on the man's butt again, this time rocking it back and forth a little more roughly.