Sparks Rise (The Darkest Minds 2.5)

They don’t know they’re leaving here, I think. Of course not. They’ll just be woken up in the middle of the night and marched out. They won’t even be told they’re never coming back, I’ll bet. They’ll always fear the possibility.

Still, I have orders. I turn toward the staircase as the sheet on my clipboard instructs. She drags her feet at first, pulling back against my grip before she remembers. She’s staring up at the second floor, but we’re going to the basement and she doesn’t ease up on the resistance until she realizes that fact for herself. I look between her and the first few steps leading up, and wonder what the hell is up there to provoke that immediate, unconscious response—to turn her so inside out with dread she’d be willing to challenge a Red, even for a second.

I tug her forward, down the steps, feeling like the uncaring ass**le she must think I am. The closer we get to the small landing, the easier my ears can detect the voices whispering there. We take the two of them by surprise—and then I’m caught by the same thing. Olsen is standing in the corner with a younger guy, no more than thirty, decked out in gray scrubs. His ID badge is swinging from where it’s pinned on his pocket as he gestures harshly toward the PSF, his face marred with angry lines. “—is not going to make it if you don’t help me—”

Olsen holds out her hand, silencing him as we come fully into view. I wait for her permission, a nod, to squeeze past them with the girl, but my ears are straining the whole time, trying to catch her words when she speaks again. “Handle this...best you can...it’ll be okay...again...”

The basement of the building mirrors the structure of the first level: it’s T-shaped, one long hall running horizontally—this one packed with expensive-looking medical machines—the other, with a series of doors, intersecting it. The sheet tells me to bring each kid to office number twelve, which seems to be at the other end of the hall. Small gift. It lets me glance inside the rooms that have been left open, assess what’s still left inside. Shelves, filing cabinets, more than one computer.

I bump shoulders with a PSF hauling a stack of boxes in his arms, but he’s concentrating too hard on not dropping them to level me with a cutting remark or hit. I draw the girl over to the side to make way for more uniforms and boxes, and we narrowly avoid colliding with two women in gray scrubs. Nurses, I think. They’re weaving in and out of all of us, shouting, “Coming through!” with what looks like bags of blood in their hands.

I glance back, alarmed, just as the first door on the right opens and two men step out, allowing the nurses inside the room. One is O’Ryan, rubbing his buzzed hair, the other is in a white coat. We reach office twelve before their words can carry down the echoing hallway, but I feel unsettled as I guide the girl inside and kick the stool over so she can climb up onto the metal examination table. Two sharp, dark thoughts try to connect to one another, and then a third, but I force them out. I need to be focused on finding a way back into the kennel today. I have to make sure she’s okay.

I position myself by the door, near the small counter with its jars of cotton balls and ear swabs. I let my hand rest on the flat surface, fingers inching over to the computer’s mouse. At the smallest touch, the dark screen erupts with light. It’s on, I think, but the screen it brings up is locked and the only thing on it is a space for entering a password.

The door swings open behind me and I straighten, shifting to allow the person in. Gray scrubs, reddish-brown hair—it’s the guy from the landing, the one who’d been arguing with Olsen. When he turns to shut the door, he takes a moment to collect himself and clear the anger clouding his expression. When he faces the girl again, he’s not smiling, but he no longer looks like he wants to rip someone’s head off.

The nurse steps past me to get to the computer. My eyes dart down to the keyboard as he types his password: Martin09! I track his progress as he clicks through several different programs and screens to bring up the girl’s file. Chelsea. Her name is Chelsea.

“How are you feeling? The cold giving you any trouble?” he asks, and, to my surprise, there’s no malice or irony coating the questions. The girl relaxed the moment she saw him and is no longer trying to wring her hands raw. She shakes her head, keeping her eyes on the toes of her shoes.

Right. No eye contact.

The nurse reaches up into the cabinet on the wall and unlocks it. Inside are rows upon rows of bottles and jars. I shift my gaze back to the ceiling as he turns around and fills a paper cup with water from the sink. Chelsea accepts it along with two pills.

He takes a long, thin piece of latex and ties it around the girl’s arm. A tourniquet. He’s drawing blood. Only, even when he gets a grip on her arm, she’s trembling so hard he’s struggling to get the needle in.

“You have to stop shaking,” he says.

Her gaze slides over to me before jerking back to the nurse’s face. Her bottom lip is caught between her teeth, bloodless with how hard she’s biting it. A look of understanding breaks across the man’s face. The way the girl clutches the examination table makes me feel like I’m wearing a disgusting Halloween mask I can never take off.

Oh, I think.

“Oh,” he says. To his credit, it only takes him a second to steel his nerves and turn toward me with that same calm face. For the first time I see the name on his ID tag: R. Dunn. “Step out for a moment.”

I don’t release the breath I’m holding until I’m in the hall again, and the door is shut behind me. The rumble of his voice starts up again. I press my hands flat against the wall behind me, turning my face away. I don’t want to hear it. For some reason, it feels like a rejection—it feels like I’ve been stung, and I’m swelling with toxic resentment.