Divergent (Divergent 1)

I whip my body around, and they stand in my room. I press my shoulders to the mirror.

For a moment, the room is silent, and then fists pound against my window, not just two or four or six, but dozens of fists with dozens of fingers, slamming into the glass. The noise vibrates in my rib cage, it is so loud, and then the scarred man and his two companions begin to walk with slow, careful movements toward me.

They are here to take me, like Peter and Drew and Al; to kill me. I know it.

Simulation. This is a simulation. My heart hammering in my chest, I press my palm to the glass behind me and slide it to the left. It is not a mirror but a closet door. I tell myself where the weapon will be. It will be hanging against the right wall, just inches away from my hand. I don’t shift my eyes from the scarred man, but I find the gun with my fingertips and wrap my hand around the handle.

I bite my lip and fire at the scarred man. I don’t wait to see if the bullet hits him—I aim at each featureless man in turn, as fast as I can. My lip aches from biting it so hard. The pounding on the window stops, but a screeching sound replaces it, and the fists turn into hands with bent fingers, scratching at the glass, fighting to get in. The glass creaks under the pressure of their hands, and then cracks, and then shatters.

I scream.

I don’t have enough bullets in my gun.

Pale bodies—human bodies, but mangled, arms bent at odd angles, too-wide mouths with needle teeth, empty eye sockets—topple into my bedroom, one after the other, and scramble to their feet, scramble toward me. I pull back into the closet and shut the door in front of me. A solution. I need a solution. I sink into a crouch and press the side of the gun to my head. I can’t fight them off. I can’t fight them off, so I have to calm down. The fear landscape will register my slowing heartbeat and my even breath and it will move on to the next obstacle.

I sit down on the floor of the closet. The wall behind me creaks. I hear pounding—the fists are at it again, hitting the closet door—but I turn and peer through the dark at the panel behind me. It is not a wall but another door. I fumble to push it aside and reveal the upstairs hallway. Smiling, I crawl through the hole and stand. I smell something baking. I am at home.

Taking a deep breath, I watch my house fade. I forgot, for a second, that I was in Dauntless headquarters.

And then Tobias is standing in front of me.

But I’m not afraid of Tobias. I look over my shoulder. Maybe there’s something behind me that I’m supposed to focus on. But no—behind me is just a four-poster bed.

A bed?

Tobias walks toward me, slowly.

What’s going on?

I stare up at him, paralyzed. He smiles down at me. That smile looks kind. Familiar.

He presses his mouth to mine, and my lips part. I thought it would be impossible to forget I was in a simulation. I was wrong; he makes everything else disintegrate.

His fingers find my jacket zipper and pull it down in one slow swipe until the zipper detaches. He tugs the jacket from my shoulders.

Oh, is all I can think, as he kisses me again. Oh.

My fear is being with him. I have been wary of affection all my life, but I didn’t know how deep that wariness went.

But this obstacle doesn’t feel the same as the others. It is a different kind of fear—nervous panic rather than blind terror.

He slides his hands down my arms and then squeezes my hips, his fingers sliding over the skin just above my belt, and I shiver.

I gently push him back and press my hands to my forehead. I have been attacked by crows and men with grotesque faces; I have been set on fire by the boy who almost threw me off a ledge; I have almost drowned—twice—and this is what I can’t cope with? This is the fear I have no solutions for—a boy I like, who wants to…have sex with me?

Simulation Tobias kisses my neck.

I try to think. I have to face the fear. I have to take control of the situation and find a way to make it less frightening.

I look Simulation Tobias in the eye and say sternly, “I am not going to sleep with you in a hallucination. Okay?”

Then I grab him by his shoulders and turn us around, pushing him against the bedpost. I feel something other than fear—a prickle in my stomach, a bubble of laughter. I press against him and kiss him, my hands wrapping around his arms. He feels strong. He feels…good.

And he’s gone.

I laugh into my hand until my face gets hot. I must be the only initiate with this fear.

A trigger clicks in my ear.

I almost forgot about this one. I feel the heft of a gun in my hand and curl my fingers around it, slipping my index finger over the trigger. A spotlight shines from the ceiling, its source unknown, and standing in the center of its circle of light are my mother, my father, and my brother.

“Do it,” hisses a voice next to me. It is female, but harsh, like it’s cluttered with rocks and broken glass. It sounds like Jeanine.

The barrel of a gun presses to my temple, a cold circle against my skin. The cold travels across my body, making the hair on the back of my neck stand on end. I wipe my sweaty palm on my pants and look at the woman through the corner of my eye. It is Jeanine. Her glasses are askew, and her eyes are empty of feeling.

My worst fear: that my family will die, and that I will be responsible.

“Do it,” she says again, more insistent this time. “Do it or I’ll kill you.”

I stare at Caleb. He nods, his eyebrows tugged in, sympathetic. “Go ahead, Tris,” he says softly. “I understand. It’s okay.”

My eyes burn. “No,” I say, my throat so tight it aches. I shake my head.

“I’ll give you ten seconds!” the woman shouts. “Ten! Nine!”

My eyes skip from my brother to my father. The last time I saw him, he gave me a look of contempt, but now his eyes are wide and soft. I have never seen him wear that expression in real life.

“Tris,” he says. “You have no other option.”

“Eight!”

“Tris,” my mother says. She smiles. She has a sweet smile. “We love you.”

“Seven!”

“Shut up!” I shout, holding up the gun. I can do it. I can shoot them. They understand. They’re asking me to. They wouldn’t want me to sacrifice myself for them. They aren’t even real. This is all a simulation.

“Six!”

It isn’t real. It doesn’t mean anything. My brother’s kind eyes feel like two drills boring a hole in my head. My sweat makes the gun slippery.

“Five!”

I have no other option. I close my eyes. Think. I have to think. The urgency making my heart race depends on one thing, and one thing only: the threat to my life.