The Thirteen Problems (Miss Marple 2)
Miss Marple paused, a little out of breath.
Jane Helier leant forward and said, ‘But the blue geranium, and the other flowers?’
‘Nurses alwayshave litmus paper, don’t they?’ said Miss Marple, ‘for—well, for testing. Not a very pleasant subject. We won’t dwell on it. I have done a little nursing myself.’ She grew delicately pink. ‘Blue turns red with acids, and red turns blue with alkalis. So easy to paste some red litmus over a red flower—near the bed, of course. And then, when the poor lady used her smelling-salts, the strong ammonia fumes would turn it blue. Really most ingenious. Of course, the geranium wasn’t blue when they first broke into the room—nobody noticed it till afterwards. When nurse changed the bottles, she held the Sal Ammoniac against the wallpaper for a minute, I expect.’
‘You might have been there, Miss Marple,’ said Sir Henry.
‘What worries me,’ said Miss Marple, ‘is poor Mr Pritchard and that nice girl, Miss Instow. Probably both suspecting each other and keeping apart—and life so very short.’
She shook her head.
‘You needn’t worry,’ said Sir Henry. ‘As a matter of fact I have something up my sleeve. A nurse has been arrested on a charge of murdering an elderly patient who had left her a legacy. It was done with cyanide of potassium substituted for smelling-salts. Nurse Copling trying the same trick again. Miss Instow and Mr Pritchard need have no doubts as to the truth.’
‘Now isn’t that nice?’ cried Miss Marple. ‘I don’t mean about the new murder, of course. That’s very sad, and shows how much wickedness there is in the world, and that if once you give way—which reminds me I must finish my little conversation with Dr Lloyd about the village nurse.’
Chapter 8
The Companion
‘Now, Dr Lloyd,’ said Miss Helier. ‘Don’t you know any creepy stories?’
She smiled at him—the smile that nightly bewitched the theatre-going public. Jane Helier was sometimes called the most beautiful woman in England, and jealous members of her own profession were in the habit of saying to each other: ‘Of course Jane’s not an artist. She can’t act—if you know what I mean. It’s those eyes!’
And those ‘eyes’ were at this minute fixed appealingly on the grizzled elderly bachelor doctor who, for the last five years, had ministered to the ailments of the village of St Mary Mead.
With an unconscious gesture, the doctor pulled down his waistcoat (inclined of late to be uncomfortably tight) and racked his brains hastily, so as not to disappoint the lovely creature who addressed him so confidently.
‘I feel,’ said Jane dreamily, ‘that I would like to wallow in crime this evening.’
‘Splendid,’ said Colonel Bantry, her host. ‘Splendid, splendid.’ And he laughed a loud hearty military laugh. ‘Eh, Dolly?’
His wife, hastily recalled to the exigencies of social life (she had been planning her spring border) agreed enthusiastically.
‘Of course it’s splendid,’ she said heartily but vaguely. ‘I always thought so.’
‘Did you, my dear?’ said old Miss Marple, and her eyes twinkled a little.
‘We don’t get much in the creepy line—and still less in the criminal line—in St Mary Mead, you know, Miss Helier,’ said Dr Lloyd.
‘You surprise me,’ said Sir Henry Clithering. The ex-Commissioner of Scotland Yard turned to Miss Marple. ‘I always understood from our friend here that St Mary Mead is a positive hotbed of crime and vice.’
‘Oh, Sir Henry!’ protested Miss Marple, a spot of colour coming into her cheeks. ‘I’m sure I never said anything of the kind. The only thing I ever said was that human nature is much the same in a village as anywhere else, only one has opportunities and leisure for seeing it at closer quarters.’
‘But you haven’t always lived here,’ said Jane Helier, still addressing the doctor. ‘You’ve been in all sorts of queer places all over the world—places where things happen!’
‘That is so, of course,’ said Dr Lloyd, still thinking desperately. ‘Yes, of course…Yes…Ah! I have it!’
He sank back with a sigh of relief.
‘It is some years ago now—I had almost forgotten. But the facts were really very strange—very strange indeed. And the final coincidence which put the clue into my hand was strange also.’
Miss Helier drew her chair a little nearer to him, applied some lipstick and waited expectantly. The others also turned interested faces towards him.
‘I don’t know whether any of you know the Canary Islands,’ began the doctor.
‘They must be wonderful,’ said Jane Helier. ‘They’re in the South Seas, aren’t they? Or is it the Mediterranean?’
‘I’ve called in there on my way to South Africa,’ said the Colonel. ‘The Peak of Tenerife is a fine sight with the setting sun on it.’
‘The incident I am describing happened in the island of Grand Canary, not Tenerife. It is a good many years ago now. I had had a breakdown in health and was forced to give up my practice in England and go abroad. I practised in Las Palmas, which is the principal town of Grand Canary. In many ways I enjoyed the life out there very much. The climate was mild and sunny, there was excellent surf bathing (and I am an enthusiastic bather) and the sea life of the port attracted me. Ships from all over the world put in at Las Palmas. I used to walk along the mole every morning far more interested than any member of the fair sex could be in a street of hat shops.
‘As I say, ships from all over the world put in at Las Palmas. Sometimes they stay a few hours, sometimes a day or two. In the principal hotel there, the Metropole, you will see people of all races and nationalities—birds of passage. Even the people going to Tenerife usually come here and stay a few days before crossing to the other island.
‘My story begins there, in the Metropole Hotel, one Thursday evening in January. There was a dance going on and I and a friend had been sitting at a small table watching the scene. There were a fair sprinkling of English and other nationalities, but the majority of the dancers were Spanish; and when the orchestra struck up a tango, only half a dozen couples of the latter nationality took the floor. They all danced well and we looked on and admired. One woman in particular excited our lively admiration. Tall, beautiful and sinuous, she moved with the grace of a half-tamed leopardess. There was something dangerous about her. I said as much to my friend and he agreed.
‘ “Women like that,” he said, “are bound to have a history. Life will not pass them by.”
‘ “Beauty is perhaps a dangerous possession,” I said.
‘ “It’s not only beauty,” he insisted. “There is something else. Look at her again. Things are bound to happen to that woman, or because of her. As I said, life will not pass her by. Strange and exciting events will surround her. You’ve only got to look at her to know it.”
‘He paused and then added with a smile:
‘ “Just as you’ve only got to look at those two women over there, and know that nothing out of the way could ever happen to either of them! They are made for a safe and uneventful existence.”
‘I followed his eyes. The two women he referred to were travellers who had just arrived—a Holland Lloyd boat had put into port that evening, and the passengers were just beginning to arrive.
‘As I looked at them I saw at once what my friend meant. They were two English ladies—the thoroughly nice travelling English that you do find abroad. Their ages, I should say, were round about forty. One was fair and a little—just a little—too plump; the other was dark and a little—again just a little—inclined to scragginess. They were what is called well-preserved, quietly and inconspicuously dressed in well-cut tweeds, and innocent of
any kind of make-up. They had that air of quiet assurance which is the birthright of well-bred Englishwomen. There was nothing remarkable about either of them. They were like thousands of their sisters. They would doubtless see what they wished to see, assisted by Baedeker, and be blind to everything else. They would use the English library and attend the English Church in any place they happened to be, and it was quite likely that one or both of them sketched a little. And as my friend said, nothing exciting or remarkable would ever happen to either of them, though they might quite likely travel half over the world. I looked from them back to our sinuous Spanish woman with her half-closed smouldering eyes and I smiled.’
‘Poor things,’ said Jane Helier with a sigh. ‘But I do think it’s so silly of people not to make the most of themselves. That woman in Bond Street—Valentine—is really wonderful. Audrey Denman goes to her; and have you seen her in “The Downward Step”? As the schoolgirl in the first act she’s really marvellous. And yet Audrey is fifty if she’s a day. As a matter of fact I happen to know she’s really nearer sixty.’
‘Go on,’ said Mrs Bantry to Dr Lloyd. ‘I love stories about sinuous Spanish dancers. It makes me forget how old and fat I am.’
‘I’m sorry,’ said Dr Lloyd apologetically. ‘But you see, as a matter of fact, this story isn’t about the Spanish woman.’
‘It isn’t?’
‘No. As it happens my friend and I were wrong. Nothing in the least exciting happened to the Spanish beauty. She married a clerk in a shipping office, and by the time I left the island she had had five children and was getting very fat.’
‘Just like that girl of Israel Peters,’ commented Miss Marple. ‘The one who went on the stage and had such good legs that they made her principal boy in the pantomime. Everyone said she’d come to no good, but she married a commercial traveller and settled down splendidly.’
‘The village parallel,’ murmured Sir Henry softly.
‘No,’ went on the doctor. ‘My story is about the two English ladies.’