Whitney, My Love (Westmoreland Saga 2)
Stephen grinned at her. “I can only tell you what I know, darling. Clay’s note said simply that Vanessa and he had remained an extra night with her parents but that they would both join us here at four-thirty this afternoon.”
“He only referred to her as ‘Vanessa’?” her ladyship said. “Are you certain he meant Vanessa Standfield?”
Stephen sent her a wry look. “If the rumor mill is to be believed, her name is now Westmoreland.”
“I saw her years ago. She was a beautiful child.”
“She’s a beautiful woman,” Stephen said with a roguish grin. “Very blond, very blue eyes, very everything.”
“Good. Then I will have beautiful grandchildren,” the duchess predicted happily, her thoughts ever reverting to that. Glancing sideways, she discovered her son frowning out the coach window. “Stephen, is there something about her you don’t like?”
Stephen shrugged. “Only that her eyes aren’t green and her name doesn’t happen to be Whitney.”
“Who? Oh, Stephen, that’s ridiculous. What can you be thinking of? Why the girl, whoever she was, made him positively miserable. He’s obviously forgotten all about her, and that’s for the best.”
“She’s not that easy to forget,” Stephen said with a grim smile.
“What do you mean?” she demanded suspiciously. “Stephen, have you met that girl?”
“No, but I saw her at a ball at the Kingsleys’ a few weeks ago. She was surrounded by London’s ‘most eligibles,’ excluding Clay, of course. When I heard her name was Whitney and saw those eyes of hers, I knew who she was.”
The duchess started to demand a description of the young woman who had brought such torment to her eldest son, then dismissed the idea with a shrug. “That’s all over now. Clayton is bringing home his wife.”
“I can’t think he’d so easily forget someone who meant so much to him. And I can’t believe Clay is bringing home a wife. More likely a fiancée.”
“I almost hope you’re right. There’ll be the very devil to pay if Clayton married Miss Standfield so abruptly. The gossip will be terrible.”
Stephen gave her a mocking, sideways glance. “Clay wouldn’t care two hoots about the gossip, as you well know.”
* * *
“Time to get up,” Emily announced gaily, throwing back the curtains. “It’s past noon and there’s been no word from his grace telling you to stay away.”
“I didn’t go to sleep until dawn,” Whitney mumbled, then she sat bolt upright in bed, catapulting from deep sleep to total awareness in the space of an instant. “I can’t do it!” she cried.
“Of course you can. Just swing your feet over the side of the bed. It works every time,” Emily teased.
Whitney pushed the covers aside and slid from the bed, her mind groping frantically for ways to extricate herself from the arranged meeting with Clayton. “Why don’t we spend the day shopping and see that new play at the Royal?” she suggested desperately.
“Why don’t we wait until tomorrow and begin shopping for your trousseau instead?”
“We are both candidates for Bedlam!” Whitney cried. “This entire scheme is insane. He won’t listen to me, and even if he does, it won’t change anything. I’ve seen the way he looks at me now—he despises me.”
Emily shoved her in the direction of the bath. “That’s encouraging. At least he feels something for you.” She came back, just as Whitney finished dressing.
“How do I look?” Whitney asked uncertainly, turning in a slow circle for Emily’s inspection. Her gown of rich aquamarine velvet had long sleeves and a low square-cut bodice. Her heavy mahogany hair had been brushed until it shone, then pulled back off her forehead, and fastened at the crown with an aquamarine and diamond clip, letting the rest fall in natural waves that curled at the ends halfway down her back. The lush gown was enticing and yet demure; the hair style framed her slightly flushed face, setting off her heavily fringed green eyes and finely sculpted features, giving her a softly vulnerable appearance.
Solemnly Emily said, “You look like a beautiful temple goddess about to be sacrificed to the bloodthirsty gods.”
“You mean I look frightened?”
“Panic-stricken.” Emily crossed to Whitney and took her cold, clammy hands in her own. “You’ve never looked better, but that’s not going to be enough. I’ve met the man you’re going to see, and he’ll not be swayed by a poor-spirited, terrified young woman with whom he is still furious. He loved you for your spirit and courage. If you go to him all meekness and timidity, you’ll be so different from the girl he loved, that you’ll fail. He’ll let you explain and apologize, then he’ll thank you, and say good-bye. Do anything: argue with him, make him angrier if you must, but don’t go there looking frightened. Be the girl he loved—smile at him, flirt with him, argue or fight with him—but don’t, please don’t be meek and supplicating.”
“Now I know how poor Elizabeth must have felt when I made her defy Peter.” Whitney half sighed, half laughed. But her chin came up and she was once again regal and proud.
Emily walked her out to Michael’s coach and Whitney gave her a fierce hug. “Whatever happens, you’ve been wonderful.”
The coach pulled away with a much calmer Whitney and left behind a wildly nervous Emily.
After an hour of her journey, Whitney’s fragile serenity began to slip, and she tried to calm herself by imagining their meeting. Would Clayton open the door himself, or would he have the butler show her into a private room? Would he make her wait? Would he stalk in and loom over her, his handsome face cold and hard while he waited for her to finish so that he could thrust her out the door? What would he be wearing? Something casual, Whitney thought with a sinking heart, as she glanced down at her gorgeous finery—which he had paid for.
With firm determination, she pulled her mind away from this nonsensical preoccupation with the possible dissimilarities in their attire and concentrated on their meeting again. Would he be angry—or would he be merely cool? Oh God! she thought miserably, let him be angry or even furious; let him storm at me or say terrible things to me; but please, please don’t let him be coldly polite, because that will mean he doesn’t care anymore.
A terrible premonition of failure quivered through her. If Clayton still cared about her, he would never have waited impassively for her to come to him today; he would have at least sent her a terse note acknowledging that he would be there at five.
The coach made a sharp eastward turn and approached a pair of gigantic iron gates barring their way. He’d had the gates closed against her! Whitney thought frantically. A gatekeeper dressed in burgundy cloth trimmed in gold braid stepped out of the gatekeeper’s house and spoke to the Archibalds’ coachman.
An audible sigh of relief escaped Whitney as they were permitted to pass, and the coach lurched forward onto the smooth, private road. They swayed gently along the curving drive bordered with wide sweeping lawns and huge formal parks dotted with leafless trees. The gently rolling landscape seemed to stretch as far as the eye could see.
They clattered over a wide bridge whose arches spanned a deep flowing stream, and at long last a magnificent house with immense expanses of mullioned windows and graceful balconies came into view. It loomed against a backdrop of clipped lawns, rising to a height of three stories in the center. Gigantic wings swept forward on both sides of the main structure, creating a terraced courtyard that was the size of a London park.
So bleak had been her mood the last time she had seen this house, Whitney could scarcely remember it. She laid her head back and closed her eyes in sublime misery: Her own large house would fit into one of the wings with room enough left over for four more like it. She felt as if she were coming to see a stranger; whoever owned this palatial estate was not the carelessly unaffected man who’d raced against her on Dangerous Crossing or taught her to gamble with cards and chips.
Darkness had settled on the November afternoon, and the windows of the great house were aglow with l
ights when the coach pulled to a stop and the coachman climbed down and lowered the steps for Whitney to alight.
* * *
Comfortably ensconced in the white and gold salon at the front of the house, Stephen glanced away from his mother’s anxious face and considered with distracted admiration the eighteenth-century furnishings covered in white silks and brocades. A magnificent Axminister carpet stretched across the seventy-foot length of the room, and the walls were papered in white watered silk, with paintings by Rubens, Reynolds, and Cheeraerts hanging in ornate gold gilt frames.
His gaze shifted restlessly to the clock, and he rose to pace impatiently. As he passed the wide bow windows, he saw a coach pulled up in the front drive and, with a quick grin over his shoulder at his mother, he strode from the room.
The butler was just opening the front door as Stephen stepped into the foyer with a welcoming smile on his face, expecting to see his brother with Vanessa Standfield. He halted in surprise, staring instead at a vaguely familiar, beautiful girl wrapped in a blue-green velvet cape lined with white ermine. When she reached up and pushed the hood back onto her shoulders, Stephen’s pulse gave a wild leap of recognition. “My name is Miss Stone,” she told the butler in a soft, musical voice. “I believe his grace is expecting me.”
In that brief flash of time, Stephen thought of his brother’s anguished drunken ramblings, debated whether it was likely Clay was bringing home a wife or only a fiancée, considered the wisdom of involving himself in his brother’s personal life, and on a wild impulse, made his decision.
Stepping quickly forward to intervene before the butler could say that his master wasn’t at home, Stephen put on his most engaging smile and said, “My brother is expected at any minute, Miss Stone. Would you like to come in and wait?”
Two very conflicting reactions flickered across the beautiful young woman’s face: disappointment and relief. She shook her head. “No. Thank you. I sent word yesterday that I would like a few moments of his time, and asked that he let me know if today wouldn’t be convenient. Perhaps some other day . . .” she murmured, half turning to leave.