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Jo's Boys (Little Women 3)

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The first came in the morning when, duly armed with costly bouquets and bon-bons, he went to thank Minna and her mother for the braces embroidered with forget-menots and the silk socks knit by the old lady’s nimble fingers, which he had found upon his table that day. The Frau Mamma received him graciously; but when he asked for the daughter the good lady frankly demanded what his intentions were, adding that certain gossip which had reached her ear made it necessary for him to declare himself or come no more, as Minna’s peace must not be compromised.

A more panic-stricken youth was seldom seen than Nat as he received this unexpected demand. He saw too late that his American style of gallantry had deceived the artless girl, and might be used with terrible effect by the artful mother, if she chose to do it. Nothing but the truth could save him, and he had the honour and honesty to tell it faithfully. A sad scene followed; for Nat was obliged to strip off his fictitious splendour, confess himself only a poor student, and humbly ask pardon for the thoughtless freedom with which he had enjoyed their too confiding hospitality. If he had any doubts of Frau Schomburg’s motives and desires, they were speedily set at rest by the frankness with which she showed her disappointment, the vigour with which she scolded him, and the scorn with which she cast him off when her splendid castles in the air collapsed.

The sincerity of Nat’s penitence softened her a little and she consented to a farewell word with Minna, who had listened at the keyhole, and was produced drenched in tears, to fall on Nat’s bosom, crying: “Ah, thou dear one, never can I forget thee, though my heart is broken!”

This was worse than the scolding; for the stout lady also wept, and it was only after much German gush and twaddle that he escaped, feeling like another Werther; while the deserted Lotte consoled herself with the bon-bons, her mother with the more valuable gifts.

The second surprise arrived as he dined with Professor Baumgarten. His appetite had been effectually taken away by the scene of the morning, and his spirits received another damper when a fellow student cheerfully informed him that he was about to go to America, and should make it his agreeable duty to call on the “lieber Herr Professor Bhaer”, to tell him how gaily his protégé was disporting himself at Leipzig. Nat’s heart died within him as he imagined the effect these glowing tales would have at Plumfield—not that he had wilfully deceived them, but in his letters many things were left untold; and when Carlsen added, with a friendly wink, that he would merely hint at the coming betrothal of the fair Minna and his “heart’s friend”, Nat found himself devoutly hoping that this other inconvenient heart’s friend might go to the bottom of the sea before he reached Plumfield to blast all his hopes by these tales of a mis-spent winter. Collecting his wits, he cautioned Carlsen with what he flattered himself was Mephistophelian art, and gave him such confused directions that it would be a miracle if he ever found Professor Bhaer. But the dinner was spoilt for Nat, and he got away as soon as possible, to wander disconsolately about the streets, with no heart for the theatre or the supper he was to share with some gay comrades afterwards. He comforted himself a little by giving alms to sundry beggars, making two children happy with gilded gingerbread, and drinking a lonely glass of beer, in which he toasted his Daisy and wished himself a better year than the last had been.

Going home at length, he found a third surprise awaiting him in the shower of bills which had descended upon him like a snowstorm, burying him in an avalanche of remorse, despair, and self-disgust. These bills were so many and so large that he was startled and dismayed; for, as Mr Bhaer wisely predicted, he knew little about the value of money. It would take every dollar at the bankers to pay them all at once, and leave him penniless for the next six months, unless he wrote home for more. He would rather starve than do that; and his first impulse was to seek help at the gaming-table, whither his new friends had often tempted him. But he had promised Mr Bhaer to resist what then had seemed an impossible temptation; and now he would not add another fault to the list already so long. Borrow he would not, nor beg. What could he do? For these appalling bills must be paid, and the lessons go on; or his journey was an ignominious failure. But he must live meantime. And how? Bowed down with remorse for the folly of these months, he saw too late whither he was drifting, and for hours paced up and down his pretty rooms, floundering in a Slough of Despond, with no helping hand to pull him out—at least he thought so till letters were brought in, and among fresh bills lay one well-worn envelope with an American stamp in the corner.

Ah, how welcome it was! how eagerly he read the long pages full of affectionate wishes from all at home! For everyone had sent a line, and as each familiar name appeared, his eyes grew dimmer and dimmer till, as he read the last—“God bless my boy! Mother Bhaer”—he broke down; and laying his head on his arms, blistered the paper with a rain of tears that eased his heart and washed away the boyish sins that now lay so heavy on his conscience.

“Dear people, how they love and trust me! And how bitterly they would be disappointed if they knew what a fool I’ve been! I’ll fiddle in the streets again before I’ll ask for help from them! cried Nat, brushing away the tears of which he was ashamed, although he felt the good they had done.

Now he seemed to see more clearly what to do; for the helping hand had been stretched across the sea, and Love, the dear Evangelist, had lifted him out of the slough and shown him the narrow gate, beyond which deliverance lay. When the letter had been reread, and one corner where a daisy was painted, passionately kissed, Nat felt strong enough to face the worst and conquer it. Every bill should be paid, every salable thing of his own sold, these costly rooms given up; and once back with thrifty Frau Tetzel, he would find work of some sort by which to support himself, as many another student did. He must give up the new friends, turn his back on the gay life, cease to be a butterfly, and take his place among the grubs. It was the only honest thing to do, but very hard for the poor fellow to crush his little vanities, renounce the delights so dear to the young, own his folly, and step down from his pedestal to be pitied, laughed at, and forgotten.

It took all Nat’s pride and courage to do this, for his was a sensitive nature; esteem was very precious to him, failure very bitter, and nothing but the inborn contempt for meanness and deceit kept him from asking help or trying to hide his need by some dishonest device. As he sat alone that night, Mr Bhaer’s words came back to him with curious clearness, and he saw himself a boy again at Plumfield, punishing his teacher as a lesson to himself, when timidity had made him lie.

“He shall not suffer for me again, and I won’t be a sneak if I am a fool. I’ll go and tell Professor Baumgarten all about it and ask his advice. I’d rather face a loaded cannon; but it must be done. Then I’ll sell out, pay my debts, and go back where I belong. Better be an honest pauper than a jackdaw among peacocks” and Nat smiled in the midst of his trouble, as he looked about him at the little elegancies of his room, remembering what he came from.

He kept his word manfully, and was much comforted to find that his experience was an old story to the professor, who approved his plan, thinking wisely that the discipline would be good for him, and was very kind in offering help and promising to keep the secret of his folly from his friend Bhaer till Nat had redeemed himself.

The first week of the new year was spent by our prodigal in carrying out his plan with penitent dispatch, and his birthday found him alone in the little room high up at Frau Tetzel’s, with nothing of his former splendour, but sundry unsalable keepsakes from the buxom maidens, who mourned his absence deeply. His male friends had ridiculed, pitied, and soon left him alone, with one or two exceptions, who offered their purses generously and promised to stand by him. He was lonely and heavy-hearted, and sat brooding over his small fire as he remembered the last New Year’s Day at Plumfield, when at this hour he was dancing with his Daisy.

A tap at the door roused him, and with a careless “Herein”, he waited to see who had climbed so far for his sake. It was the good Frau proudly bearing a tray, o

n which stood a bottle of wine and an astonishing cake bedecked with sugar-plums of every hue, and crowned with candles. Fräulein Vogelstein followed, embracing a blooming rose-tree, above which her grey curls waved and her friendly face beamed joyfully as she cried:

“Dear Herr Blak, we bring you greetings and a little gift or two in honour of this ever-to-be-remembered day. Best wishes! and may the new year bloom for you as beautifully as we your heart-warm friends desire.”

“Yes, yes, in truth we do, dear Herr,” added Frau Tetzel.

“Eat of this with-joy-made Kuchen, and drink to the health of the far-away beloved ones in the good wine.”

Amused, yet touched by the kindness of the good souls, Nat thanked them both, and made them stay to enjoy the humble feast with him. This they gladly did, being motherly women full of pity for the dear youth, whose straits they knew, and having substantial help to offer, as well as kind words and creature comforts.

Frau Tetzel, with some hesitation, mentioned a friend of hers who, forced by illness to leave his place in the orchestra of a second-rate theatre, would gladly offer it to Nat, if he could accept so humble a position. Blushing and toying with the roses like a shy girl, good old Vogelstein asked if in his leisure moments he could give English lessons in the young ladies school where she taught painting, adding that a small but certain salary would be paid him.

Gratefully Nat accepted both offers, finding it less humiliating to be helped by women than by friends of his own sex. This work would support him in a frugal way, and certain musical drudgery promised by his master assured his own teaching. Delighted with the success of their little plot, these friendly neighbours left him with cheery words, warm hand-grasps, and faces beaming with feminine satisfaction at the hearty kiss Nat put on each faded cheek, as the only return he could make for all their helpful kindness.

It was strange how much brighter the world looked after that; for hope was a better cordial than the wine, and good resolutions bloomed as freshly as the little rose-tree that filled the room with fragrance, as Nat woke the echoes with the dear old airs, finding now as always his best comforter in music, to whom henceforth he swore to be a more loyal subject.

1Beehive.

CHAPTER 14

PLAYS AT PLUMFIELD

AS IT is as impossible for the humble historian of the March family to write a story without theatricals in it as for our dear Miss Yonge to get on with less than twelve or fourteen children in her interesting tales, we will accept the fact, and at once cheer ourselves after the last afflicting events, by proceeding to the Christmas plays at Plumfield; for they influence the fate of several of our characters, and cannot well be skipped.

When the college was built Mr Laurie added a charming little theatre which not only served for plays, but declamations, lectures, and concerts. The drop-curtain displayed Apollo with the Muses grouped about him; and as a compliment to the donor of the hall the artist had given the god a decided resemblance to our friend, which was considered a superb joke by everyone else. Home talent furnished stars, stock company, orchestra, and scene painter; and astonishing performances were given on this pretty little stage.

Mrs Jo had been trying for some time to produce a play which should be an improvement upon the adaptations from the French then in vogue, curious mixtures of fine toilettes, false sentiment, and feeble wit, with no touch of nature to redeem them. It was easy to plan plays full of noble speeches and thrilling situations, but very hard to write them; so she contented herself with a few scenes of humble life in which the comic and pathetic were mingled; and as she fitted her characters to her actors, she hoped the little venture would prove that truth and simplicity had not entirely lost their power to charm. Mr Laurie helped her, and they called themselves Beaumont and Fletcher, enjoying their joint labour very much; for Beaumont’s knowledge of dramatic art was of great use in curbing Fletcher’s too-aspiring pen, and they flattered themselves that they had produced a neat and effective bit of work as an experiment.

All was ready now; and Christmas Day was much enlivened by last rehearsals, the panics of timid actors, the scramble for forgotten properties, and the decoration of the theatre. Evergreen and holly from the woods, blooming plants from the hothouse on Parnassus, and flags of all nations made it very gay that night in honour of the guests who were coming, chief among them, Miss Cameron, who kept her promise faithfully. The orchestra tuned their instruments with unusual care, the scene-shifters set their stage with lavish elegance, the prompter heroically took his seat in the stifling nook provided for him, and the actors dressed with trembling hands that dropped the pins, and perspiring brows whereon the powder wouldn’t stick. Beaumont and Fletcher were everywhere, feeling that their literary reputation was at stake; for sundry friendly critics were invited, and reporters, like mosquitoes, cannot be excluded from any earthly scene, be it a great man’s deathbed or a dime museum.

“Has she come?” was the question asked by every tongue behind the curtain; and when Tom, who played an old man, endangered his respectable legs among the footlights to peep, announced that he saw Miss Cameron’s handsome head in the place of honour, a thrill pervaded the entire company, and Josie declared with an excited gasp that she was going to have stage fright for the first time in her life.

“I’ll shake you if you do,” said Mrs Jo, who was in such a wild state of dishevelment with her varied labours that she might have gone on as Madge Wildlife, without an additional rag or crazy elf-lock.

“You’ll have time to get your wits together while we do our piece. We are old stagers and calm as clocks,” answered Demi, with a nod towards Alice, ready in her pretty dress and all her properties at hand.

But both clocks were going rather faster than usual, as heightened colour, brilliant eyes, and a certain flutter under the laces and velvet coat betrayed. They were to open the entertainment with a gay little piece which they had played before and did remarkably well. Alice was a tall girl, with dark hair and eyes, and a face which intelligence, health, and a happy heart made beautiful. She was looking her best now, for the brocades, plumes, and powder of the Marquise became her stately figure; and Demi in his court suit, with sword, three-cornered hat, and white wig, made as gallant a Baron as one would wish to see. Josie was the maid, and looked her part to the life, being as pretty, pert, and inquisitive as any French soubrette. These three were all the characters; and the success of the piece depended on the spirit and skill with which the quickly changing moods of the quarrelsome lovers were given, their witty speeches made to tell, and by-play suited to the courtly period in which the scene was laid.

Few would have recognized sober John and studious Alice in the dashing gentleman and coquettish lady, who kept the audience laughing at their caprices; while they enjoyed the brilliant costumes, and admired the ease and grace of the young actors. Josie was a prominent figure in the plot, as she listened at key-holes, peeped into notes, and popped in and out at all the most inopportune moments, with her nose in the air, her hands in her apron-pockets, and curiosity pervading her little figure from the topmost bow of her jaunty cap to the red heels of her slippers. All went smoothly; and the capricious Marquise, after tormenting the devoted Baron to her heart’s content, owned herself conquered in the war of wits, and was just offering the hand he had fairly won, when a crash startled them, and a heavily decorated side-scene swayed forward, ready to fall upon Alice. Demi saw it and sprung before her to catch and hold it up, standing like a modern Samson with the wall of a house on his back. The danger was over in a moment, and he was about to utter his last speech, when the excited young scene-shifter, who had flown up a ladder to repair the damage, leaned over to whisper “All right”, and release Demi from his spread-eagle attitude: as he did so, a hammer slipped out of his pocket, to fall upon the upturned face below, inflicting a smart blow and literally knocking the Baron’s part out of his head.

“A quick curtain”, robbed the audience of a pretty little scene not down on the bill; for the

Marquise flew to staunch the blood with a cry of alarm: “Oh! John, you are hurt! Lean on me”—which John gladly did for a moment, being a trifle dazed yet quite able to enjoy the tender touch of the hands busied about him and the anxiety of the face so near his own; for both told him something which he would have considered cheaply won by a rain of hammers and the fall of the whole college on his head.

Nan was on the spot in a moment with the case that never left her pocket; and the wound was neatly plastered up by the time Mrs Jo arrived, demanding tragically:

“Is he too much hurt to go on again? If he is, my play is lost!”

“I’m all the fitter for it, Aunty; for here’s a real instead of a painted wound. I’ll be ready; don’t worry about me.” And catching up his wig, Demi was off, with only a very eloquent look of thanks to the Marquise, who had spoilt her gloves for his sake, but did not seem to mind it at all, though they reached above her elbows, and were most expensive.

“How are your nerves, Fletcher?” asked Mr Laurie as they stood together during the breathless minute before the last bell rings.

“About as calm as yours, Beaumont,” answered Mrs Jo, gesticulating wildly to Mrs Meg to set her cap straight.

“Bear up, partner! I’ll stand by you whatever comes!”

“I feel that it ought to go; for, though it’s a mere trifle, a good deal of honest work and truth have gone into it. Doesn’t Meg look the picture of a dear old country woman?”

She certainly did, as she sat in the farmhouse kitchen by a cheery fire, rocking a cradle and darning stockings, as if she had done nothing else all her life. Grey hair, skilfully drawn lines on the forehead, and a plain gown, with cap, little shawl, and check apron, changed her into a comfortable, motherly creature who found favour the moment the curtain went up and discovered her rocking, darning, and crooning an old song. In a short soliloquy about Sam, her boy, who wanted to enlist; Dolly, her discontented little daughter, who longed for city ease and pleasures; and poor “Elizy”, who had married badly, and came home to die, bequeathing her baby to her mother, lest its bad father should claim it, the little story was very simply opened, and made effective by the real boiling of the kettle on the crane, the ticking of a tall clock, and the appearance of a pair of blue worsted shoes which waved fitfully in the air to the soft babble of a baby’s voice. Those shapeless little shoes won the first applause; and Mr Laurie, forgetting elegance in satisfaction, whispered to his coadjutor:



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