The Throne of Fire (Kane Chronicles 2)

We didn’t stop until we were hiding behind a palm tree thirty meters away. The water tower sprang a hundred different leaks, wobbled back and forth like a drunken man, then fell toward us and shattered, soaking us from head to toe and sending a flood through the rows of palm trees.

The noise was so deafening, it must’ve been heard throughout the oasis.

“Oops,” I said.

Walt looked at me like I was mad. I suppose I was guilty as charged. But it’s just so bloody tempting to blow things up, isn’t it?

We ran to the Sadie Kane Memorial Crater. It was now the size of a swimming pool. Five meters down, under a pile of sand and rocks, were rows of mummies, all wrapped in old cloth and laid out on stone slabs. The mummies were now flattened, I’m afraid, but I could tell they’d been brightly painted with red, blue, and gold.

“Golden mummies.” Walt looked horrified. “Part of the tomb system that hasn’t been excavated yet. You just ruined—”

“I did say Oops. Now, help me down there, before the owner of this water tower shows up with a shotgun.”

S A D I E

16. …But Not as Evil as Romans

TO BE FAIR, THE MUMMIES in that particular room were mostly ruined already, thanks to the moisture from the leaking tower above. Just add water to mummies for a truly horrible smell.

We climbed over the rubble and found a corridor leading deeper underground. I couldn’t tell whether it was natural or man-made, but it snaked a good forty meters through solid rock before opening into another burial chamber. This room had not been damaged by water. Everything was remarkably well preserved. Walt had brought torches [flashlights, for you Americans], and in the dim light, on stone slabs and in niches carved along the walls, gold-painted mummies glittered. There were at least a hundred in this room alone, and more corridors led off in each direction.

Walt shined his light on three mummies lying together on a central dais. Their bodies were completely wrapped in linen, so they looked rather like bowling pins. Their likenesses were painted on the linen in meticulous detail—hands crossed over their chests, jewelry adorning their necks, Egyptian kilt and sandals, and a host of protective hieroglyphs and images of the gods in a border on each side. All this was typical Egyptian art, but their faces were done in a completely different style —realistic portraits that looked cut-and-pasted onto the mummies’ heads. On the left was a man with a thin, bearded face and sad dark eyes. On the right was a beautiful woman with curly auburn hair. What really pulled at my heart, though, was the mummy in the middle. Its body was tiny—obviously a child. Its portrait showed a boy of about seven years old. He had the man’s eyes and the woman’s hair.

“A family,” Walt guessed. “Buried together.”

There was something tucked under the child’s right elbow —a small wooden horse, possibly his favorite toy. Even though this family had been dead for thousands of years, I couldn’t help getting a bit teary-eyed. It was so bloody sad.

“How did they die?” I wondered.

From the corridor directly in front of us, a voice echoed, “The wasting disease.”

My staff was instantly in my hand. Walt trained his torch on the doorway, and a ghost stepped into the room. At least I assumed he was a ghost, because he was see-through. He was a heavy older man with short-cropped white hair, bulldog jowls, and a cross expression. He wore Roman-style robes and kohl eyeliner, so he looked rather like Winston Churchill—if the old prime minister had thrown a wild toga party and gotten his face painted.

“Newly dead?” He eyed us warily. “Haven’t seen any new arrivals in a long time. Where are your bodies?”

Walt and I glanced at each other.

“Actually,” I said, “we’re wearing them.”

The ghost’s eyebrows shot up. “Di immortales! You’re alive?”

“So far,” Walt said.

“Then you’ve brought offerings?” The man rubbed his hands. “Oh, they said you would come, but we’ve waited ages! Where have you been?”

“Um…” I didn’t want to disappoint a ghost, especially as he was beginning to glow more brightly, which in magic is often a prelude to exploding. “Perhaps we should introduce ourselves. I’m Sadie Kane. This is Walt—”

“Of course! You need my name for the spells.” The ghost cleared his throat. “I am Appius Claudius Iratus.”

I got the feeling I was supposed to be impressed. “Right. That’s not Egyptian, I gather?”

The ghost looked offended. “Roman, of course. Following those cursed Egyptian customs is how we all ended up here to begin with! Bad enough I got stationed in this god-forsaken oasis—as if Rome needs an entire legion to guard some date farms! Then I had the bad luck to fall ill. Told my wife on my deathbed: ‘Lobelia, an old-fashioned Roman burial. None of this local nonsense.’ But no! She never listened. Had to mummify me, so my ba is stuck here forever. Women! She probably moved back to Rome and died in the proper way.”

“Lobelia?” I asked, because really I hadn’t heard much after that. What sort of parents name their child Lobelia?

The ghost huffed and crossed his arms. “But you don’t want to hear me ramble on, do you? You may call me Mad Claude. That’s the translation in your tongue.”

I wondered how a Roman ghost could speak English—or if I simply understood him through some sort of telepathy. Either way, I was not relieved to find out his name was Mad Claude.