Gone With the Wind

"Indeed, no!" said Scarlett coolly, unable to understand Rene's gay acceptance of hardships. "Our darkies do that."

"Mees Melly, I hear she call her boy 'Beauregard.' You tell her I, Rene, approve and say that except for 'Jesus' there is no bettaire name."

And though he smiled, his eyes glowed proudly at the name of Louisiana's dashing hero.

"Well, there's 'Robert Edward Lee,' " observed Tommy. "And while I'm not trying to lessen Old Beau's reputation, my first son is going to be named 'Bob Lee Wellburn.' "

Rene laughed and shrugged.

"I recount to you a joke but eet eez a true story. And you see how Creoles zink of our brave Beauregard and of your General Lee. On ze train near New Orleans a man of Virginia, a man of General Lee, he meet wiz a Creole of ze troops of Beauregard. And ze man of Virginia, he talk, talk, talk how General Lee do zis, General Lee say zat. And ze Creole, he look polite and he wreenkle hees forehead lak he try to remembaire, and zen he smile and say: 'General Lee! Ah oui! Now I know! General Lee! Ze man General Beauregard speak well of!"

Scarlett tried to join politely in the laughter but she did not see any point to the story except that Creoles were just as stuck up as Charleston and Savannah people. Moreover, she had always thought Ashley's son should have been named after him.

The musicians after preliminary tunings and whangings broke into "Old Dan Tucker" and Tommy turned to her.

"Will you dance, Scarlett? I can't favor you but Hugh or Rene --"

"No, thank you. I'm still mourning my mother," said Scarlett hastily. "I will sit them out."

Her eyes singled out Frank Kennedy and beckoned him from the side of Mrs. Elsing.

"I'll sit in that alcove yonder if you'll bring me some refreshments and then we can have a nice chat," she told Frank as the other three men moved off.

When he had hurried away to bring her a glass of wine and a paper thin slice of cake, Scarlett sat down in the air cove at the end of the drawing room and carefully arranged her skirts so that the worst spots would not show. The humiliating events of the morning with Rhett were pushed from her mind by the excitement of seeing so many people and hearing music again. Tomorrow she would think of Rhett's conduct and her shame and they would make her writhe again. Tomorrow she would wonder if she had made any impression on Frank's hurt and bewildered heart. But not tonight. Tonight she was alive to her finger tips, every sense alert with hope, her eyes sparkling.

She looked from the alcove into the huge drawing room and watched the dancers, remembering how beautiful this room had been when first she came to Atlanta during the war. Then the hardwood floors had shone like glass, and overhead the chandelier with its hundreds of tiny prisms had caught and reflected every ray of the dozens of candles it bore, flinging them, like gleams from diamonds, flame and sapphire about the room. The old portraits on the walls had been dignified and gracious and had looked down upon guests with an air of mellowed hospitality. The rosewood sofas had been soft and inviting and one of them, the largest, had stood in the place of honor in this same alcove where she now sat. It had been Scarlett's favorite seat at parties. From this point stretched the pleasant vista of drawing room and dining room beyond, the oval mahogany table which seated twenty and the twenty slim-legged chairs demurely against the walls, the massive sideboard and buffet weighted with heavy silver, with seven-branched candlesticks, goblets, cruets, decanters and shining little glasses. Scarlett had sat on that sofa so often in the first years of the war, always with some handsome officer beside her, and listened to violin and bull fiddle, accordion and banjo, and heard the exciting swishing noises which dancing feet made on the waxed and polished floor.

Now the chandelier hung dark. It was twisted askew and most of the prisms were broken, as if the Yankee occupants had made their beauty a target for their boots. Now an oil lamp and a few candles lighted the room and the roaring fire in the wide hearth gave most of the illumination. Its flickering light showed how irreparably scarred and splintered the dull old floor was. Squares on the faded paper on the wall gave evidence that once the portraits had hung there, and wide cracks in the plaster recalled the day during the siege when a shell had exploded on the house and torn off parts of the roof and second floor. The heavy old mahogany table, spread with cake and decanters, still presided in the empty-looking dining room but it was scratched and the broken legs showed signs of clumsy repair. The sideboard, the silver and the spindly chairs were gone. The dull-gold damask draperies which had covered the arching French windows at the back of the room were missing, and only the remnants of the lace curtains remained, clean but obviously mended.

In place of the curved sofa she had liked so much was a hard bench that was none too comfortable. She sat upon it with as good grace as possible, wishing her skirts were in such condition that she could dance. It would be so good to dance again. But, of course, she could do more with Frank in this sequestered alcove than in a breathless reel and she could listen fascinated to his talk and encourage him to greater flights of foolishness.

But the music certainly was inviting. Her slipper patted longingly in time with old Levi's large splayed foot as he twanged a strident banjo and called the figures of the reel. Feet swished and scraped and patted as the twin lines danced toward each other, retreated, whirled and made arches of their arms.

" 'Ole Dan Tucker he got drunk--'

(Swing yo' padners!)

'Fell in de fiah' an' he kick up a chunk!'

(Skip tight, ladies!)"

After the dull and exhausting months at Tara it was good to hear music again and the sound of dancing feet, good to see familiar friendly faces laughing in the feeble light, calling old jokes and catchwords, bantering, rallying, coquetting. It was like coming to life again after being dead. It almost seemed that the bright days of five years ago had come back again. If she could close her eyes and not see the worn made-over dresses and the patched boots and mended slippers, if her mind did not call up the faces of boys missing from the reel, she might almost think that nothing had changed. But as she looked, watching the old men grouped about the decanter in the dining room, the matrons lining the walls, talking behind fanless hands, and the swaying, skipping young dancers, it came to her suddenly, coldly, frighteningly that it was all as greatly changed as if these familiar figures were ghosts.

They looked the same but they were different. What was it? Was it only that they were five years older? No, it was something more than the passing of time. Something had gone out of them, out of their world. Five years ago, a feeling of security had wrapped them all around so gently they were not even aware of it. In its shelter they had flowered. Now it was gone and with it had gone the old thrill, the old sense of something delightful and exciting just around the corner, the old glamour of their way of living.

She knew she had changed too, but not as they had changed, and it puzzled her. She sat and watched them and she felt herself an alien among them, as alien and lonely as if she had come from another world, speaking a language they did not understand and she not understanding theirs. Then she knew that this feeling was the same one she felt with Ashley. With him and with people of his kind -- and they made up most of her world -- she felt outside of something she could not understand.

Their faces were little changed and their manners not at all but it seemed to her that these two things were all that remained of her old friends. An ageless dignity, a timeless gallantry still clung about them and would cling until they died but they would carry undying bitterness to their graves, a bitterness too deep for words. They were a soft-spoken, fierce, tired people who were defeated and would not know defeat, broken yet standing determinedly erect. They were crushed and helpless, citizens of conquered provinces. They were

looking on the state they loved, seeing it trampled by the enemy, rascals making a mock of the law, their former slaves a menace, their men disfranchised, their women insulted. And they were remembering graves.

Everything in their old world had changed but the old forms. The old usages went on, must go on, for the forms were all that were left to them. They were holding tightly to the things they knew best and loved best in the old days, the leisured manners, the courtesy, the pleasant casualness in human contacts and, most of all, the protecting attitude of the men toward their women. True to the tradition in which they had been reared, the men were courteous and tender and they almost succeeded in creating an atmosphere of sheltering their women from all that was harsh and unfit for feminine eyes. That, thought Scarlett, was the height of absurdity, for there was little, now, which even the most cloistered women had not seen and known in the last five years. They had nursed the wounded, closed dying eyes, suffered war and fire and devastation, known terror and flight and starvation.

But, no matter what sights they had seen, what menial tasks they had done and would have to do, they remained ladies and gentlemen, royalty in exile -- bitter, aloof, incurious, kind to one another, diamond hard, as bright and brittle as the crystals of the broken chandelier over their heads. The old days had gone but these people would go their ways as if the old days still existed, charming, leisurely, determined not to rush and scramble for pennies as the Yankees did, determined to part with none of the old ways.

Scarlett knew that she, too, was greatly changed. Otherwise she could not have done the things she had done since she was last in Atlanta; otherwise she would not now be contemplating doing what she desperately hoped to do. But there was a difference in their hardness and hers and just what the difference was, she could not, for the moment, tell. Perhaps it was that there was nothing she would not do, and there were so many things these people would rather die than do. Perhaps it was that they were without hope but still smiling at life, bowing gracefully and passing it by. And this Scarlett could not do.

She could not ignore life. She had to live it and it was too brutal, too hostile, for her even to try to gloss over its harshness with a smile. Of the sweetness and courage and unyielding pride of her friends, Scarlett saw nothing. She saw only a silly stiff-neckedness which observed facts but smiled and refused to look them in the face.