Gone With the Wind

There was a sound of horses' feet and of singing, deadened by the closed windows and doors, borne away by the wind but still recognizable. It was the most hated and hateful of all songs, the song about Sherman's men "Marching through Georgia" and Rhett Butler was singing it.

Hardly had he finished the first lines when two other voices, drunken voices, assailed him, enraged foolish voices that stumbled over words and blurred them together. There was a quick command from Captain Jaffery on the front porch and the rapid tramp of feet. But even before these sounds arose, the ladies looked at one another stunned. For the drunken voices expostulating with Rhett were those of Ashley and Hugh Elsing.

Voices rose louder on the front walk, Captain Jaffery's curt and questioning, Hugh's shrill with foolish laughter, Rhett's deep and reckless and Ashley's queer, unreal, shouting: "What the hell! What the hell!"

"That can't be Ashley!" thought Scarlett wildly. "He never gets drunk! And Rhett -- why, when Rhett's drunk he gets quieter and quieter -- never loud like that!"

Melanie rose and, with her, Archie rose. They heard the captain's sharp voice: "These two men are under arrest." And Archie's hand closed over his pistol butt.

"No," whispered Melanie firmly. "No. Leave it to me."

There was in her face the same look Scarlett had seen that day at Tara when Melanie had stood at the top of the steps looking down at the dead Yankee, her weak wrist weighed down by the heavy saber -- a gentle and timid soul nerved by circumstances to the caution and fury of a tigress. She threw the front door open.

"Bring him in, Captain Butler," she called in a clear tone that bit with venom. "I suppose you've gotten him intoxicated again. Bring him in."

From the dark windy walk, the Yankee captain spoke: "I'm sorry, Mrs. Wilkes, but your husband and Mr. Elsing are under arrest."

"Arrest? For what? For drunkenness? If everyone in Atlanta was arrested for drunkenness, the whole Yankee garrison would be in jail continually. Well, bring him in, Captain Butler -- that is, if you can walk yourself."

Scarlett's mind was not working quickly and for a brief moment nothing made sense. She knew neither Rhett nor Ashley was drunk and she knew Melanie knew they were not drunk. Yet here was Melanie, usually so gentle and refined, screaming like a shrew and in front of Yankees too, that both of them were too drunk to walk.

There was a short mumbled argument, punctuated with curses, and uncertain feet ascended the stairs. In the doorway appeared Ashley, white faced, his head lolling, his bright hair tousled, his long body wrapped from neck to knees in Rhett's black cape. Hugh Elsing and Rhett, none too steady on their feet, supported him on either side and it was obvious he would have fallen to the floor but for their aid. Behind them came the Yankee captain, his face a study of mingled suspicion and amusement. He stood in the open doorway with his men peering curiously over his shoulders and the cold wind swept the house.

Scarlett, frightened, puzzled, glanced at Melanie and back to the sagging Ashley and then half-comprehension came to her. She started to cry out: "But he can't be drunk!" and bit back the words. She realized she was witnessing a play, a desperate play on which lives hinged. She knew she was not part of it nor was Aunt Pitty but the others were and they were tossing cues to one another like actors in an oft-rehearsed drama. She understood only half but she understood enough to keep silent.

"Put him in the chair," cried Melanie indignantly. "And you, Captain Butler, leave this house immediately! How dare you show your face here after getting him in this condition again!"

The two men eased Ashley into a rocker and Rhett, swaying, caugh

t hold of the back of the chair to steady himself and addressed the captain with pain in his voice.

"That's fine thanks I get, isn't it? For keeping the police from getting him and bringing him home and him yelling and trying to claw me!"

"And you, Hugh Elsing, I'm ashamed of you! What will your poor mother say? Drunk and out with a -- a Yankee-loving Scalawag like Captain Butler! And, oh, Mr. Wilkes, how could you do such a thing?"

"Melly, I ain't so very drunk," mumbled Ashley, and with the words fell forward and lay face down on the table, his head buried in his arms.

"Archie, take him to his room and put him to bed -- as usual," ordered Melanie. "Aunt Pitty, please run and fix the bed and oo-oh," she suddenly burst into tears. "Oh, how could he? After he promised!"

Archie already had his arm under Ashley's shoulder and Pitty, frightened and uncertain, was on her feet when the captain interposed.

"Don't touch him. He's under arrest. Sergeant!"

As the sergeant stepped into the room, his rifle at trail, Rhett, evidently trying to steady himself, put a hand on the captain's arm and, with difficulty, focused his eyes.

"Tom, what you arresting him for? He ain't so very drunk. I've seen him drunker."

"Drunk be damned," cried the captain. "He can lie in the gutter for all I care. I'm no policeman. He and Mr. Elsing are under arrest for complicity in a Klan raid at Shantytown tonight. A nigger and a white man were killed. Mr. Wilkes was the ringleader in it."

"Tonight?" Rhett began to laugh. He laughed so hard that he sat down on the sofa and put his head in his hands. "Not tonight, Tom," he said when he could speak. "These two have been with me tonight -- ever since eight o'clock when they were supposed to be at the meeting."

"With you, Rhett? But --" A frown came over the captain's forehead and he looked uncertainly at the snoring Ashley and his weeping wife. "But -- where were you?"

"I don't like to say," and Rhett shot a look of drunken cunning at Melanie.

"You'd better say!"

"Le's go out on the porch and I'll tell you where we were."