Gone With the Wind

He was seldom at home. When they did sit down to supper together, he was usually drunk. He was not drinking as he had formerly, becoming increasingly more polished and biting as the liquor took hold of him, saving amusing, malicious things that made her laugh in spite of herself. Now he was silently, morosely drunk and, as the evenings progressed, soddenly drunk. Sometimes, in the early hours of the dawn, she heard him ride into the back yard and beat on the door of the servants' house so that Pork might help him up the back stairs and put him to bed. Put him to bed! Rhett who had always drunk others under the table without turning a hair and then put them to bed.

He was untidy now, where once he had been well groomed, and it took all Pork's scandalized arguing even to make him change his linen before supper. Whisky was showing in his face and the hard line of his long jaw was being obscured under an unhealthy bloat and puffs rising under his bloodshot eyes. His big body with its hard swelling muscles looked soft and slack and his waist line began to thicken.

Often he did not come home at all or even send word that he would be away overnight. Of course, he might be snoring drunkenly in some room above a saloon, but Scarlett always believed that he was at Belle Watling's house on these occasions. Once she had seen Belle in a store, a coarse overblown woman now, with most of her good looks gone. But, for all her paint and flashy domes, she was buxom and almost motherly looking. Instead of dropping her eyes or glaring defiantly, as did other light women when confronted by ladies, Belle gave her stare for stare, searching her face with an intent, almost pitying look that brought a flush to Scarlett's cheek.

But she could not accuse him now, could not rage at him, demand fidelity or try to shame him, any more than she could bring herself to apologize for accusing him of Bonnie's death. She was clutched by a bewildered apathy, an unhappiness that she could not understand, an unhappiness that went deeper than anything she had ever known. She was lonely and she could never remember being so lonely before. Perhaps she had never had the time to be very lonely until now. She was lonely and afraid and there was no one to w

hom she could turn, no one except Melanie. For now, even Mammy, her mainstay, had gone back to Tara. Gone permanently.

Mammy gave no explanation for her departure. Her tired old eyes looked sadly at Scarlett when she asked for the train fare home. To Scarlett's tears and pleading that she stay, Mammy only answered: "Look ter me lak Miss Ellen say ter me: 'Mammy, come home. Yo' wuk done finish.' So Ah's gwine home."

Rhett, who had listened to the talk, gave Mammy the money and patted her arm.

"You're right, Mammy. Miss Ellen is right. Your work here is done. Go home. Let me know if you ever need anything." And as Scarlett broke into renewed indignant commands: "Hush, you fool! Let her go! Why should anyone want to stay in this house -- now?"

There was such a savage bright glitter in his eyes when he spoke that Scarlett shrank from him, frightened.

"Dr. Meade, do you think he can -- can have lost his mind?" she questioned afterwards, driven to the doctor by her own sense of helplessness.

"No," said the doctor, "but he's drinking like a fish and will kill himself if he keeps it up. He loved the child, Scarlett, and I guess he drinks to forget about her. Now, my advice to you, Miss, is to give him another baby just as quickly as you can."

"Hah!" thought Scarlett bitterly, as she left his office. That was easier said than done. She would gladly have another child, several children, if they would take that look out of Rhett's eyes and fill up the aching spaces in her own heart. A boy who had Rhett's dark handsomeness and another little girl. Oh, for another girl, pretty and gay and willful and full of laughter, not like the giddy-brained Ella. Why, oh, why couldn't God have taken Ella if He had to take one of her children? Ella was no comfort to her, now that Bonnie was gone. But Rhett did not seem to want any other children. At least he never came to her bedroom, though now the door was never locked and usually invitingly ajar. He did not seem to care. He did not seem to care for anything now except whisky and that blowzy red-haired woman.

He was bitter now, where he had been pleasantly jeering, brutal where his thrusts had once been tempered with humor. After Bonnie died, many of the good ladies of the neighborhood who had been won over to him by his charming manners with his daughter were anxious to show him kindness. They stopped him on the street to give him their sympathy and spoke to him from over their hedges, saying that they understood. But now that Bonnie, the reason for his good manners, was gone the manners went to. He cut the ladies and their well-meant condolences off shortly, rudely.

But, oddly enough, the ladies were not offended. They understood, or thought they understood. When he rode home in the twilight almost too drunk to stay in the saddle, scowling at those who spoke to him, the ladies said "Poor thing!" and redoubled their efforts to be kind and gentle. They felt very sorry for him, broken hearted and riding home to no better comfort than Scarlett

Everybody knew how cold and heartless she was. Everybody was appalled at the seeming ease with which she had recovered from Bonnie's death, never realizing or caring to realize the effort that lay behind that seeming recovery. Rhett had the town's tenderest sympathy and he neither knew nor cared. Scarlett had the town's dislike and, for once, she would have welcomed the sympathy of old friends.

Now, none of her old friends came to the house, except Aunt Pitty, Melanie and Ashley. Only the new friends came calling in their shining carriages, anxious to tell her of their sympathy, eager to divert her with gossip about other new friends in whom she was not at all interested. All these "new people," strangers, every one! They didn't know her. They would never know her. They had no realization of what her life had been before she reached her present safe eminence in her mansion on Peachtree Street. They didn't care to talk about what their lives had been before they attained stiff brocades and victorias with fine teams of horses. They didn't know of her struggles, her privations, all the things that made this great house and pretty clothes and silver and receptions worth having. They didn't know. They didn't care, these people from God-knows-where who seemed to live always on the surface of things, who had no common memories of war and hunger and fighting, who had no common roots going down into the same red earth.

Now in her loneliness, she would have liked to while away the afternoons with Maybelle or Fanny or Mrs. El-sing or Mrs. Whiting or even that redoubtable old warrior, Mrs. Merriwether. Or Mrs. Bonnell or-- or any of her old friends and neighbors. For they knew. They had known war and terror and fire, had seen dear ones dead before their time; they had hungered and been ragged, had lived with the wolf at the door. And they had rebuilt fortune from ruin.

It would be a comfort to sit with Maybelle, remembering that Maybelle had buried a baby, dead in the mad flight before Sherman. There would be solace in Fanny's presence, knowing that she and Fanny both had lost husbands in the black days of martial law. It would be grim fun to laugh with Mrs. Elsing, recalling the old lady's face as she flogged her horse through Five Points the day Atlanta fell, her loot from the commissary jouncing from her carriage. It would be pleasant to match stories with Mrs. Merriwether, now secure on the proceeds of her bakery, pleasant to say: "Do you remember how bad things were right after the surrender? Do you remember when we didn't know where our next pair of shoes was coming from? And look at us now!"

Yes, it would be pleasant. Now she understood why when two ex-Confederates met, they talked of the war with so much relish, with pride, with nostalgia. Those had been days that tried their hearts but they had come through them. They were veterans. She was a veteran too, but she had no cronies with whom she could refight old battles. Oh, to be with her own kind of people again, those people who had been through the same things and knew how they hurt-- and yet how great a part of you they were!

But, somehow, these people had slipped away. She realized that it was her own fault. She had never cared until now-- now that Bonnie was dead and she was lonely and afraid and she saw across her shining dinner table a swarthy sodden stranger disintegrating under her eyes.

CHAPTER LXI

SCARLETT WAS in Marietta when Rhett's urgent telegram came. There was a train leaving for Atlanta in ten minutes and she caught it, carrying no baggage except her reticule and leaving Wade and Ella at the hotel with Prissy.

Atlanta was only twenty miles away but the train crawled interminably through the wet early autumn afternoon, stopping at every bypath for passengers. Panic stricken at Rhett's message, mad for speed, Scarlett almost screamed at every halt. Down the road lumbered the train through forests faintly, tiredly gold, past red hillsides still scarred with serpentine breastworks, past old battery emplacements and weed-grown craters, down the road over which Johnston's men had retreated so bitterly, fighting every step of the way. Each station, each crossroad the conductor called was the name of a battle, the site of a skirmish. Once they would have stirred Scarlett to memories of terror but now she had no thought for them.

Rhett's message had been:

"Mrs. Wilkes ill. Come home immediately."

Twilight had fallen when the train pulled into Atlanta and a light misting rain obscured the town. The gas street lamps glowed dully, blobs of yellow in the fog. Rhett was waiting for her at the depot with the carriage. The very sight of his face frightened her more than his telegram. She had never seen it so expressionless before.

"She isn't --" she cried.

"No. She's still alive." Rhett assisted her into the carriage. "To Mrs. Wilkes' house and as fast as you can go," he ordered the coachman.

"What's the matter with her? I didn't know she was ill. She looked all right last week. Did she have an accident? Oh, Rhett, it isn't really as serious as you --"

"She's dying," said Rhett and his voice had no more expression than his face. "She wants to see you."