14th Deadly Sin (Women's Murder Club 14)

“I’m damned sure. Although as I recall, last year we actually ate most of our lunch before you bolted from the table. Check your memory, Lindsay. When was the last time you saw me blow out the candles?”

“I’m sorry. I can’t get out of this. I’ll make it up to you, Claire. To everyone. Including myself. That’s an iron-clad promise.”

I apologized some more, blew kisses, and fled the restaurant. I called Rich Conklin from the street, and while I walked to my car, I said, “I’m ten minutes away.”

“Same here.”

The engine started right up. I peeled out and pointed the Explorer toward a busy intersection in the Mission.

CHAPTER 7

BALMY ALLEY AND Twenty-Fourth looked like a freeway pileup.

I counted three hastily parked cruisers, and another one was coming in behind me. Both streets were cordoned off, causing traffic to back up in the one open lane on Twenty-Fourth. Pedestrians had gathered three deep at the barrier tape with cell phones in hand, evidently having nothing better to do than gawp at a bleeding corpse in the crosswalk.

I parked on the sidewalk, got my point-and-shoot Nikon out of the console, and found Conklin, who was talking to a young cop. He introduced me to Officer Martin Einhorn, a rookie who’d been writing up a parking ticket when the incident occurred.

Einhorn’s black eyes flashed back and forth between Conklin and me as he walked us through the scene. He was sweating through his uniform and his speech was high-pitched and staccato. Very likely he’d never seen a body before, and now he’d been this close to an actual murder as it happened.

He said, “I was putting a ticket on that red Mazda over there. The victim was crossing the street. There were a lot of people crossing at the same time, both ways. Tourists mostly,” he said, pointing his chin in the general direction of the sightseer magnet: vividly colored murals protesting human rights abuses over the last fifty years.

“I didn’t see the attack,” said the rookie. “I heard the screaming, and when everyone scattered, I saw … her.” He took a moment to get himself together before continuing.

“I called it in and the EMTs got here like a minute later. They said the victim was dead and I told them to leave her body in place. That this is a crime scene.”

“Exactly right,” I said.

Einhorn nodded, then said a squad car had arrived after a few minutes and the officers had strung tape. “We got as many names as we could, but people were trying to get out of here and we didn’t have enough manpower to detain them. Those two witnesses hung in. Mr. and Mrs. Nathan Gosselin, right over there. Mrs. Gosselin saw the attack.”

While Conklin approached the couple standing outside a smoke shop, I took a wide-angle view of the crime scene and got a fix on where the victim lay in relation to cars, buildings, and people. Then I ducked under the tape and identified myself to the officers who were protecting the body and the scene.

One of the cops said, “Right this way, Sergeant. Mind the blood.”

“Got it,” I said.

I gloved up, then moved closer so that I could get a good look at the victim.

CHAPTER 8

IT WAS A terrible sight.

The dead woman was lying on her side. She was white, had shoulder-length brown hair, and looked to be in her late forties or early fifties.

She had cared about her appearance, and wore expensive clothing: an unbuttoned tan raincoat over blood-soaked beige knit separates. The source of the blood looked to be a long slice through her clothes from her lower abdomen up to her rib cage that had likely required strength, determination, and a long, sharp blade.

The victim had bled out fast. She might never have known what had happened to her.

I trained my camera on the conspicuous wound. Then I shot close-ups of the victim’s hands—no wedding band—and of her face, and of her stockinged feet, which lay like beached fish where she’d fallen out of her shoes.

An authentic and pricey large Louis Vuitton handbag lay beside her. I opened the bag and photographed the contents: a pair of good running shoes, a makeup kit, a Jimmy Choo sunglass case, a paperback novel, and a brown leather wallet, new and of good quality.

When I opened her wallet, I learned that the victim’s name was Tina Strichler. Her driver’s license listed her age as fifty-two, and her home address was about six blocks from the scene of her death. Strichler had a full deck of credit cards, and business cards identifying her as a psychiatrist. She also had receipts for recent purchases and two hundred twenty-two dollars in cash.

I typed Strichler’s name into my phone, using an app that linked up to SFPD databases—and got nothing back. Which didn’t surprise m

e. So far, I had nothing to explain why this woman of means had not been robbed. She’d been gutted in broad daylight on a busy street where cell phone cameras were pointing in every direction.

I circled the body and took photos of the crowd on the sidewalks on the chance that whoever had killed this woman was watching the activity at the crime scene.