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Cat and Mouse (Alex Cross 4)

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“She’s great, she’s the best, John. Really something else. She’s smart and she’s funny. Ho ho, ha ha.”

“And she’s almost as good-looking as Whit

ney Houston, and she’s sexy as hell. But none of that answers my question. What’s happening with you two? You trying to hide your love on me? My spy, Ms. Jannie, told me you had a date the other night. Did you have a big date and not tell me about it?”

“We went to Kinkead’s for dinner. Had a good time. Good food, great company. One little minor problem, though: She’s afraid I’m going to get myself killed, so she doesn’t want to see me anymore. Christine’s still mourning her husband.”

Sampson nodded, slid down his shades to check me out sans light filtration. “That’s interesting. Still mourning, huh? Proves she’s a good lady. By the by, since you brought up the forbidden topic, something I should tell you, all-star. You ever get capped in action, your family will mourn you for an indecent length of time. Myself, I would carry the torch of grief up to and through the funeral services. That’s it, though. Thought you should know. So, are you two star-crossed lovers going to have another date?”

Sampson liked to talk as if we were girlfriends in a Terry McMillan novel. We could be like that sometimes, which is unusual for men, especially two tough guys like us. He was on a roll now. “I think you two are so cute together. Everybody does. Whole town is talking. The kids, Nana, your aunties.”

“They are, are they?”

I got up and sat down across the aisle from him. Both seats were empty. I spread out my notes on Gary Soneji and started to read them again.

“Thought you would never get the hint,” Sampson said as he stretched his wide body across both seats.

As always, there was nothing like working a job with him. Christine was wrong about my getting hurt. Sampson and I were going to live forever. We wouldn’t even need DHEA or melatonin to help.

“We’re going to get Gary Soneji’s ass in a sling. Christine’s going to fall hard for you, like you obviously already fell for her. Everything will be beautiful, Sugar. Way it has to be.”

I don’t know why, but I couldn’t quite make myself believe that.

“I know you’re thinking negative shit already,” Sampson said without even looking over at me, “but just watch. Nothing but happy endings this time.”

Chapter 25

SAMPSON AND I arrived in New York City around nine o’clock in the morning. I vividly remembered an old Stevie Wonder tune about getting off the bus in New York for the first time. The mixture of hopes and fears and expectations most people associate with the city seems a universal reaction.

As we climbed the steep stone steps from the underground tracks in Penn Station, I had an insight about the case. If it was right, it would definitely tie Soneji to both train-station massacres.

“I might have something on Soneji,” I told Sampson as we approached the bright lights gleaming at the top of the stairs. He turned his head toward me but kept on climbing.

“I’m not going to guess, Alex, because my mind doesn’t ever go where yours does.” Then he mumbled, “Thank the Lord and Savior Jesus for that. Addlehead brother.”

“You trying to keep me amused?” I asked him. I could hear music coming from the main terminal now — it sounded like Vivaldi’s The Four Seasons.

“Actually, I’m trying not to let the fact that Gary Soneji is on this current mad-ass rampage upset my equilibrium or otherwise depress the hell out of me. Tell me what you’re thinking.”

“When Soneji was at Lorton Prison, and I interviewed him, he always talked about how his stepmother kept him in the cellar of their house. He was obsessed about it.”

Sampson’s head bobbed. “Knowing Gary as we do, I can’t completely blame the poor woman.”

“She would keep him down there for hours at a time, sometimes a whole day, if his father happened to be away from home. She kept the lights off, but he learned to hide candles. He would read by candlelight about kidnappers, rapists, mass murderers, all the other bad boys.”

“And so, Dr. Freud? These mass killers were his boyhood role models?”

“Something like that. Gary told me that when he was in the cellar, he would fantasize about committing murders and other atrocities — as soon as he was let out. His idée fixe was that release from the cellar would give him back his freedom and power. He’d sit in the cellar obsessing on what he was going to do as soon as he got out. You happen to notice any cellarlike locations around here? Or maybe at Union Station?”

Sampson showed his teeth, which are large and very white, and can give you the impression that he likes you maybe more than he does. “The train tunnels represent the cellar of Gary’s childhood house, right? When he gets out of the tunnels, all hell breaks loose. He finally takes his revenge on the world.”

“I think that’s part of what’s going on,” I said. “But it’s never that simple with Gary. It’s a start anyway.”

We had reached the main level of Penn Station. This was probably how it had been when Soneji arrived here the night before. More and more I was thinking that the NYPD had it right. Soneji could definitely be the Penn Station killer, too.

I saw a mob of travelers lingering beneath the flipping numbers of the Train Departures board. I could almost see Gary Soneji standing where I was now, taking it all in — released from the cellar to be the Bad Boy again! Still wanting to do famous crimes and succeeding beyond his craziest dreams.

“Dr. Cross, I presume.”



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