Cat and Mouse (Alex Cross 4)
He began to turn in a small, tight, frenzied circle. His body twirled around and around. A strange whirling dervish. He was clutching the infant in one arm, holding her like a doll. I had no idea what had become of the child’s mother.
Soneji almost seemed in a trance. He looked crazy now — maybe he was. “The good Doctor Cross is here,” he yelled down the platform. “How much do you know? How much do you think you know? Let me ask the questions for a change.”
“I don’t know enough, Gary,” I said, keeping my answer as low-key as possible. Not playing to the crowd, his crowd. “I guess you still like an audience.”
“Why yes, I do, Dr. Cross. I love an appreciative crowd. What’s the point of a great performance with no one to see it? I crave the look in all of your eyes, your fear, your hatred.” He continued to turn, to spin as if he were playing a theater-in-the-round. “You’d all like to kill me. You’re all killers, too!” he screeched.
Soneji did another slow spin around, his gun pointed out, the baby cradled in his left arm. The infant wasn’t crying, and that worried me sick. The bomb could be in a pocket of his trousers. It was somewhere. I hoped it wasn’t in the baby’s blanket.
“You’re back there in the cellar? Aren’t you?” I said. At one time I had believed Gary Soneji was schizophrenic. Then I was certain that he wasn’t. Right now, I wasn’t sure of anything.
He gestured with his free arm at the underground caverns. He continued to walk slowly toward the rear of the platform. We couldn’t stop him. “As a kid, this is where I always dreamed I would escape to. Take a big, fast train to Grand Central Station in New York city. Get away clean and free. Escape from everything.”
“You’ve done it. You finally won. Isn’t that why you led us here? To catch you?” I said.
“I’m n
ot done. Not even close. I’m not finished with you yet, Cross,” he sneered.
There was his threat again. It made my stomach drop to hear him talk like that. “What about me?” I called. “You keep making threats. I don’t see any action.”
Soneji stopped moving. He stopped backing toward the rear of the platform. Everyone was watching him now, probably thinking none of this was real. I wasn’t even sure if I did.
“This doesn’t end here, Cross. I’m coming for you, even from the grave if I have to. There’s no way you can stop this. You remember that! Don’t you forget now! I’m sure you won’t.”
Then Soneji did something I would never understand. His left arm shot up. He threw the baby high in the air. The people watching gasped as the child tumbled forward.
They sighed audibly as a man fifteen feet down the platform caught the baby perfectly.
Then, the infant started to cry.
“Gary, no!” I shouted at Soneji. He was running again.
“Are you ready to die, Dr. Cross?” he screamed back at me. “Are you ready?”
Chapter 63
SONEJI DISAPPEARED through a silver, metallic door at the rear of the platform. He was quick, and he had surprise on his side. Gunshots rang out — Groza fired — but I didn’t think Soneji had been hit.
“There’s more tunnels back there, lots of train tracks down here,” Groza told me. “We’re walking into a dark, dirty maze.”
“Yeah, well let’s go anyway,” I said. “Gary loves it down here. We’ll make the best of it.”
I noticed a maintenance worker and grabbed his flashlight. I pulled out my Glock. Seventeen shots. Groza had a .357 Magnum. Six more rounds. How many shots would it take to kill Soneji? Would he ever die?
“He’s wearing a goddamn vest,” Groza said.
“Yeah, I saw that.” I clicked the safety off the Glock. “He’s a Boy Scout — always prepared.”
I opened the door through which Soneji had disappeared, and it was suddenly as dark as a tomb. I leveled the barrel of the Glock in front of me and continued forward. This was the cellar, all right, his private hell on a very large scale.
Are you ready to die, Dr. Cross?
There’s no way you can stop it from happening.
I bobbed and weaved as best I could and the flashlight beam shook all over the walls. I could see dim light, dusty lamps up ahead, so I turned off the flash. My lungs hurt. I couldn’t breathe very well, but maybe some of the physical distress was claustrophobia and terror.
I didn’t like it in his cellar. This is how Gary must have felt when he was just a boy. Was he telling us that? Letting us experience it?