The Cruel Prince (The Folk of the Air 1)

“Jude?” he asks. I cannot tell if this is a test he expects me to pass or one he wants me to fail. I think of Sophie at the bottom of the sea, her pockets full of stones. I think of the satisfaction on Valerian’s face when he told me to jump from the tower. I think of Cardan’s eyes, daring me to defy him.

I have tried to be better than them, and I have failed.

What could I become if I stopped worrying about death, about pain, about anything? If I stopped trying to belong?

Instead of being afraid, I could become something to fear.

My eyes on him, I slam the knife into my hand. The pain is a wave that rises higher and higher but never crashes. I make a sound low in my throat. I may not deserve punishment for this, but I deserve punishment.

Dain’s expression is odd, blank. He takes a step back from me, as though I am the one who did the shocking thing instead of merely doing what he ordered. Then he clears his throat. “Do not reveal your skill with a blade,” he says. “Do not reveal your mastery over glamour. Do not reveal all that you can do. Show your power by appearing powerless. That is what I need from you.”

“Yes,” I gasp, and draw the blade out again. Blood runs over Madoc’s desk, more than I expect. I feel suddenly dizzy.

“Wipe it up,” he says. His jaw is set. Whatever surprise he felt seems gone, replaced by something else.

There is nothing to clean the desk with but the hem of my doublet.

“Now give me your hand.” Reluctantly, I hold it out to him, but all he does is take it gently and wrap it in a green cloth from his pocket. I try to flex my fingers and nearly pass out from pain. The fabric of the makeshift bandage is already turning dark. “Once I am gone, go to the kitchens and put moss on it.”

I nod again. I am not sure I can translate my thoughts into speech. I am afraid I am not going to be able to stand much longer, but I lock my knees and stare at the notch of chipped wood on Madoc’s desk where the tip of the blade hit, stained a bright but fading red.

The door to the study swings open, startling us both. Prince Dain drops my hand, and I shove it into my pocket, the pain of which nearly staggers me. Oriana stands there, a wooden tray in her hands with a steaming pot and three clay cups atop it. She is dressed in a day gown the vivid hue of unripe persimmons. “Prince Dain,” she says, making a pretty bow. “The servants said you were sequestered with Jude, and I told them they had to be mistaken. Surely, with your coronation so close, your time is too valuable for a silly girl to take up so much of it. You do her too much credit, and no doubt the weight of your regard is quite overwhelming.”

“No doubt,” he says, giving her a tooth-gritting smile. “I have tarried too long.”

“Take some tea before you leave us,” she says, putting down the tray on Madoc’s desk. “We could all have a cup and speak together. If Jude has done something to offend you…”

“Your pardon,” he says, not particularly kindly. “But your reminder of my duties spurs me to immediate action.”

He brushes past Oriana, looking back at me once before stalking off. I have no idea whether I passed the test or not. But either way, he does not trust me as he once did. I have thrown that away.

I don’t trust him as much, either.

“Thank you,” I say to Oriana. I am shivering all over.

She doesn’t scold me, for once. She doesn’t say anything. Her hands come down lightly on my shoulders, and I lean against her. The scent of crushed verbena is in my nose. I close my eyes and drink in the familiar smell. I am desperate. I will take any comfort there is, any comfort at all.

I do not think of lessons or lectures. Shaking all over, I go straight back to my room and climb into bed. Tatterfell strokes my hair briefly, as though I am a drowsy cat, and then returns to the task of sorting my dresses. My new gown is scheduled to arrive later today, and the coronation will begin the day after. Dain’s being named as the High King will kick off a month of revelry, while the moon wanes and then swells anew.

My hand hurts so much that I cannot bear to put moss on it. I just cradle it against my chest.

It throbs, the pain coming in staggering pulses, like a second, ragged heartbeat. I cannot bring myself to do more than lie there and wait for it to ebb. My thoughts drift dizzily.

Somewhere out there, all the lords and ladies and lieges ruling over far-flung Courts are arriving to pay their respects to the new High King. Night Courts and Bright Courts, Free Courts, and Wild Courts. The High King’s subjects and the Courts with which there are truces, however wobbly. Even Orlagh’s Court of the Undersea will be in attendance. Many will pledge themselves to faithfully accept the new High King’s judgment in exchange for his wisdom and protection. Pledge to defend him and avenge him, if need be. Then all will show their respect by partying their hardest.

I’ll be expected to party along with them. A month of dancing and feasting and boozing and riddling and dueling.

For that, each of my best dresses must be dusted off, pressed, and refreshed. Tatterfell sews on cunning cuffs made from the scales of pinecones around the edges of frayed sleeves. Small tears in skirts are stitched over with embroidery in the shape of leaves and pomegranates and—on one—a cavorting fox. She has stitched dozens of leather slippers for me. I will be expected to dance so fiercely that I wear through a pair every night.

At least Locke will be there to dance with me. I try to concentrate on the memory of his amber eyes instead of the pain in my hand.

As Tatterfell moves around the room, my eyes close, and I fall into a strange, fitful sleep. When I wake, it’s full night, and I am sweaty all over. I feel oddly calm, though, tears and panic and pain somehow smoothed over. The agony of my hand has turned into a dull throb.

Tatterfell is gone. Vivi is sitting at the end of my bed, her cat eyes catching moonlight and shining chartreuse.

“I came to see if you were well,” she says. “Except that of course you’re not.”

I force myself to sit up again, using only one of my hands. “I’m sorry—what I asked you to do. I shouldn’t have. I put you in danger.”

“I am your elder sister,” she says. “You don’t need to protect me from my own decisions.”

After Sophie plunged into the water, Vivi and I spent the hours until dawn diving into the icy sea, calling for Sophie, trying to find some trace of her. We swam under the black water and screamed her name until our throats were hoarse.

“Still,” I say.

“Still,” she echoes fiercely. “I wanted to help. I wanted to help that girl.”

“Too bad we didn’t.” The words catch in my throat.

Vivienne shrugs, and I am reminded of how, despite her being my sister, we differ in ways that are hard to comprehend. “You did a brave thing. Be glad of that. Not everyone can be brave. I’m not always.”

“What do you mean? The whole ‘not telling Heather what’s really going on’?”

She makes a face at me but smiles, clearly grateful I am speaking of something less dire—and yet both of our thoughts went from one dead mortal girl to her beloved, also mortal. “We were lying in bed together a few days ago,” Vivi says. “And she started tracing the shape of my ear. I thought she was going to ask something that would give me an opening, but she just told me my ear modding was really good. Did you know there are mortals who cut human ears and sew them so they heal pointed?”

I am not surprised. I understand longing for ears like hers. I feel like I have spent half my life wanting them, with their delicate, furred points.

What I do not say is this: No one could touch those ears and believe they were made by anything other than nature. Heather is either lying to Vivi or lying to herself.

“I don’t want her to be afraid of me,” Vivi says.

I think of Sophie, and I am sure Vivi is thinking of her, too, pockets full of stones. Sophie at the bottom of the sea. Perhaps she is not so unaffected by what happens as she wants to seem.

From downstairs, I hear Taryn’s voice. “They’re here! Our dresses! Come look!”

Slipping off my bed, Vivi smiles at me. “At least we had an adventure. And now we’re going to have another one.”

I let her go ahead, as I need to cover my bandaged hand with a glove before I follow her down the stairs. I press a button, ripped from a coat, over the wound to divert direct pressure. Now I have to hope that the bulge on my palm isn’t too noticeable.

Our gowns have been spread out over three chairs and a sofa in Oriana’s salon. Madoc is patiently listening to her rhapsodize over the perfection of their garments. Her ball gown is the exact pink of her eyes, deepening to red, and seems to be made of enormous petals that spread into a train. The fabric of Taryn’s is gorgeous, the cut of her mantua and stomacher perfect. Beside them is Oak’s sweet little suit of clothes, and there are a doublet and cape for Madoc in his favorite shade of crusted-blood red. Vivi holds up her silvery gray dress, with its tattered edges, sparing a smile for me.

Across the room, I see my gown. Taryn gasps when I lift it up.

“That’s not what you ordered,” she says, accusatory. As though somehow I have deliberately deceived her.

It’s true that the dress I am holding is not the one that Brambleweft sketched for me. It’s something else entirely, something that reminds me of the mad, amazing garments that Locke’s mother’s closet was stuffed with. An ombré ball gown, its color deepening from white near my throat, through palest blue to deepest indigo at my feet. Over that is stitched the stark outlines of trees, the way I see them from my window as dusk is falling. The seamstress has even sewn on little crystal beads to represent stars.

This is a dress I could never have imagined, one so perfect that for a moment, looking at it, I can think of nothing but its beauty.

“I—I don’t think this is mine,” I say. “Taryn’s right. It doesn’t look anything like the sketches.”

“It’s still lovely,” Oriana says consolingly, as though I am displeased. “And it had your name pinned to it.”