The Cruel Prince (The Folk of the Air 1)

Madoc has betrayed Eldred, and Dain is gone, taking all my hopes and plans with him.

Coronations are a time when many things are possible.

Balekin looks insufferably satisfied with himself. “Give me the crown.”

Eldred drops the circlet from his hand. It rolls a little ways across the floor. “Take it yourself if it’s what you so desire.”

Caelia is making a terrible keening sound. Rhyia stares at the crowd in horror. Val Moren stands beside Eldred, his narrow poet’s face pale. With the knights circling it, the dais is like a terrible stage, where all the players are doomed to run through their roles to the same bloody end.

Madoc’s hands are gloved in red. I cannot stop staring at them.

Balekin lifts the High Crown. The golden oak leaves glitter with the light of candle flame. “You waited too long to depart the throne, Father. You have become weak. You let traitors rule little fiefdoms, the power of the low Courts goes unchecked, and the wild fey do as they like. Dain would have been the same, a coward who hid behind intrigues. But I am not afraid of bloodshed.”

Eldred does not speak. He makes no move toward the crown or toward a weapon. He simply waits.

Balekin orders a knight to bring him Taniot. A female redcap in armor steps onto the dais to grab the struggling consort. Taniot’s head lashes back and forth, her long black horns cutting into the redcap knight’s shoulder. It doesn’t matter. None of it matters. There are too many knights. Two more step forward, and there is no more struggling.

Balekin draws himself up before his father. “Declare me the High King, put the crown on my head, and you may go from this place, free and unharmed. My sisters will be protected. Your consort will live. Otherwise, I will kill Taniot. I will kill her here in front of everyone, and they will all know that you allowed it.”

My gaze goes to Madoc, but he is on the steps, speaking in low tones to one of his commanders, a troll who has eaten at our table, has teased Oak and made him laugh. I laughed, too, then. Now my hands are shaking, my whole body trembling.

“Balekin, firstborn, no matter whose blood you spill, you will never rule Elfhame,” Eldred says. “You are unworthy of the crown.”

I close my eyes and think of Oriana’s words to me: It is no easy thing to be the lover of the High King. It is to always be a pawn.

Taniot goes to her death with grace. She is still. Her bearing is regal and doomed, as though she has already passed into the realm of ballads. Her fingers are laced together. She makes no sound as one of the knights—the redcap knight with the slashed shoulder—beheads her with a single swift and brutal strike of her blade. Taniot’s horned head rolls a short ways until it hits Dain’s corpse.

I feel something wet on my face, like rain.

There are plenty of the Folk who delight in murder and plenty more who delight in spectacle. A kind of giddy madness seems to come upon the crowd, a kind of hunger for even greater slaughter. I fear they may have a surfeit of satisfaction. Two of the knights have seized Eldred.

“I will not ask you again,” Balekin says.

But Eldred only laughs. He keeps laughing when Balekin runs him through. He doesn’t fall like the others. Instead of blood pouring from his wound, red moths stream out, into the air. They rush out of him so quickly that in a moment, the High King’s body is gone and there are just those red moths, swirling up into the air in a vast cloud, a tornado of soft wings.

But whatever magic made them does not last. They begin to fall until they are scattered across the dais like blown leaves. The High King Eldred is, impossibly, dead.

The dais is strewn with bodies and blood. Val Moren is on his knees.

“Sisters,” Balekin says, striding toward them. Some of the arrogance is gone from his voice, replaced with a horrible softness. He sounds like a man in the midst of a terrible dream from which he refuses to wake. “Which of you will crown me? Crown me and live.”

I think of Madoc telling my mother not to run.

Caelia steps forward, dropping her knife. She is dressed in a stomacher of gold and a skirt of blue, a circlet of berries in her loose hair.

“I will do it,” she says. “It is enough. I will make you the High King, although the stain of what you have done will forever taint your rule.”

Never is like forever, I think, and then am angry to be reminded of anything Cardan has ever said, especially now. There’s a part of me that is glad she has given in, despite the awfulness of Balekin, the inevitable horror of his rule. At least this is over.

A bolt comes from the shadows of the rafters—in a completely different trajectory than the last. It strikes her in the chest. Her eyes go wide, her hands flutter over her heart, as though the wound is immodest and she needs to cover it. Then her eyes roll back, and she goes down without a sigh. It is Balekin who cries out with frustration. Madoc gives orders to his men, pointing toward the ceiling. A phalanx breaks off from the others and rushes up the stairs. A few guards fly up into the air on pale green wings, blades drawn.

He killed her. The Ghost killed her.

I push my way blindly toward the dais, past a sluagh howling for more blood. I don’t know what I think I am going to do when I get there.

Rhyia picks up her sister’s knife, holds it in one shaking hand. Her blue dress makes her look like a bird, caught before she could take flight. She’s Vivi’s only real friend in Faerie.

“Are you really going to fight me, sister?” Balekin says. “You have neither sword nor armor. Come, it is too late for that.”

“It is too late,” she says, and brings the knife to her own throat, pressing the point just below her ear.

“No!” I shout, although my voice is drowned out by the crowd, drowned out by Balekin shouting, too. And then, because I can’t stand to see any more death, I close my eyes. I keep them closed through being jostled by something heavy and furred. Balekin starts calling for someone to find Cardan, to bring him Cardan, and my eyes automatically fly open. But there’s no Cardan in sight. Only Rhyia’s crumpled body and more horror.

Winged archers take aim at the cluster of roots where the Ghost was hiding. A moment later, he drops down into the crowd. I hold my breath, afraid he has been hit. But he rolls, stands, and takes off up the stairs, with guards hot on his heels.

He has no chance. There are too many of them, and the brugh is too packed, leaving nowhere to run. I want to help him, want to go to him, but I am hemmed in. I can do nothing. I can save no one.

Balekin turns on the Court Poet, pointing at him. “You will crown me. Speak the words of the ceremony.”

“I cannot,” Val Moren says. “I am no kin to you, no kin to the crown.”

“You will,” Balekin says.

“Yes, my liege,” the Court Poet answers in a quavering voice. He stumbles through a quick version of the coronation as the hill goes silent. But when the crowd is asked to accept Balekin as the new High King, no one speaks. The golden oak-leaf crown is in Balekin’s hand, but not yet on his head.

Balekin’s gaze sweeps over the audience, and though I know it will not settle on me, I still flinch. His voice booms. “Pledge yourselves to me.”

We do not. The monarchs do not bend their knees. The Gentry are silent. The wild faeries watch and measure. I see Queen Annet of the southmost Unseelie Court, the Court of Moths, signal to her courtiers to leave the hall. She turns away with a sneer.

“You are sworn to the High King,” Balekin booms. “And I am king now.” Balekin lifts the crown and sets it on his own head. But a moment later, he howls, knocking it off. A burn is on his brow, the red shadow of a circlet.

“We do not swear to the king, but to the crown,” someone cries. It is Lord Roiben of the Court of Termites. He has made his way to stand in front of the knights. And although there are more than a dozen directly between him and Balekin, Roiben does not seem particularly concerned. “You have three days to get it onto your head, kin slayer. Three days before I will depart here, unsworn, unchecked in power, and unimpressed. And I am certain not to be the only one.”

There is a smattering of laughter and whispers as his words spread. A motley group still fills the hall: glittering Seelie and terrifying Unseelie; the wild fey that seldom leave their hills, rivers, or grave mounds; goblins and hags; pixies and phookas. They have watched nearly all the royal family be slaughtered in a single night. I wonder how much more violence will spring up if there is no new monarch to caution them. I wonder who would welcome it.

Sprites glitter in air that stinks of freshly spilled blood. The revel will go on, I realize. Everything will go on.

But I am not sure that I can.

I am a child again, hiding under a table, with the revel spinning around above me.

Pressing my hand to my heart, I feel the speeding thud of it. I cannot think. I cannot think. I cannot think.

There is blood on my dress, little dots of it sinking into the blue sky.

I thought I could not be shocked by death, but—there was just so much of it. An embarrassing, ridiculous excess. My mind keeps going back over Prince Dain’s white ribs, the spray of blood from Elowyn’s throat, and the High King’s denying Balekin over and over as he died. Over poor Taniot and Caelia and Rhyia, who were forced to discover, each in turn, how the crown of Faerie mattered more than their lives.

I think of Madoc, who had been at Dain’s right hand all these years. Faeries might not be able to lie outright, but Madoc had lied with every laugh, every clap on the back, every shared cup of wine. Madoc, who’d let us all get dressed up and given me a beautiful sword to wear tonight, as though we were really going to some fun party.

I knew what he was, I try to tell myself. I saw the blood crusted on his red cap. If I let myself forget, then more fool me.

At least knights had led my family away before the killing started. At least none of the others had to watch, although, unless they were very far away, they could not have failed to hear the screams. At least Oak would not grow up as I have, with death as my birthright.

I sit there until my heart slows again. I need to get out of the hill. This revel is going to turn wilder, and with no new High Monarch on the throne, there is little holding any of the revelers back from any entertainment they can devise. It’s probably not the best time to be a mortal here.