Moving Pictures (Discworld 10)

'Yeah, and this ole dog had been his only companion and after they buried the man he lay down on his grave and howled and howled for a couple of weeks. Growled at everybody who came near. An' then died.'

Victor paused in the act of throwing the stick again.

'That's very sad,' he said. He threw. Laddie tore along underneath it, and disappeared into a stand of scrubby trees on the hillside.

'Yeah. Everyone says it demonstrates a dog's innocent and undyin' love for 'is master,' said Gaspode, spitting the words out as if they were ashes.

'You don't believe that, then?'

'Not really. I b'lieve any bloody dog will stay still an' howl when you've just lowered the gravestone on his tail,' said Gaspode.

There was a ferocious barking.

'Don't worry about it. He's probably found a threatening rock or something,' said Gaspode.

He'd found Ginger.

The Librarian knuckled purposefully through the maze of Unseen University's library and descended the steps towards the maximumsecurity shelves.

Nearly all the books in the Library were, being magical, considerably more dangerous than ordinary books; most of them were chained to the bookcases to stop them flapping around.

But the lower levels . . .

. . . there they kept the rogue books, the books whose behaviour or mere contents demanded a whole shelf, a whole room to themselves. Cannibal books, books which, if left on a shelf with their weaker brethren, would be found looking considerably fatter and more smug in the smoking ashes next morning. Books whose mere contents pages could reduce the unprotected mind to grey cheese. Books that were not just books of magic, but magical books.

There's a lot of loose thinking about magic. People go around talking about mystic harmonies and cosmic balances and unicorns, all of which is to real magic what a glove puppet is to the Royal Shakespeare Company.

Real magic is the hand around the bandsaw, the thrown spark in the powder keg, the dimension-warp linking you straight into the heart of a star, the flaming sword that burns all the way down to the pommel. Sooner juggle torches in a tar pit than mess with real magic. Sooner lie down in front of a thousand elephants.

At least, that's what wizards say, which is why they charge such swingeingly huge fees for getting involved with the bloody stuff.

But down here, in the dark tunnels, there was no hiding behind amulets and starry robes and pointy hats. Down here, you either had it or you didn't. And if you hadn't got it, you'd had it.

There were sounds from behind the heavily barred doors as the Librarian shuffled along. Once or twice something heavy threw itself against a door, making the hinges rattle.

There were noises.

The orang-utan stopped in front of an arched doorway that was blocked with a door made not of wood but of stone, balanced so that it could easily be opened from outside but could withstand massive pressure from within.

He paused for a moment, and then reached into a little alcove and removed a mask of iron and smoked glass, which he put on, and a pair of heavy leather gloves reinforced with steel mesh. There was also a torch made of oil-soaked rags; he lit this from one of the flickering braziers in the tunnel.

At the back of the alcove was a brass key.

He took the key, and then he took a deep breath.

All the Books of Power had their own particular natures. The Octavo was harsh and imperious. The Bumper Fun Grimoire went in for deadly practical jokes. The Joy of Tantric Sex had to be kept under iced water. The Librarian knew them all, and how to deal with them.

This one was different. Usually people saw only tenth- or twelfthhand copies, as like the real thing as a painting or an explosion was to, well, to an explosion. This was a book that had absorbed the sheer, graphite-grey evil of its subject matter.

Its name was hacked in letters over the arch, lest men and apes forget.

NECROTELICOMNICON.

He put the key in the lock, and offered up a prayer to the gods.

'Oook,' he said fervently. 'Gook.'

The door swung open.