Bits & Pieces (Benny Imura 5)

Because, with everything he had and everything he was, he absolutely meant it.

No.

2

South Fork Wildlife Area

Southern California

A voice rang out, sharp and full of threat.

“Who the hell do you think you are?”

The man who spoke was tall, broad-shouldered, bearded, and brutal-looking. He stepped out from behind an overturned tractor-trailer. He wore matched pistols in leather holsters at his hips and carried a working replica of a Scottish claymore sword in his knobby fist, the blade resting on one mountainous shoulder.

The man to whom he spoke was not nearly as bulky. Pale, short, slender, dressed in black clothes with angel wings embroidered in white thread on the front of his dark shirt. His garments were too big for him, and they bloused out around the red tassels tied to his wrists, elbows, ankles, and knees. He had a shaved head, and his scalp was covered in tattoos of bees crawling over a honey-rich hive.

“I’m just a humble traveler doing god’s work,” said the smaller man.

“Not on this road, pally,” said the big man. “This road belongs to Boss Keffler.”

As he spoke, there was an ominous sound. The smaller man turned to see other men step from concealment among the wrecked cars on the cracked highway. Four of them. All armed. One carried a shotgun in his hands.

“Ah,” said the traveler. “Let me guess—there’s a toll, am I right?”

That put a greasy smile on the big man’s face. “Oh yeah, there’s a toll.”

“Does it matter at all that I’m a servant of god? No, don’t look at me like that, I’m being serious here. I’m an actual servant of god. Doing god’s work. That get me any play here?”

The beefy man looked momentarily confused. Then he grinned. “God’s dead, ain’t you heard? And he left this road to Boss Keffler in his will.”

The big man guffawed, and the others joined him. The traveler smiled thinly, and as the laughter tapered off, he held up a hand.

“Yeah, yeah, okay, very hilarious,” said the traveler, his tone calm and reasonable. “You look like you’re the topkick of this crew. Am I right? What’s your name, brother?”

“I ain’t your brother.”

“Figure of speech. What, sir, is your name?”

“Tony Grapes.”

“Tony Grapes? Really? You’re going with that? Yes? Okay, sure, Grapes. Whatever. Look, Mr. Grapes, my name’s Marty Kirk. Brother Marty these days. We both know that you’re a large, scary individual, and your colleagues there are tough as they come. That’s obvious, that’s a given, no need to go further with that discussion. We know that. Just like we know that I’m a hundred and sixty pounds of middle-aged nothing. I’m not armed, and even if I was, we both know you could take away anything I had and make me eat it, raw, with only a little soy sauce. We’re there, am I right? We’re on that page.”

Tony stared at him with open mouth and narrowed eyes. Wary, but fascinated. “Yeah,” he said. “That’s about it.”

“So, let’s look at the last page of this script, ’cause I don’t think we’re reading from the same screenplay. In your version, I get my tuchus kicked and maybe my throat cut and you guys have a funny anecdote to tell the rest of the Neanderthals about how your combined weight of—I’m guessing here—three quarters of a ton of whale lard was able to stomp my skinny self into the dirt without so much as you bruising a hairy knuckle. I mean, let’s face it, you got that script, you’re reading those pages, am I right?”

“You’ve got a smart mouth.”

“I’ve been told. My point is,” continued Brother Marty, “my script has two different endings. One for the theaters, the other for the DVD extras, you follow? No? Forgot about all that already? Life’s sad, so much is lost. Whatever. In one version, the version where we all end the day happy and still sucking air, you and your four chums here drop to your knees, renounce your false god like the carnival phony he is, embrace Thanatos—all praise to his darkness—and one-two-three, you guys are part of my team. This is a nice scenario, am I right? This is a Hallmark moment and a happy ending.”

“This guy’s totally monkey-bat crazy,” said one of the gang.

“No kidding,” said Tony. He swung the sword out and laid the flat of it on Brother Marty’s shoulder. The weight of the blade made Marty’s knees buckle for a moment.

“But,” said Marty hastily, “let me get to the alternate ending. In that version we go for the edgy ending, the dark ending. The one that would play well at Cannes but score low in the word-of-mouth market. You dig where I’m going with this? No? Let me set the scene. In the alternate ending, you five goons don’t forswear your false god, you don’t accept the blessing of Thanatos—all praise to his darkness—and none of you are on call for the sequel to this summer blockbuster. Are you feeling me on this, Tony? You get where my GPS is taking us? That second ending sucks, neither of us like it. It’s a tearjerker, am I right? And, come on, is that really the best ending for the whole family? I don’t think so. I think we need to take a closer look at the first ending, the one the director wants to shoot, because, hey, it sells more popcorn and it’s a crowd pleaser.”

Tony Grapes said nothing. Neither did the others.