Unwind (Unwind Dystology 1)
"We have no last names in the Graveyard," says the Admiral, then he stands and grabs Emby's hand, shaking it. "Good-bye, Zachary. When you see my ex-wife, give her my regards."
Emby can only squeak a wordless response as the men take him by the arms and lead him out and down toward the waiting sedan.
* * *
Once the boy is gone, Admiral Dunfee leans back in his chair. With all the things threatening his domain, here's one thing he can be pleased with. He allows himself a brief moment of satisfaction, glancing over at the smiling picture of his son Harlan—better known as Humphrey in modern folklore, but those who loved him know his real name. Yes, the Admiral is redeeming himself, and setting things right, bit by bit by bit.
38 Mob
Emby's disappearance goes undiscovered for almost two days, until someone takes a look at the pinball machine and notices that something is missing.
"Where's the mouth breather?" people begin to ask. It's not until nightfall that people start asking seriously, and by morning it's clear that he's gone.
Some people claim they saw him wandering off into the desert. Some people claim there was a mysterious car that took him away. Ralphy Sherman claims he saw Emby beamed up to the mother ship to be with his own kind. Even' suggestion is mulled over. Every theory is entertained. A search is mounted by Emby's team. It turns up nothing.
Through all of this, the Admiral is silent.
Now Emby, the kid at the bottom of the pecking order, has suddenly become everyone's best friend, and his disappearance fuel for everyone's fire. Roland uses it to further his own agenda of fear—after all, he was the one who very publicly predicted that Emby would vanish. He didn't believe it for an instant, but now that his prediction has come true, he has everyone's attention.
"You watch," Roland tells all those who will listen. "The Admiral's going to show up one of these days with a nice, thick head of Emby-hair hidden beneath his hat—and any one of us could be next. Has he been looking at your eyes? Has he been listening to the sound of your voice? If he wants a part of you, you'll end up just like Emby!"
He's so convincing, he almost believes it himself. Connor has a completely different view of the situation. He's certain that Roland did away with Emby so he could use his disappearance to gather support. For Connor, it's more proof that Roland killed the Goldens—that he'll stop at nothing to get what he wants.
Connor brings his suspicions to the Admiral. He listens, but still says nothing. The Admiral knows that claiming responsibility for Emby's absence would play right into the mania that Roland is creating. The Admiral could tell Connor that he was the one who sent the boy away, but that would beg questions that he has no desire to answer. He decides to let Connor think that Roland did it—it would motivate Connor even more to find that crucial link connecting Roland to the murders. Because now the Admiral has come to believe in Roland's guilt as well.
"Forget the missing boy," he tells Connor. "Concentrate on proving Roland killed the others. Someone must have helped him—someone must know. Right now Roland has too many supporters. We can't take him down without hard evidence."
"Then somehow I'll get you evidence," Connor tells him. "I'll do it for Emby."
After Connor leaves the Admiral's jet, the Admiral sits alone, pondering the ins and outs of the situation. Things in the Graveyard have gotten dicey before, but dicey situations have always been the Admiral's specialty. He's sure he can play this one to a successful conclusion, and get everything back under his control. As he sits there in his jet, he gets an ache in his shoulder that spreads down to his arm. No doubt it's another manifestation of his various war wounds. He calls for a medic to bring him some aspirin.
There's a work call the following day.
Risa hates them, because she knows there isn't going to be anything for her, but everyone must attend work call. Today, the gathering isn't run by an Unwind, it's run by Cleaver. Apparently he's temporarily taken over the job, since no one's been found to fulfill Amp's duties. Risa doesn't like him. He's got an unpleasant, slimy look about him.
There are only a few calls for work today. Someone wants a plumber's assistant in some godforsaken town named Beaver's Breath; there's some farm work out in California; and the third job is just plain weird.
"Prudhoe Bay, Alaska," Cleaver says. "You'll be working on an oil pipeline until you're eighteen. From what I hear, it's one of the coldest, most brutal places on Earth. But, hey, it's a way out, right? I need three volunteers."
The first hand up belongs to an older kid who looks like punishment is his middle name—like he was born for brutal work, right down to his shaved head. The second hand raised catches Risa by surprise. It's Mai. What is Mai doing volunteering for work on a pipeline? Why would she leave the boy she was so attached to back in the warehouse? But then, come to think of it, Risa hasn't seen that boy around the Graveyard at all. While she tries to process this, a third hand goes up. It's a younger kid. A smaller kid. A kid with a bad sunburn. Lev's hand is held high, and he gets chosen for the pipeline job.
Risa just stands there in disbelief, then she searches for Connor in the crowd. He's seen it too. He looks at Risa and shrugs. Well, maybe this is just a shrug to Connor, but it's not to her.
When the meeting breaks up, she makes a beeline for Lev, but he's already vanished into the mob. So the instant Risa gets back to the infirmary, she calls for a messenger, and another and another, sending them each off with redundant notes reminding kids to take their medications. Finally, after her fourth call, the messenger they send is Lev.
He must see the look on her face, because he just stands there at the hatch not coming in. One of the other medics is there, so Risa glares at Lev, pointing toward the back. "That way. Now!"
"I don't take orders," he says.
"That way!" she says again, even more forcefully. "NOW!"
Apparently he does take orders after all, because he steps in and marches toward the back of the plane. Once they reach the storage room at the back, she closes the bulkhead door behind them and lays into him.
"What the hell are you thinking?"
His face is steel. It's the door of a safe she can't get into. "I've never been to Alaska," he says. "I might as well go now."
"You've barely been here a week! Why are you in such a hum' to leave—and for a job like that?"