The Gathering Storm

Those clouds churned, dark black and silver thunderheads shaking with white blasts. They suddenly boiled downward, like the funnel cloud of a twister, coming for him. He cried out, raising a hand, as a man might before a powerfully bright light. That blackness. That endless, suffocating blackness. It would take him. He knew.

And then the clouds were gone.

His pipe hit the porch's floorboards, clicking softly, tossing burned tabac out in a spray across the steps. He hadn't realized he'd let it slip free. Renald hesitated, looking up at empty blue sky, realizing that he was cringing at nothing.

The clouds were off on the horizon again, some forty leagues distant. They thundered softly.

He picked up his pipe with a shaking hand, spotted from age, tanned from years spent in the sun. Just a trick of your mind, Renald, he told himself. You're going off the side, sure as eggs is eggs.

He was on edge because of the crops. That had him on edge. Though he spoke optimistic words for the lads, it just wasn't natural. Something should have sprouted by now. He'd farmed that land for forty years! Barley didn't take this long to sprout. Burn him, but it didn't. What was going on in the world these days? Plants couldn't be depended on to sprout, and clouds didn't stay where they should.

He forced himself to sit back down in his chair, legs shaking. Getting old, I am. ... he thought.

He'd worked a farm all of his life. Farmsteading in the Borderlands was not easy, but if you worked hard, you could grow a successful life while you grew strong crops. "A man has as much luck as he has seeds in the field," his father had always said.

Well, Renald was one of the most successful farmers in the area. He'd done well enough to buy out the two farms beside his, and he could run thirty wagons to market each fall. He now had six good men working for him, plowing the fields, riding the fences. Not that he didn't have to climb down in the muck every day and show them what good farming was all about. You couldn't let a little success ruin you.

Yes, he'd worked the land, lived the land, as his father always used to say. He understood the weather as well as a man could. Those clouds weren't natural. They rumbled softly, like an animal growling on a dark night. Waiting. Lurking in the nearby woods.

He jumped at another crash of thunder that seemed too close. Were those clouds forty leagues away? Is that what he'd thought? Looked more like ten leagues away, now that he studied them.

"Don't get like that," he grumbled at himself. His own voice sounded good to him. Real. It was nice to hear something other than that rumbling and the occasional creak of shutters in the wind. Shouldn't he be able to hear Auaine inside, getting supper ready?

"You're tired. That's it. Tired." He fished in his vest pocket and pulled out his tabac pouch.

A faint rumbling came from the right. At first, he assumed it was the thunder. However, this rumbling was too grating, too regular. That wasn't thunder. It was wheels turning.

Sure enough, a large, oxen-drawn wagon crested Mallard's Hill, just to the east. Renald had named that hill himself. Every good hill needed a name. The road was Mallard's Road. So why not name the hill that too?

He leaned forward in his chair, pointedly ignoring those clouds as he squinted toward the wagon, trying to make out the driver's face. Thulin? The smith? What was he doing, driving a wagon laden halfway to the heavens? He was supposed to be working on Renald's new plow!

Lean for one of his trade, Thulin was still twice as muscled as most farmhands. He had the dark hair and tan skin of a Shienaran, and kept his face shaved after their fashion, but he did not wear the topknot. Thulin's family might trace its roots back to Borderland warriors, but he himself was just a simple country man like the rest of them. He ran the smithy over in Oak Water, five miles to the east. Renald had enjoyed many a game of stones with the smith during winter evenings.

Thulin was getting on—he hadn't seen as many years as Renald, but the last few winters had prompted Thulin to start speaking of retirement. Smithing wasn't an old man's trade. Of course, neither was farming. Were there really any old man's trades?

Thulin's wagon approached along the packed earthen road, approaching Renald's white-fenced yard. Now, that's odd, Renald thought. Behind the wagon trailed a neat string of animals: five goats and two milkcows. Crates of black-feathered chickens were tied on the outside of the wagon, and the bed of the wagon itself was piled full of furniture, sacks and barrels. Thulin's youthful daughter, Mirala, sat on the seat with him, next to his wife, a golden-haired woman from the south. Twenty-five years Thulin's wife, but Renald still thought of Gallanha as "that southern girl."

The whole family was in the wagon, leading their best livestock. Obviously on the move. But where? Off to visit relatives, perhaps? He and Thulin hadn't played a round of stones in ... oh, three weeks now. Not much time for visiting, what with the coming of spring and the hurried planting. Someone would need to mend the plows and sharpen the scythes. Who would do it if Thulin's smithy went cold?

ORD

In November 2007, I received a phone call that would change my life forever. Harriet McDougal, wife and editor of the late Robert Jordan, called to ask me if I would complete the last book of The Wheel of Time.

For those who did not know Mr. Jordan had passed away, it pains me to be the one to break the news. I remember how I felt when—while idly browsing the Internet on September 16, 2007—I discovered that he had died. I was shocked, stunned, and disheartened. This wonderful man, a hero to me in my writing career, was gone. The world suddenly became a different place.

I first picked up The Eye of the World in 1990, when I was a teenage fantasy addict visiting my corner bookstore. I became a fan instantly and eagerly awaited The Great Hunt. Over the years, I've read the books numerous times, often re-reading the entire series when a new book was released. Time passed, and I decided I wanted to become a fantasy author—influenced, in large part, by how much I loved The Wheel of Time. And yet, never did I think that I would one day get that phone call from Harriet. It came to me as a complete surprise. I had not asked, applied, or dared wish for this opportunity—though when the request was made, my answer was immediate. I love this series as I have loved none other, and the characters feel like old, dear friends from my childhood.

I cannot replace Robert Jordan. Nobody could write this book as well as he could have. That is a simple fact. Fortunately, he left many notes, outlines, completed scenes, and dictated explanations with his wife and assistants. Before his passing, he asked Harriet to find someone to complete the series for his fans. He loved you all very much and spent the very last weeks of his life dictating events for the final volume. It was to be called A Memory of Light.

Eighteen months later, we are here. Mr. Jordan promised that the final book would be big. But the manuscript soon grew prohibitively huge; it would be three times the size of a regular Wheel of Time book, and the decision was made by Harriet and Tor to split A Memory of Light into thirds. There were several excellent breaking points that would give a full and complete story in each third. You may think of The Gathering Storm and its two followers as the three volumes of A Memory of Light or as the final three books of The Wheel of Time. Both are correct.

As of this writing, I am halfway done with the second third. We are working as quickly as is reasonable, and we don't want you to have to wait too long to get the ending we were all promised nearly twenty years ago. (Mr. Jordan did write this ending himself before he passed away, and I have read it. And it is fantastic.) I have not tried to imitate Mr. Jordan's style. Instead, I've adapted my style to be appropriate to The Wheel of Time. My main goal was to stay true to the souls of the characters. The plot is, in large part, Robert Jordan's, though many of the words are mine. Imagine this book as the product of a new director working on some of the scenes of a movie while retaining the same actors and script.

But this is a big project, and it will take time to complete. I beg your patience as we spend these next few years perfecting this story. We hold in our hands the ending of the greatest fantasy epic of our time, and I intend to see it done right. I intend to remain true to Mr. Jordan's wishes and notes. My artistic integrity, and love for the books, will not let me do anything less. In the end, I let the words herein stand as the best argument for what we are doing.

This is not my book. It is Robert Jordan's book, and to a lesser extent, it is your book.

Thank you for reading.