L.A. Dead (Stone Barrington 6)

"Yes, I do." Funny, he hadn't said that to Arrington.

"But Stone, how can you love a woman who has murdered her husband? How do you know you won't be next?"

"That's a very strange thing for you to say," Stone said under his breath, trying to control his temper. "I seem to remember that you once had a husband who is now dead of extremely unnatural causes."

"That was the business he chose, if I may paraphrase Don Corleone, and he had to live with it." She speared a chunk of lobster. "Or die with it. You might remember that."

"I chose a different business, and I am choosing a different woman." My God, he thought, what do I have to say to get through to her?

Dolce shook her head. "No, Stone; you haven't yet come to the point where you have to make a real choice." She chewed her lobster. "But you will."

"Is that some sort of threat, Dolce?"

"Call it a prediction, but take it any way you like."

"Why would you want a man who doesn't want you?" he demanded. "Why do you demean yourself?"

She put down her fork, and her eyes narrowed again. "You do not know me as well as you will after a while," she said, "but when you do come to know me, you will look back on that remark as dangerous folly."

"That's it," Stone said, putting down his spoon, his soup still untouched. "One last time, for the record: I do not love you; I will not marry you; I have not married you. I love another woman, and I believe I always will. I want nothing more to do with you, ever. I cannot make it any clearer than that. He stood up. "Good-bye, Dolce."

"No, my darling," she replied smoothly, "merely au revoir."

"Dolce," he said, "California has a very strong law against stalking; don't make me publicly humiliate you." He turned and walked out of the cafe.

All the way back to the studio he ran the conversation through his head, over and over. It had been like talking to a marble sculpture, except that a sculpture does not make threats. Or had she made threats? Was there anything in her words that could be used against her? He admitted there was not. What was he going to do? How could he get this woman off his back? More important, how could he get her off his back without grievously offending her father, whom he did not want for an enemy?

He parked in front of the bungalow and, finding it locked, used his key. On Betty's desk there was a note, stuck to a package.

"I've taken your advice, lover; I'm on a late afternoon plane. I'll call you in a couple of days to see how you're making out. A girl from the pool will be in tomorrow morning to do for you, although she probably won't do for you as I do. Take care of yourself."

He turned to the package, which was an overnight air envelope with a Rome return address. He opened it, and two sheets of paper fell out. The top one was a heavy sheet of cream-colored writing paper. Stone read the handwritten letter:

The Vatican

Rome

Dear Stone,

I have made the investigations I told you I would, speaking personally to the mayor of Venice. I have concluded that you and Dolce are legally married in Italy, and that the proper documents, which you both signed, have been duly registered. The marriage would be considered valid anywhere in the world.

I know this was not the news you wanted. I would offer advice on an annulment, but you are not a Catholic, and, you surely understand, I cannot offer advice on divorce.

You remain in my thoughts and prayers. If there is any other help I can give you, please let me know.

Warmly, Bellini

Stone looked at the other piece of paper. It was printed in Italian, bore his and Dolce's names, and appeared to be a certificate of marriage.

"Oh, shit," he said.

Chapter 39

Stone called Dino. "Do you remember telling me, on the way to Italy, that there would be two marriage ceremonies, a civil one and a religious one?"

"Sure. Why do you ask?"

"You remember telling me that the civil ceremony wasn't legal until the religious ceremony had been performed?"