Kitty and the Dead Man's Hand (Kitty Norville 5)

My kick caught Balthasar in the gut. He fell back but quickly regained his balance. I didn’t wait, kicking again, aiming for his face. He scrambled back, batting my foot away, and bared his teeth, which were sharper than they had been. Inside me, Wolf howled, cheering. She was close to punching through my control. My shoulders strained, pulled back at the wrong angle for Wolf’s body. If we changed now, it would hurt, far worse than usual. I hung there, gasping, legs bent and ready to kick again, panting, feeling fur at the surface of my skin.

I didn’t know what to expect. Some men might have hit me, frustrated that I’d slipped out of their control. He might have laughed and kept on with the rape. His face was a mask. Right up until he smiled. Like a Cheshire cat.

He announced to his followers. “She’s ready. It’s time.”

Huh?

The henchmen snapped the chains from their hooks, peeled me off the wall, and trussed me up for another round of dragging. This time, I was mostly upright, mostly face forward, so I could sort of see where we were going. Where we were going was through a doorway, a different one than they’d brought me through, as far as I could tell.

We emerged onto the stage for the Balthasar, King of Beasts show. The ziggurat loomed before us.

This had to be a joke.

The stage was dark except for lit torches. Real ones this time, pitch and flame, not the gaslit ones for the show. This close, they stank of burning tar and filled the air with smoke that made my eyes water. Patterns in the fake stone of the ziggurat emerged, images in relief that seemed to move in the flickering firelight. They were like the pictures from Balthasar’s suite: processions of oxen with the heads of men, stalking lions, bird-people, and nameless demons continued here, but they were more complex, more threatening.

They dragged me to the front of the ziggurat, to the two stone pillars where Balthasar was chained for the show. But that was a show, and this was real, performed in an empty theater for the troupe alone. The decor throughout the troupe’s suite and stage wasn’t for show, it wasn’t a motif or a design choice. It was the real thing. This whole place was a Babylonian temple. From hell.

They secured a chain to each pillar, leaving my arms spread wide. I thrashed against the bindings like a snared rabbit. My blood was burning.

The woman from the show, the exotic, half-clad torturer, stood nearby. This close, I could smell her. Even with all of Balthasar’s people gathered around us in a circle as if for some ritual, even with the smoking torches and the scent of my own fear filling me, I could smell the coldness of her. The deadness.

She was a vampire.

This time, she wore an undyed linen gown, a simple square tunic embroidered with more Babylonian-looking images and symbols around the hems and belted with rope. She had long black hair and skin like honey. Her eyes seemed to be rolled back in her head. She stood with her arms spread, and her left hand held a long, fierce-looking dagger.

I had a bad feeling about this.

Inside me, Wolf panicked, throwing herself against the bars of a cage that I imagined kept her locked inside of me. The bars were dissolving. My heart was racing. My skin prickled, ready to stretch, split, and set her free.

I caught sight of Balthasar, who moved before me, serenely presiding over the scene. I nodded to the woman, who hadn’t deigned to look at me yet. “So who the fuck is that?”

“She is the real Master here. She speaks to the old goddess—the oldest goddess, the one whose bones made the world. It is she we serve. We are her Band, as she had in the days before time. Tiamat!” Balthasar ended with a shout, and the others took up the word in a chant.

“Tiamat! Tiamat! Tiamat!”

You have got to be fucking kidding me.

He stepped up to me and gripped my chin hard. Growling, I bared my teeth at him. “Go on, shape-shift. We need you to shift,” he said.

“Why?”

“The sacrifice must be of a creature neither human nor animal. A being partway between them. A lycanthrope.”

“Sacrifice?” And because they were all cats, they preferred putting wolves on the block. That was why there were no werewolves in Las Vegas.

The vampire, the priestess of Tiamat, stepped in front of me and raised the dagger high, pointed straight down to my chest.

If Balthasar was right, if I didn’t shift they couldn’t kill me. They needed me to shift. So I just wouldn’t. Except that I’d already lost it. I screamed, but it came out as a terrified wolfish snarl. It was happening. My skin turned to gooseflesh, fur springing out all over. My hands thickened, nails turning into claws. All my bones were melting.

Balthasar ripped my shirt open, tearing the fabric. I struggled, to put it mildly, as hard as I could, but my face, my screams were no longer my own. I’d lost my shoes. My clawed feet kicked out at him, caught flesh, ripped into it. Red lines appeared on his thighs. He hissed, catlike, and struck my face. I hardly noticed.

All I could see was that knife hovering over my chest. It was silver. When a silver weapon—bullet, knife, whatever—wounded a lycanthrope, it wasn’t the wound that killed. It was silver poisoning. If that knife broke my skin, I would die.

Then I heard something amazing. Incongruous. An explosion—the crack of a gunshot. Normally I hated that sound, but right now it was music.

The chanting stopped, and a silence settled over the room, a shocked pause.

The priestess of Tiamat had a red hole in the middle of her chest. It didn’t bleed. She didn’t fall. She turned, shouting something in a language I’d never heard before.