Kitty's Mix-Tape (Kitty Norville 16)
In the end, rather than having any solid leads on what had killed her, Hardin walked away with an image of a lonely, maybe even ostracized woman with no friends, no connections, and no grief lost at her passing. People with that profile were usually pegged as the killers, not the victims.
She sat in her car for a long time, letting her mind drift, wondering which lead she’d missed and what connection she’d have to make to solve this thing. The murder wasn’t random. In fact, it must have been carefully planned, considering the equipment involved. So the body had been moved, maybe. There still ought to be evidence of that at the crime scene—tire tracks, foot prints, blood. Maybe the techs had come up with something while she was out here dithering.
The sun was setting, sparse streetlights coming on, their orange glow not doing much to illuminate past the trees. Not a lot of activity went on. A few lights on in a few windows. No cars moving.
She stepped out of the car and started walking.
Instead of going straight through the gate to the backyard, she went around the house and along the fence to the alley behind the houses, a narrow path mostly haunted by stray cats. She caught movement out of the corner of her eye; paused and looked, caught sight of small legs and a tail. She flushed and her heart sped up, in spite of herself. She knew it was just a cat. But her hindbrain thought of the other creatures with fur she’d seen in back alleys. The monsters.
She came into Manuel’s yard through a back gate. The shed loomed before her, seeming to expand in size. She shook the image away. The only thing sinister about the shed was her knowledge of what had been found there. Other houses had back porch lights on. She could hear TVs playing. Not at Manuel’s house. The lights were dark, the whole property still, as if the rest of the street had vanished, and the site existed in a bubble. Hardin’s breathing suddenly seemed loud.
She couldn’t see much of anything in the dark. No footprints, not a stray thread of cloth. She didn’t know what she was hoping to find.
One thing she vowed she’d never do was call in a psychic to work a case. But standing in the backyard of Manuel’s residence at night, she couldn’t help wondering if she’d missed something simply because it wasn’t visib
le to the mundane eye. Could a psychic stand here and see some kind of magical aura? Maybe follow a magical trail to the person who’d committed the crime?
The real problem was—how would she know she was hiring an actual psychic? Hardin was ready to believe just about anything, but that wouldn’t help her figure out what had happened here.
The next day, she made a phone call. She had at least one more resource to try.
Hardin came to the supernatural world as a complete neophyte, and she had to look for advice wherever she could, no matter how odd the source, or how distasteful. Friendly werewolves, for example. Or convicted felons.
Cormac Bennett styled himself a bounty hunter specializing in the supernatural. He freely admitted he was a killer, though he claimed to only kill monsters—werewolves, vampires, and the like. A judge had recently agreed with him, at least about the killer part, and sentenced Bennett to four years for manslaughter. It meant that Hardin now had someone on hand who might be able to answer her questions. She’d requested the visit and asked that he not be told it was her because she didn’t want him to say no to the meeting. They’d had a couple of run-ins—truthfully, she was a little disappointed that she hadn’t been the one who got to haul him in on charges of attempted murder, at the very least.
When he sat down and saw her through the glass partition, he muttered, “Christ.”
“Hello,” she said, rather pleased at his reaction. “You look terrible, if you don’t mind me saying.” It wasn’t that he looked terrible; he looked like any other con, rough around the edges, tired, and seething. He had shadows under his eyes. That was a lot different than he’d looked the last time she’d seen him, poised and hunting.
“What do you want?”
“I have to be blunt, Mr. Bennett,” she said. “I’m here looking for advice.”
“Not sure I can help you.”
Maybe this had been a mistake. “You mean you’re not sure you will. Maybe you should let me know right now if I’m wasting my time. Save us both the trouble.”
“Did Kitty tell you to talk to me?”
As a matter of fact, Kitty Norville had suggested it. Kitty the werewolf. Hardin hadn’t believed it either, until she saw it. It was mostly Kitty’s fault Hardin had started down this path. “She said you might know things.”
“Kitty’s got a real big mouth,” Bennett said wryly.
“How did you two even end up friends?” Hardin said. “You wanted to kill her.”
“It wasn’t personal.”
“Then, what? It got personal?” Hardin never understood why Kitty had just let the incident go. She hadn’t wanted to press charges. And now they were what, best friends?
“Kitty has a way of growing on you.”
Hardin smiled, just a little, because she knew what he was talking about. Kitty had a big mouth, and it made her charming rather than annoying. Most of the time.
She pulled a folder from her attaché case, drew out the eight-by-ten crime-scene photos, and held them up to the glass. “I have a body. Well, half a body. It’s pretty spectacular and it’s not in any of the books.”
Bennett studied the photos a long time, and she waited, watching him carefully. He didn’t seem shocked or disgusted. Of course he didn’t. He was curious. Maybe even admiring? She tried not to judge. This was like Manuel’s shed; she only saw Bennett as sinister because she knew what he was capable of.
“What the hell?” he said finally. “How are they even still standing? Are they attached to something?”