Circus of the Damned (Anita Blake, Vampire Hunter 3)

Chapter 30

Inger drove down Old Highway 21 to East Rock Creek. Rock Creek was a narrow, winding road barely wide enough for two cars to pass. Inger drove slow enough for the curves, but fast enough so you didn't get bored.

There were farmhouses that had stood for years and new houses in subdivisions where the earth was raw and red as a wound. Inger turned into one of those new subdivisions. It was full of large, expensive-looking houses, very modern. Thin, spindly trees were tied to stakes along the gravel road.

The pitiful trees trembled in the autumn wind, a few surprised leaves still clinging to the spider-thin limbs. This area had been a forest before they bulldozed it. Why do developers destroy all the mature trees, then plant new trees that won't look good for decades?

We pulled up in front of a fake log cabin that was bigger than any real cabin had ever been. Too much glass, the yard naked dirt the color of rust. The white gravel that made up the driveway had to have been brought in from miles away. All the native gravel was as red as the dirt.

Inger started to go around the car, to open my door I think. I opened my own door. Inger seemed a little lost, but he'd get over it. I'd never seen the sense in perfectly healthy people not opening their own doors. Especially car doors where the man had to walk all the way around the car, and the woman just waited like a... a lump.

Inger led the way up the porch steps. It was a nice porch, wide enough to sit on come summer evenings. Right now it was all bare wood and a huge picture window with closed drapes in a barn-red design with wagon wheels drawn all over it. Very rustic.

He knocked on the carved wooden door. A pane of leaded glass decorated the center of the door, high up and sparkling, more for decoration than for seeing through. He didn't wait for the door to be opened, but used a key and walked in. He didn't seem to expect an answer, so why knock?

The house was in a thick twilight of really nice drapes, all closed against the syrup-heavy sunlight. The polished wood floors were utterly bare. The mantel of the heavy fireplace was naked, the fireplace cold. The place smelled new and unused, like new toys on Christmas. Inger never hesitated. I followed his broad back into the wooden hallway. He didn't look behind to see if I was keeping up. Apparently when I'd decided not to let him open my door for me, he seemed to have decided that no further courtesy was necessary.

Fine with me.

There were doors at widely spaced intervals along the hallway. Inger knocked at the third door on the left. A voice said, "Enter."

Inger opened the door and went inside. He held the door for me, standing very straight by the door. It wasn't courtesy. He stood like a soldier at attention. Who was in the room to make Inger toe the line? One way to find out.

I went into the room.

There was a bank of windows to the north with heavy drapes pulled across them. A thin line of sunlight cut across the room, bisecting a large, clean desk. A man sat in a large chair behind the desk.

He was a small man, almost a midget or a dwarf. I wanted to say dwarf, but he didn't have the jaw or the shortened arms. He looked well formed under his tailored suit. He had almost no chin and a sloping forehead, which drew attention to the wide nose and the prominent eyebrow ridge. There was something familiar about his face, as if I'd seen it somewhere else before. Yet I knew I'd never met a person who looked just like him. It was a very singular face.

I was staring at him. I was embarrassed and didn't like it. I met his eyes; they were perfectly brown and smiling. His dark hair was cut one hair at a time, expensive and blow-dried. He sat in his chair behind the clean polished desk and smiled at me.

"Mr. Oliver, this is Anita Blake," Inger said, still standing stiffly by the door.

He got out of his chair and came around the desk to offer me his small well-formed hand. He was four feet tall, not an inch more. His handshake was firm and much stronger than he looked. A brief squeeze, and I could feel the strength in his small frame. He didn't look musclebound, but that easy strength was there, in his face, hand, stance.

He was small, but he didn't think it was a defect. I liked that. I felt the same way.

He gave a close-lipped smile and sat back down in his big chair. Inger brought a chair from the corner and put it facing the desk. I took the chair. Inger remained standing by the now-closed door. He was definitely at attention. He respected the man in the chair. I was willing to like him. That was a first for me. I'm more likely to instantly mistrust than like someone.

I realized that I was smiling. I felt warm and comfortable facing him, like he was a favorite and trusted uncle. I frowned at him; what the hell was happening to me?

"What's going on?" I said.

He smiled, his eyes sparkling warmly at me. "Whatever do you mean, Ms. Blake?"

His voice was soft, low, rich, like cream in coffee. You could almost taste it. A comforting warmth to your ears. I only knew one other voice that could do similar things.

I stared at the thin band of sunlight only inches from Oliver's arm. It was broad daylight. He couldn't be. Could he?

I stared at his very alive face. There was no trace of that otherness that vampires gave off. And yet, his voice, this warm cosy feeling, none of it was natural. I'd never liked and trusted anyone instantly. I wasn't about to start now.

"You're good," I said. "Very good."

"Whatever do you mean, Ms. Blake?" You could have cuddled into the warm fuzziness of his voice like a favorite blanket.

"Stop it."

He looked quizzically at me, as if confused. The act was perfect, and I realized why; it wasn't an act. I'd been around ancient vampires, but never one that had been able to pass for human, not like this. You could have taken him anywhere and no one would have known. Well, almost no one.

"Believe me, Ms. Blake, I'm not trying to do anything."

I swallowed hard. Was that true? Was he so damn powerful that the mind tricks and the voice were automatic? No; if Jean-Claude could control it, this thing could, too.

"Cut the mind tricks, and curb the voice, okay? If you want to talk business, talk, but cut the games."

His smile widened, still not enough to show fangs. After a few hundred years, you must get really good at smiling like that.

He laughed then; it was wonderful, like warm water falling from a great height. You could have jumped into it and bathed, and felt good.

"Stop it, stop it!"

Fangs flashed as he finished chuckling at me. "It isn't the vampire marks that allowed you to see through my, as you call them, games. It is natural talent, isn't it?"

I nodded. "Most animators have it."

"But not to the degree you do, Ms. Blake. You have power, too. It crawls along my skin. You are a necromancer."

I started to deny it, but stopped. Lying to something like this was useless. He was older than anything I'd ever dreamed of, older than any nightmare I'd ever had. But he didn't make my bones ache; he felt good, better than Jean-Claude, better than anything.

"I could be a necromancer. I choose not to be."