Key of Light (Key 1)

“He’s got more than five thousand clowns, not including clown memorabilia.”

Flynn tuned out for a moment, as the very idea of five thousand clowns in one place at one time was slightly terrifying. He imagined them banding together in a clown army and waging war with seltzer bottles and rubber bats.

All those big red noses, all that maniacal laughter. All those huge, scary

smiles.

“Why?” Flynn asked.

“Why?”

“Why does he have five thousand clowns?”

“Oh.” Tim, a young reporter who habitually wore suspenders and too much hair gel, creaked back in his chair. “See, his father started the collection back in the twenties or something. It’s like this generational deal. He started adding to it himself, you know, like in the fifties, then the whole bunch of them got passed to him when his father died. Some of his collection is like museum quality. This stuff goes for real bucks on eBay.”

“Okay, give it a run. Take a photographer. I want a shot of the whole collection with the guy in it. And him with a couple of the more interesting pieces. Get him to give you the history or significance of specific pieces. Play up the father-son connection, but lead off with the numbers and a couple of pieces from each end of the money scale. It could work for the Weekender section. And Tim, try to edit out the ‘you knows’ and ‘likes’ when you interview him.”

“Got it.”

Flynn looked over to see Malory standing between the desks holding an enormous pot of rust-colored mums. Something about the sparkle in her eye made the rest of the room fade away.

“Hi. Doing some gardening?”

“Maybe. Is this a bad time?”

“No. Come on back. How do you feel about clowns?”

“Wrathful when they’re painted on black velvet.”

“Good one. Tim?” he called back. “Get some shots of any clown paintings on black velvet. Sublime to ridiculous and back again,” Flynn added. “It could be good.”

She stepped into the office ahead of him, continuing on to set the flowers on his window ledge. “I wanted to—”

“Wait.” He held up a finger while he tuned in to the call coming out of his police scanner. “Hold that thought,” he told her, and poked his head back out the door. “Shelly, there’s a TA, five hundred block of Crescent. Local PD and EMTs responding. Take Mark.”

“TA?” Malory repeated when he turned back to her.

“Traffic accident.”

“Oh. I was thinking just this morning how much you have to juggle and weigh and shape to put out the paper every day.” She bent down to pat the snoring Moe. “And you manage to have a life at the same time.”

“In a manner of speaking.”

“No, you have a very good life. Friends, family, work that satisfies you, a house, a silly dog. I admire that.” She straightened. “I admire you.”

“Wow. You must’ve had a really good time last night.”

“I did. I’ll tell you about that, but I don’t want to—what is it—smother my lead.”

“Bury the lead.”

“Right.” She stepped over the dog, laid her hands on Flynn’s shoulders. And leaning in, kissed him. Long, long and warm. “Thank you.”

His skin had started to hum. “What for? Because if it was really good, maybe you should thank me again.”

“Okay.” This time she linked her hands behind his head and added a bit of heat to the warmth.

Outside the office, applause broke out.