Oryx and Crake (MaddAddam 1)

Sermon

~

"Some others like you came here," says Abraham Lincoln, after Snowman has done his best with the fish. He's lying back against a tree trunk; his foot is gently tingling now, as if it's asleep; he feels drowsy.

Snowman jolts awake. "Others like me?"

"With those other skins, like you," says Napoleon. "And one of them had feathers on his face, like you."

"Another one had feathers too but not long feathers."

"We thought they were sent by Crake. Like you."

"One was a female."

"She must have been sent by Oryx."

"She smelled blue."

"We couldn't see the blue, because of her other skin."

"But she smelled very blue. The men began to sing to her."

"We offered her flowers and signalled to her with our penises, but she did not respond with joy."

"The men with the extra skins didn't look happy. They looked angry."

"We went towards them to greet them, but they ran away."

Snowman can imagine. The sight of these preternaturally calm, well-muscled men advancing en masse, singing their unusual music, green eyes glowing, blue penises waving in unison, both hands outstretched like extras in a zombie film, would have to have been alarming.

Snowman's heart is going very fast now, with excitement or fear, or a blend. "Were they carrying anything?"

"One of them had a noisy stick, like yours." Snowman's spraygun is out of sight: they must remember the gun from before, from when they walked out of Paradice. "But they didn't make any noise with it." The Children of Crake are very nonchalant about all this, they don't realize the implications. It's as if they're discussing rabbits.

"When did they come here?"

"Oh, the day before, maybe."

Useless to try to pin them down about any past event: they don't count the days. "Where did they go?"

"They went there, along the beach. Why did they run away from us, oh Snowman?"

"Perhaps they heard Crake," says Sacajawea. "Perhaps he was calling to them. They had shiny things on their arms, like you. Things for listening to Crake."

"I'll ask them," says Snowman. "I'll go and talk with them. I'll do it tomorrow. Now I will go to sleep." He heaves himself upright, winces with pain. He still can't put much weight on that foot.

"We will come too," say several of the men.

"No," says Snowman. "I don't think that would be a very good idea."

"But you are not well enough yet," says the Empress Josephine. "You need more purring." She looks worried: a small frown has appeared between her eyes. Unusual to see such an expression on one of their perfect wrinkle-free faces.

Snowman submits, and a new purring team - three men this time, one woman, they must think he needs strong medicine - hovers over his leg. He tries to sense a responding vibration inside himself, wondering - not for the first time - whether this method is tailored to work only on them. Those who aren't purring watch the operation closely; some converse in low voices, and after half an hour or so a fresh team takes over.

He can't relax into the sound as he knows he should, because he's rehearsing the future, he can't help it. His mind is racing; behind his half-closed eyes possibilities flash and collide. Maybe all will be well, maybe this trio of strangers is good-hearted, sane, well-intentioned; maybe he'll succeed in presenting the Crakers to them in the proper light. On the other hand, these new arrivals could easily see the Children of Crake as freakish, or savage, or non-human and a threat.

Images from old history flip through his head, sidebars from Blood and Roses: Ghenghis Khan's skull pile, the heaps of shoes and eyeglasses from Dachau, the burning corpse-filled churches in Rwanda, the sack of Jerusalem by the Crusaders. The Arawak Indians, welcoming Christopher Columbus with garlands and gifts of fruit, smiling with delight, soon to be massacred, or tied up beneath the beds upon which their women were being raped.