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The Testaments (The Handmaid's Tale 2)

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Away from Shunammite, I asked her why her mother wouldn’t help her. Then there were tears: her mother wasn’t her real mother, she’d found that out from their Martha. It was shameful, but her real mother had been a Handmaid—“Like yours, Agnes,” she said. Her official mother had used that fact against her: why was she so afraid of having sex with a man, since her slut of a Handmaid mother hadn’t had such fears? Quite the contrary!

I hugged her then, and said I understood.

28

Aunt Lise was supposed to teach us manners and customs: which fork to use, how to pour tea, how to be kind but firm with Marthas, and how to avoid emotional entanglements with our Handmaid, should it turn out that we needed a Handmaid. Everyone had a place in Gilead, everyone served in her own way, and all were equal in the sight of God, but some had gifts that were different from the gifts of others, said Aunt Lise. If the various gifts were confused and everyone tried to be everything, only chaos and harm could result. No one should expect a cow to be a bird!

She taught us elementary gardening, with an emphasis on roses—gardening was a suitable hobby for Wives—and how to judge the quality of the food that was cooked for us and served at our table. In these times of national scarcity it was important not to waste food or to spoil its full potential. Animals had died for us, Aunt Lise reminded us, and vegetables too, she added in a virtuous tone. We needed to be thankful for this, and for God’s bounty. It was as disrespectful—one might even say sinful—to Divine Providence to mistreat food by cooking it badly as it was to discard it uneaten.

Therefore we learned how to poach an egg properly, and at what temperature a quiche ought to be served, and the difference between a bisque and a potage. I can’t say I remember much about these lessons now, as I never was in a position to put them into practice.

She reviewed with us the proper prayers to say before meals too. Our husbands would recite the prayers when they were present, as heads of the household, but when they were absent—as they would be often, since they would have to work late hours, nor should we ever criticize their lateness—then it would be our duty to say these prayers on behalf of what Aunt Lise hoped would be our numerous children. Here she gave a tight little smile.

Through my head was running the pretend prayer that Shunammite and I used to amuse ourselves with when we were best friends at the Vidala School:

Bless my overflowing cup,

It flowed upon the floor:

That’s because I threw it up,

Now Lord I’m back for more.

The sound of our giggling receded into the distance. How badly we’d thought we were behaving then! How innocent and ineffectual these tiny rebellions seemed to me now that I was preparing for marriage.

* * *


As the summer wore on, Aunt Lise taught us the basics of interior decorating, though the final choices about the style of our homes would of course be made by our husbands. She then taught us flower arrangement, the Japanese style and the French style.

By the time we got to the French style, Becka was deeply dejected. Her wedding was planned for November. The man selected for her had paid his first visit to her family. He’d been received in their living room, and had made small talk with her father while she’d sat there silently—this was the protocol, and I would be expected to do the same—and she said he’d made her flesh crawl. He had pimples and a scraggly little moustache, and his tongue was white.

Shunammite laughed and said it was probably toothpaste, he must have brushed his teeth just before coming because he wanted to make a good impression on her, and wasn’t that sweet? But Becka said she wished she was ill, severely ill with something not only prolonged but catching, because then any proposed wedding would have to be called off.

On the fourth day of French-style flower-arranging, when we were learning to do symmetrical formal vases with contrasting but complementary textures, Becka slashed her left wrist with the secateurs and had to be taken to the hospital. The cut wasn’t fatally deep, but a lot of blood came out nonetheless. It ruined the white Shasta daisies.

I’d been watching when she did it. I could not forget her expression: it had a ferocity I had never seen in her before, and which I found very disturbing. It was as if she’d turned into a different person—a much wilder one—though only for a moment. By the time the paramedics had come and were taking her away, she’d looked serene.

“Goodbye, Agnes,” she’d said to me, but I hadn’t known how to answer.

“That girl is immature,” said Aunt Lise. She wore her hair in a chignon, which was quite elegant. She looked at us sideways, down her long patrician nose. “Unlike you girls,” she added.

Shunammite beamed—she was all set to be mature—and I managed a little smile. I thought I was learning how to act; or rather, how to be an actress. Or how to be a better actress than before.

XI

Sackcloth

The Ardua Hall Holograph

29

Last night I had a nightmare. I have had it before.

Earlier in this account I said that I would not try your patience with a recital of my dreams. But as this one has a bearing on what I am about to tell you, I will make an exception. You are of course fully in control of what you choose to read, and may pass over this dream of mine at will.

I am standing in the stadium, wearing the brown dressing-gown-like garment that was issued to me in the repurposed hotel during my recovery from the Thank Tank. Standing in a line with me are several other women in the same penitential garb, and several men in black uniforms. Each of us has a rifle. We know that some of these rifles contain blanks, some not; but we will all be killers nonetheless, because it’s the thought that counts.



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