Purgatory (A Prison Diary 2)
‘Ah’ he says, when he spots me. The governor wants a word.’t
I accompany Mr Thompson to Mr Carlton-Boyce’s office.
He’s a man of about forty, perhaps forty-five. He welcomes me with a warm smile, and introduces me to the senior officer from C wing, which, he tells me, is where they plan to transfer me. I ask if they would consider me for the enhancement spur, but am told the decision has already been made. I’ve come to realize that once the machine has decided on something, it would be easier to turn the QEII around than try to get them to change their collective minds.
Mr Carlton-Boyce explains that he would quite happily move me to C wing today, but with so many press sniffing around outside, it mustn’t look as if I am being given special treatment, so I have to be the last of my intake to be moved. No need to explain to him the problem of rap music and young prisoners hollering from window to window all night, but, he repeats, the press interest is tying his hands.
4.00 pm
I return to my cell and continue writing. I’ve only managed a few pages when I’m interrupted by a knock on the cell door. It’s a young man from across the corridor who looks to be in his early twenties.
‘Can you write a letter for me?’ he asks. No one ever introduces themselves or bothers with pleasantries.
‘Yes, of course. Who is it to, and what do you want me to say?’ I reply, turning to a blank page on my pad.
‘I want to be moved to another prison,’ he tells me.
‘Don’t we all?’
‘What?’
‘No, nothing, but why should they consider moving you?’
‘I want to be nearer my mother, who’s suffering from depression.’ I nod. He tells me his name is Naz, and then gives me the name of the officer to whom he wishes to address the letter. He asks me to include the reason his request should be taken seriously. I pen the letter, reading each sentence out as I complete it. He signs along the bottom with a flourish. I can’t read his signature, so I ask him to spell his name so I can print it in capitals underneath - then the officer in question will know who it’s come from, I explain. I place the missive in an envelope, address it, and he seals it. Naz picks up the envelope, smiles and says, ‘Thank you. If you want anything, just let me know.’ I tell him I need a pair of flip-flops for the shower because I’m worried about catching verrucas. He looks anxiously at me.
‘I was only joking,’ I say, and wish him luck.
5.00 pm
Supper. I settle for a lump of cabbage and half a portion of chips, which is a normal portion in your world. The cabbage is floating around in water and reminds me of school meals, and why I never liked the vegetable in the first place. While I’m waiting in line, Jimmy tells me that he didn’t enjoy his spell of serving behind the hotplate.
‘Why not?’ I ask.
The inmates never stop complaining,’ he adds.
‘About the quality of the food?’
‘No, about not giving them large enough portions, especially when it comes to chips.’
When I return to the cell, I find over a hundred letters stacked on the end of my bunk. Jules reminds me that at weekends we’re banged up at around five thirty and will remain locked in our cells until eight fifteen the following morning. So I’ll certainly have enough time to read every one of them. Fourteen hours of incarceration, once again blamed on staff shortages. Unpleasant, but still a great improvement on Belmarsh. I say unpleasant only because when you’ve finished your meal, you’re left with dirty, smelly plastic plates littering your tiny cell all night. It might be more sensible to leave the cell doors open for another twenty minutes so that prisoners can scrape the remains of their food into the dustbins at the end of each corridor and then wash their utensils in the sink. And don’t forget that in many prisons there are three inmates to a cell with one lavatory.
I compromise, scrape my food into a plastic bag and then tie it up before dropping it in the waste-paper bin next to the lavatory. When I look out of my cell window I notice several prisoners are throwing the remains of their meal through the bars and out onto the grass.
Jules tells me that he’s working on a letter to the principal officer (Mr Tinkler) about having his status changed from C-cat to D-cat. He asks if I will go through it with him. I don’t tell him that I’m facing the same problem.
Jules is a model prisoner and deserves his enhanced status. He gained this while he was at Bedford where he became a listener. He’s also quiet and considerate about my writing regime. He so obviously regrets his involvement with drugs, and is one of the few prisoners I’ve come across who I am convinced will never see the inside of a jail again. I do a small editorial job on his letter and suggest that we should go over the final draft tomorrow. I then spend the next couple of hours reading through today’s mail, which is just as supportive as the letters I received in Belmarsh. There is, however, one missive of a different nature that I feel I ought to share with you.
University College Hospital London
1/8/01 4.30 pm
My dear Lord Archer
Many poets and writers have written much of their best work in prison, OWfor one. However, I cannot conceive of you having to spend four miserable years in a maximum security prison. I spent 60 days in such a facility in Canada on a trumped-up charge of disturbing the peace. I escaped by a most devious means.
I can arrange for your immediate release from bondage, however, only if you are willing to donate PS15m to my charity foundation.
I can be contacted anytime at 020 7— If you would like some company, choose three non-criminal or white-collar offenders to join with you,foran appropriate amount.