Trojan Odyssey (Dirk Pitt 17)

If there was one small benefit to Hurricane Lizzie, it was that she had swept the brown crud away from Navidad Bank. The water over the coral was blue-green again, with visibility at neatly two hundred feet. Along with the clean water, the fish had returned to their habitat and took up residence again as if no tempest had cast them out.

Another research vessel replaced Sea Sprite for the investigation of the sunken structure. Built and designed specifically as a dive support vessel for archaeological exploration in shallow water, Sea Yesteryear rarely worked out of sight of the shore. Her projects had included the underwater ruins of the Alexandria Library in Egypt, the. Chinese fleet sunk by kamikaze winds off Japan, early Swedish and Russian trade ships in the Baltic and a host of other historical events her team of scientists had surveyed.

She featured four-point mooring capabilities and both saturation and surface gas/air diving system configurations. A moon pool in the center of her hull was fully equipped for diving operations and robotic vehicle launch and recovery, and included machinery for retrieving artifacts from the seafloor. A spacious laboratory occupied the entire bow section of the boat and incorporated the most up-to-date scientific equipment for the analysis and conservation of recovered ancient artifacts.

Short by most research ship standards at one hundred and fifty-one feet in length, she was broad and roomy with an overall breadth of forty-five feet. Two big diesel engines moved her through the water at twenty knots, and she carried a crew of four and a team of ten scientists. Those who had served aboard Sea Yesteryear were proud of the times they had rewritten maritime history. And, as the Navidad Bank exploration proceeded, they were certain they were on the verge of the greatest discovery yet.

At first, the marine archaeologists who examined the rooms of stone were not even certain the structures were man-made. Nor did the area produce an abundance of artifacts. Except for the contents of the stone bed and the cauldron, the only others found came from the kitchen. But as the investigation continued, more and more incredible archaeological treasures were recorded. One revelation that the geologists on the team discovered was that the structure once sat in the open above a small hill. This came to light when the encrustation on one six-inch-square piece of wall in the bedroom was delicately brushed away and it became obvious the rooms were not carved from the rock but constructed of stone fitted on stone when Navidad Bank was an island rising above the water.

Dirk stood in the laboratory with his sister at his side, examining the artifacts that had been carefully transported to the ship's laboratory and immersed in trays of seawater in preparation for the lengthy conservation process. He very gently held up an exquisite gold torque, the neck chain that had been found on the stone bed.

"Every relic we've removed from the bed and the cauldron has belonged to a woman."

"It's even more intricate than much of the jewelry produced today," said Summer, admiring the chain as the gold reflected the sun coming through the ship's ports.

"Until I can make a comparison with archaeological records in European archives, I'd have to date it as Middle Bronze Age." The voice was soft and punctuated, like a mild summer shower on a metal roof. It belonged to Dr. Jeffrey Parks, who carried himself like a wary wolf, with his face low and thrust out. He was six feet eight inches in height and constantly bent over from the stratosphere. A collegiate all-star basketball player, he was sidelined because of a serious knee injury and never played again. Instead, he studied marine archaeology, eventually gaining a doctorate with his thesis on ancient underwater cities. He had been invited on the expedition by Admiral Sandecker because of his specialized expertise.

Parks walked past the long table fitted with open tanks that held the ancient relics and stopped at a large board mounted on a bulkhead that displayed more than fifty photos taken of the interior of the underwater edifice. He paused and with the eraser end of a pencil tapped a montage of photos showing the floor plan. "What we have is not a city or a fortress. No structures that extend beyond the rooms of your original discovery are apparent. Call it a mansion for its time or a small palace that became the tomb of an elite woman. Perhaps a queen or a high priestess who was rich enough to commission her own jewelry."

"Pity there is nothing left of her," said Summer. "Not even an indication of her skull. Even her teeth are gone."

Parks gave a slight twist of his mouth. "Her bones disappeared centuries ago, along with all her garments, soon after the structure was inundated by the sea." He moved to a large photograph taken before the artifacts were removed from the stone bed and tapped the pencil again on a close-up picture of the bronze body armor. "She must have been a warrior who led men into battle. The cuirass in the photo looks made of one piece and had to be put on over the head like a metal sweater."

Summer tried to imagine how the cuirass would fit on her. She had read that the Celts were large people for their time, but the armor looked far too small for her torso. "How in the world did she come to be here?"

"I haven't a clue," said Parks. "As a traditional archaeologist who isn't supposed to believe in diffusion, the contact between the Americas and other parts of the world before Columbus, I'm required to say that this is an elaborate hoax perpetrated by the Spanish sometime after fifteen hundred."

Summer frowned. "You can't really believe that?"

Parks gave a tiny smile. "Not really. Not after what we've seen here. But until we can prove without d

oubt how these artifacts came to be on Navidad Bank, the controversy will shake the world of ancient history."

Summer made her case. "But it was possible for ancient seafarers to cross the sea."

"No one says it was impossible. People have crossed the Atlantic and Pacific in everything from boats made out of cowhides to six-foot sailboats. It's entirely conceivable that fishermen from Japan or Ireland were blown by storms to the Americas. Archaeologists admit there are many curious bits and pieces of evidence that suggest European and Asian influence throughout Central and South American art and architecture. But no legitimate object from this side of the pond has been found over there."

"Our father found proof of the Vikings' presence in the United States," argued Summer.

"And he and Al Giordino discovered artifacts from the Alexandria Library in Texas," added Dirk.

Parks shrugged. "The fact still remains that artifacts proven to have come from the Americas have yet to turn up from excavations in Europe or Africa."

"Ah," said Summer, shooting her arrow, "what about the traces of nicotine and cocaine that have been found in Egyptian mummies? Tobacco and cocoa leaves came only from the Americas."

"I thought you'd bring that up," Parks said, with a sigh. "Egyptologists are still fighting over that one."

Summer frowned thoughtfully. "Could the answers still be down in the rooms?"

"Maybe," Parks admitted. "Our marine biologists are running tests on the encrustation found on the walls, while our phytochemist examines studies about the remains of plant life in an effort to determine a time line for how long the building was covered by the sea."

Summer looked lost in thought. "Could there be any inscriptions under the encrustation, something the archaeologists might have missed?"

Parks laughed. "The early Celts left behind no art or written records depicting their culture. Finding carved inscriptions would be implausible, unless, of course, we're wrong in our dating of Navinia."

"Navinia?"

Parks stared at a computer printout of the architecture of the sunken structure as it might have looked when built. "It's as good a name as any, don't you think?"