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Shanghai Girls (Shanghai Girls 1)

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Yen-yen—carrying her new grandchild—takes us from table to table to make introductions. Almost everyone here is a Louie, and they all speak Sze Yup.

“This is Uncle Wilburt. This is Uncle Charley. And here’s Uncle Edfred,” she says to Joy.

These men in nearly matching suits made from cheap fabric are Sam and Vern’s brothers. Are these the names they were born with? Not possible. They’re the names they took to sound more American, just as May, Tommy, Z.G., and I took Western names to sound more sophisticated in Shanghai.

Since May and I have been married for a while already instead of the usual wedding banter about our husbands’ coming fortitude in the bedchamber or how my sister and I are about to be plucked, the teasing revolves around Joy.

“You cook baby fast, Pearl-ah!” Uncle Wilburt says in broken English. From the coaching book, I know he’s thirty-one, but he looks much older. “That baby many weeks early!”

“Joy big for her age!” Edfred, who’s twenty-seven but looks a lot younger, chimes in. He’s quite emboldened by the mao tai he’s been drinking. “We can count, Pearl-ah.”

“Sam give you son next time!” Charley adds. He’s thirty, but it’s hard to tell because his eyes are red, swollen, and watery from allergies. “You cook next baby so good he come out even earlier!”

“You Louie men. All same!” Yen-yen scolds. “You think you count so good? You count how many days my daughters-in-law run from monkey people. You think you have hardship here? Bah! Baby lucky to be born at all! She lucky to be alive!”

May and I pour tea for each guest and receive wedding gifts of lai see— red envelopes embossed with gold good-luck characters and filled with money that will be ours alone—and more gold in the form of earrings, pins, rings, and enough bracelets to climb our arms to our elbows. I can barely wait for us to be alone so we can count the first of our escape money and figure out how to sell our jewelry.

Naturally, there are the predictable comments about Joy being a girl, but most people are delighted to see a baby—any baby. That’s when I realize that the majority of the guests are men, with very few wives and almost no children. What we experienced on Angel Island begins to make sense. The American government does everything possible to keep out Chinese men. It makes it even harder for Chinese women to enter the country. And in a lot of states it’s against the law for Chinese to marry Caucasians. All this ends in the desired result for the United States: with few Chinese women on American soil, sons and daughters can’t be born, saving the country from having to accept undesirable citizens of Chinese descent.

At table after table, the men want to hold Joy. Some of them cry when they take her in their arms. They examine her fingers and toes. I can’t help it, but I fairly shine with my new status as mother. I’m happy—not in-the-stars happy but relieved happy. We survived. We made it to Los Angeles. Apart from Old Man Louie’s disappointment in Joy—and not in ten thousand years will I ever call her Pan-di—he’s arranged this celebration and we’re being welcomed. I glance at May hoping she’s feeling what I’m feeling. But my sister—even as she performs her new-bride duties—seems pensive and withdrawn. My heart tightens. How cruel all this is for her, but she didn’t push me in a wheelbarrow for miles and nurse me back to health by being weak. Somehow my little sister has found a way to keep going forward.

I remember back on Angel Island before the baby was born talking with May about the importance of the special mother’s soup and whether or not we should ask someone to see if the chefs would make it for us. “I’ll need it to help with my bleeding,” May had decided practically, while knowing it would also bring in her milk. So May and I had shared the soup. Then, when Joy was three days old, May went to the showers and didn’t return. I left the baby with Lee-shee and went to look for my sister. My fear was great. I worried what May might do if left alone. I found her in the shower, crying not from sorrow but from the agony in her breasts. “It’s worse than when the baby came out,” she said between sobs. Yes, her womb had shrunk, and even naked she barely looked like she’d had a baby, but her breasts were swollen and hard as rocks from milk that had nowhere to go. The hot water helped, and the milk streamed out, dripping from her nipples and mingling in the water before disappearing down the drain.

Some might say, Well, how stupid could you have been to let her eat a soup that would make her milk come in like that? But remember, we didn’t know about having babies. We didn’t know enough about the milk or how painful it would be. A few days later, when May discovered that every time the baby cried, milk would start to empty out of her breasts, she moved to a bunk at the far end of the room. “That baby cries too much,” she told the others. “How can I help my sister at night if I don’t get some sleep during the day?”

Now I watch May pour tea for a table of lonely men and scoop up the red envelopes and tuck them in her pocket. The men do their duty by joking, teasing, and mocking her, and she does hers by putting on a smiling face.

“Your turn next, May,” Wilburt hoots when we circle back to the uncles’ table.

Charley appraises her up and down, and then says, ?

?You small, but hips good.”

“You give the old man the grandson he wants, you’ll become his favorite,” promises Edfred.

Yen-yen joins in the laughter, but before we move to the next table she hands Joy to me. Then she takes May’s arm and begins to walk, rattling off several sentences in Sze Yup. “Don’t let all these men bother you. They’re lonely for their wives back home. They’re lonely for wives they don’t even have! You came here with your sister. You helped bring this baby to us. You’re a brave girl.” Yen-yen stops in the aisle and waits for me to finish translating. When I come to the end, she takes May’s hands in her own. “You can be freed from one thing, but that only puts you in a tight spot somewhere else. Understand?”

It’s late by the time we get back to the apartment. We’re all tired, but Old Man Louie isn’t done with us.

“Give me your jewelry,” he says.

His demand shocks me. Wedding gold belongs to the bride alone. It’s the secret treasure she can draw on to buy herself a special treat without her husband’s criticism or use in times of emergency, as our mother did when Baba lost everything. Before I can protest, May says, “These things are ours. Everyone knows that.”

“I think you are mistaken,” he asserts. “I’m your father-in-law. I’m the master here.” He could say he doesn’t trust us, and he’d be right. He could accuse us of wanting to use the gold to find a way out of here, and he’d be right. Instead, he adds, “Do you think you and your sister—smart and clever as you think you are with your Shanghai city ways—will know where to go tonight with that baby girl? Will you know where to go tomorrow? The blood of your father has ruined you both. This is why I can buy you for such a low price, but that doesn’t mean I’m willing to lose my goods so easily.”

May looks at me. I’m the older sister. I’m supposed to know what to do, but I’m completely confused by what we’re seeing and experiencing. Not once has anyone asked why we didn’t meet the Louies in Hong Kong on the appointed date, what we’ve been through, how we survived, or how we got to America. All Old Man Louie and Yen-yen care about is the baby and the bracelets, Vernon is in a world of his own, while Sam seems oddly removed from his family’s interactions. They appear to have no concern for us one way or the other, yet it feels as if we’ve been caught in a fisherman’s net. We can wiggle and continue to breathe, but there’s no escape that I can see. Not yet anyway.

We let the old man take our jewelry, but he doesn’t ask for the money hidden in our lai see. Maybe he knows that would be too much. But I feel no sense of triumph, and I can see May doesn’t either. She stands in the middle of the room, looking defeated, sad, and very much alone.

Everyone takes a turn going down the hall to the toilet. Old Man Louie and Yen-yen go to bed first. May stares at Vern, who pulls on the ends of his hair. When he leaves the room, May follows.

“Is there a place for the baby?” I ask Sam.

“Yen-yen prepared something. I hope—” He juts his chin and lets out his breath.

I trail after him down the dark hall. Sam’s room has no windows. A single bare lightbulb hangs from the center of the ceiling. A bed and a dresser take up most of the space. The bottom drawer has been pulled open and packed with a soft blanket for Joy to sleep on. I lay her down and look around. I see no closet, but a corner has been draped with a piece of cloth to offer a little privacy.

“My clothes?” I ask. “The ones your father took after we were married?”



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