Blackwood Farm (The Vampire Chronicles 9)

" 'I'm not tempted,' I said. 'I'd rather go straight to Hell than do it that way. ¡¯

"She looked at the diamonds. I didn't know what to do about them. I looked around. I had gotten them all. She picked up the strands and put them in one of her pockets. Her hair was mussed. I took out my comb. I gestured, Would she let me comb it? She said Yes, and so I did it. Her hair was thick and silky.

"Finally she stood up to go. She took me in her arms and she kissed me.

" 'Don't run afoul of the Vampire Lestat,' she said. 'He won't think twice about burning you to a cinder. And then I'd have to fight him and I'm not strong enough. ¡¯

" 'That's really true?¡¯

" 'I told you in Napoli to read the books,' she said. 'He's drunk the blood of the Mother. He lay in the sands of the Gobi Desert for three days. Nothing can kill him. It wouldn't even be fun to fight him. But just stay out of New Orleans and you don't need to worry about him. There's something ignoble about one as powerful as Lestat picking on one as young as you. He won't come here to do it. ¡¯

" 'Thank you,' I said.

"She walked towards the door as though she was making a graceful exit. I didn't know whether or not she knew there was blood on her clothing. I didn't know whether or not to tell her. Finally I did.

" 'On your suit,' I said, 'blood. ¡¯

" 'You just can't resist white clothes, can you?' she asked, but she didn't seem angry. 'Let me ask you something. And answer me truthfully or not at all. Why did you leave us?¡¯

"I thought for a long moment

. Then I said, 'I wanted to be with my aunt. I had no real choice in the matter. And there were others. You know this already. ¡¯

" 'But weren't we interesting to you?' she asked. 'After all, you might have asked me to bring you home now and then. Surely you know my powers are very great. ¡¯

"I shook my head.

" 'I don't blame you for turning your back on me,' she said, 'but to turn your back on one as wise as Arion? That seems rash to me. ¡¯

" 'You're probably right, but for now I have to be here. Then later perhaps I can bring my suit to Arion. ¡¯

"She smiled. She shrugged. 'Very well. I leave you the Hermitage, my boy,' she said. And she was gone just as if she had vanished. And so our one brief visit ended.

"And so my story is at an end. "

Chapter44

44

I SAT THERE in silence. We had perhaps two hours before dawn, and I felt that all my life was pressed against my heart, and, though I was a sinner, I had not sinned in holding anything back. It was all laid out before me. I wondered if Goblin was near me in any form. I wondered whether or not he could have been listening.

Lestat, who had been quiet this whole time, waited for a long moment in silence. Then he spoke up.

"Your epilogue was very thorough, but you haven't mentioned one person. What has become of Mona Mayfair?"

I winced.

"I have never received another E-mail or phone call from Mona, and for that I thank God. However, periodically Michael or Rowan will call. I find myself trembling as I listen. Will these powerful witches pick up something from the timbre of my voice? But it doesn't seem so. They tell me the latest. Mona is in isolation. Mona is on dialysis. Mona is not in any pain.

"About six months ago, maybe more, I received a typewritten letter from Rowan, written on behalf of Mona, explaining that Mona had had a hysterectomy, and that Mona wanted me to know. 'Beloved Abelard, I release you from any and all promises,' Mona had dictated to Rowan. They had hoped the operation would help Mona, but it hadn't. Mona needed dialysis more and more often. There were still medications they could try.

"My answer was to raid every flower shop in New Orleans, sending sprays and baskets and vases of flowers with notes that pledged my undying love, notes which I could dictate over the phone. I didn't dare to send anything touched by my own hands. Mona could lay her hands on such a note and sense the evil in me. Just couldn't take such a risk.

"As it stands now, I still send the flowers almost daily. Now and then I break down and call. It's always the same. Mona can't see anyone just now. Mona is holding her own.

"I think I actually dread the moment when they might say, 'Come see her. ' I'm afraid I won't be able to resist it and I won't be able to fool Mona, and in those precious moments, perhaps our last precious moments, Mona's mind will be clouded with some dim fear of what I've become. At the very least I'll seem cold and passionless though my heart's breaking. I dread it. I dread it with my whole soul.

"But more than anything I dread the final call -- the message that Mona has lost the fight, the word that Mona is gone. "