Blackwood Farm (The Vampire Chronicles 9)

And so there was this enigmatic creature in a good likeness. A creature asking for sympathy. A creature saying crassly:

"Well, think about it, Lestat. I'm young, I'm stupid. And I'm pretty. Look at the cameo. I'm pretty. Give me a chance. "

I'd have engraved the back with those words in tiny script, but the back was an oval photo case, and there was my image again in dull color, verifying the accuracy of the portrait on the other side.

There was one engraved word on the gold frame, right beneath the cameo, however: the name Quinn, in a good imitation of that routine handwriting which I had always hated so much -- the left-handed one trying to be normal, I imagine, the seer of ghosts saying, "I'm disciplined and not insane. "

I gathered up the pages of the letter, reread them quickly, bristling again at my unimaginative handwriting, then folded the pages and put the cameo with them inside of a narrow brown envelope, which I then sealed.

I put this envelope in the inside breast pocket of my black blazer. I closed the top button of my white dress shirt and I adjusted my simple red silk tie. Quinn, the snappy dresser. Quinn, worthy to be a subject in the Vampire Chronicles. Quinn, dressed for begging to be allowed in.

I sat back again, listening. No Goblin. Where was Goblin? I felt an aching loneliness for him. I felt the emptiness of the night air. He was waiting for me to hunt, waiting for the fresh blood. But I had no intention of hunting tonight, even though I was faintly hungry. I was going into New Orleans. I was going, perhaps, to my death.

Goblin couldn't guess at what was happening. Goblin had never been more than a child. Goblin looked like me, yes, at every stage of my life, but he was forever the infant. Whenever he had grabbed my left hand with his right, the script had been a child's scrawl.

I leaned over and touched the remote control button on the marble desk. The torch¨¨res dimmed and slowly went out. The darkness came into the Hermitage. The sounds seemed to grow louder: the call of the night heron, the subtle movement of the rank dark waters, the scurrying of tiny creatures through the tops of the tangled cypress and gum. I could smell the alligators, who were as wary of the island as men. I could smell the fetid heat itself.

The moon was generous and gradually I made out a bit of the sky, which was a bright metallic blue.

The swamp was at its thickest here around the island -- the cypresses, a thousand years old, their knobby roots surrounding the shore, their misshapen branches heavy with trailing Spanish moss. It was as if they meant to hide the Hermitage, and perhaps they did.

Only the lightning now and then attacked these old sentinels. Only the lightning was fearless of the legends that said some evil dwelt on Sugar Devil Island: go there and you might never come back.

I'd been told about those legends when I was fifteen. And at twenty-one I heard it all repeated, but vanity and fascination had drawn me to the Hermitage, to the pure mystery of it -- this strong two-story house, and the nearby inexplicable mausolem -- and now there was no real later. There was only this immortality, this brimming power which shut me off from actuality or time.

A man in a pirogue would take a good hour to navigate his way out of here, picking through the tree roots, and back to the landing at the foot of the high ground where Blackwood Manor stood so arrogant and aloof.

I didn't really love this Hermitage, though I needed it. I didn't love the grim gold-and-granite mausoleum with its strange Roman engravings, though I had to hide inside it from the sun by day.

But I did love Blackwood Manor, with the irrational and possessive love that only great houses can draw from us -- houses that say, "I was here before you were born and I'll be here after you"; houses that seem a responsibility as much as a haven of dreams.

The history of Blackwood Manor had as much of a grip on me as its overweening beauty. I'd lived my whole life on Blackwood Farm and in the Manor, except for my wonderful adventures abroad.

How so many uncles and aunts had managed to leave Blackwood Manor over the years, I couldn't fathom, but they weren't important to me, those strangers who had gone North and only came home now and then for funerals. The house had me in thrall.

I was debating now. Do I go back, just to walk through the rooms again? Do I go back to seek out the large rear first-floor bedroom where my beloved Aunt Queen was just settling into her favorite chair? I did have another cameo in my jacket pocket, one expressly bought for her only nights before in New York, and I should give it to her, shouldn't I? It was a wonderful specimen, one of the finest --.

But no. I couldn't manage a partial farewell, could I? I couldn't hint that something might happen to me. I couldn't gleefully descend into mystery, into which I'd already sunk up to my eyeballs: Quinn, the night visitor, Quinn who likes dimly lighted rooms now and shies from lamps as though he suffers from an exotic disease. What good would a partial farewell do for my beloved and gentle Aunt Queen?

If I failed tonight, I would be another legend: "That incorrigible Quinn. He went deep into Sugar Devil Swamp, though everybody told him not to; he went to that accursed island Hermitage, and one night he just didn't come back. "

The fact was, I didn't believe Lestat would blast me into infinity. I didn't believe he would do it without letting me tell him my story, all or at least in part. Maybe I was just too young to believe it. Maybe because I'd read the Chronicles so avidly, I felt Lestat was as close to me as I was to him.

Madness, most likely. But I wa

s bound and determined to get as near to Lestat as I could. From where and how he kept watch over New Orleans I didn't know. When and how often he visited his French Quarter flat I didn't know either. But this letter and the gift of the onyx cameo of myself was to go to that flat tonight.

Finally I got up from the leather-and-gold chair.

I went out of the splendid marble-floored house, and with no more than thought to direct me I let myself rise from the warm earth slowly, experiencing a delicious lightness, until I could see from the cool heights far above the huge long meandering black mass of the swamp, and the lights of the big house shining as if it were a lantern on the smooth grass.

Towards New Orleans I willed myself, using this strangest of powers, the Cloud Gift, traversing the waters of Lake Pontchartrain and moving towards the infamous town house in the Rue Royale, which all Blood Hunters knew was the house of the invincible Lestat.

"One hell of a devil," my Maker had called him, "keeping his properties in his own name though the Talamasca is hounding him. He means to outlast them. He's more merciful than I. "

Merciful; that was what I was counting on now. Lestat, wherever you are, be merciful. I don't come with disrespect. I need you, as my letter will show.

Slowly I descended, down, down, into the balmy air again, a fleeting shadow to prying eyes if there were any, until I stood in the rear courtyard of the town house, near to the murmuring fountain, looking up at the curving iron stairs that led to Lestat's rear door.