Blackwood Farm (The Vampire Chronicles 9)

"When I opened my eyes he was still grotesquely close to me, his eyes gleaming, his lips smiling. Am I this handsome? I thought. No. Something else shines from my eyes.

" 'Get away now!' I whispered furiously.

"He put his lips to my ear. I heard his telepathic voice in my head, a thin ribbon of words under the thunder of the shower:

"Again I felt his left arm around my shoulder, and when he drew back I kissed him openmouthed and lusty and closer to him than to any living thing, and then I shuddered.

"I pushed him with all my strength and of course my mental strength went behind that physical push, and he dissolved, and to my faint horror steam rose where he had been, as if a fissure had been opened in the floor to emit that steam, and then there was nothing.

"There came a pounding on the door. I heard Big Ramona say,

" 'Tarquin Blackwood, come out of there!¡¯

"She knows, I thought, the whole world knows. Angry, I toweled dry and opened the door for her because she wouldn't stop pounding.

" 'Good Heavens,' I said. 'Is this house on fire again?¡¯

"Then I saw the tears on her cheeks.

" 'It's Pops,' she said. 'He's been fighting with Patsy, out yonder by the gates. That damned Patsy. Come on, son! Come on, you're the man of the house now, they need you!' "

Chapter16

16

"THERE ARE two sets of gates to Blackwood Farm -- the formal gates that lead to the lane of pecan trees which come up to the front porch, and the other larger gates, way off to the east, for the caterer trucks, deliveries and tractors.

"It was out there, beside the big gates, that Pops had planted two big oak trees in memory of Sweetheart.

"He had apparently driven out there, sometime in the afternoon, with a flat of multicolored impatiens to plant around the trees, a project he'd mentioned on and off for a while now. And the Shed Men said later that he seemed confused and strangely unconcerned about the goings on at Sugar Devil Island. One side of his face had not looked right, and they had meant to go check on him.

"Patsy had gone out there, in her new truck, to talk to Pops, cursing to the Shed Men that she had to ask Pops for money again and she hated it, it wasn't fair and all that. She'd left Seymour behind because he didn't want to see any more scenes. And he'd been drinking beer with the Shed Men.

"It was Patsy who came screaming back, having already called for emergency help on her car phone, and the Shed Men drove out with Patsy to find Pops dead right by the flower bed. His hands were caked with earth.

"Big Ramona and Jasmine and Aunt Queen and I got there about the same time as the medical team. They couldn't bring him around, and we all piled into our assorted vehicles, Aunt Queen in the ambulance with Pops, and headed for the small hospital in Ruby River City.

"But it was all up for Pops. We'd known that when we first saw him by the oak tree. Sobbing uncontrollably, Aunt Queen ordered an autopsy, saying she just had to know the cause, and we went on to make the funeral arrangements.

"Aunt Queen proved utterly incapable of doing it.

"So, quivering and incoherent, I went with Jasmine to McNeil's Funeral Parlor and arranged for the pickup of the body, the night of the wake, and the directions for the drive into New Orleans for the funeral Mass at St. Mary's Assumption Church and the burial at Metairie Cemetery.

"The nice people at the funeral home said I could put off all the rest -- the autopsy would take two days -- but I thought why not get it over now? And so I picked a beautiful dark hardwood coffin that I thought Pops would like, being the handyman that he was, and I chose a Biblical quotation for the program from the Book of Psalms, and I arranged for a singer to sing Pops' favorite hymns, some of which were Catholic and some of which were Protestant.

"When I reached home I found Aunt Queen broken and unable to do anything but sob, and I didn't blame her. She said over and over that a woman shouldn't have to bury her great-nephew, that it was all wrong, terribly wrong.

"We called her favorite nurse, Cindy, who said she'd come right over. Aunt Queen wasn't really sick, but she often had Cindy to do her blood pressure and collect her bloodwork before trips abroad, and so Cindy was the loving person to whom we turned now.

"As for myself I was in a cold panic, the same cold panic that had been coming over me since Lynelle's death, but I hadn't reached the worst stage of it yet. I was still in the elation state that immediately follows the miracle of death, and, in my ignorant youth, I had a 'take charge' attitude.

"I went into Pops' room and picked out his best Sunday suit, a good shirt, belt and a tie, and gave these to Clem to drive over to Ruby River City. I sent underwear too because I didn't know if it was needed. And I had the strange idea that Pops might want his underwear.

"After Clem had left me, and I was standing alone in Pops' room, Goblin appeared, and without a prompt he put his arms tight around me. He felt as real as I felt real. And I kissed his cheek, and I saw his tears. A rush of the most intimate love passed out of me into him.

"This was an extraordinary moment, a moment of confusion and contrition. And in the dark corners of my subconscious I knew it was a dangerous moment. But my heart was leading the band.

" 'Goblin, I loved Pops,' I said. 'You understand, you understand everything. ¡¯