The Amber Spyglass (His Dark Materials 3)

The people in the shack were still staring, but Lyra’s words eased the atmosphere a little, and the woman invited them to sit at the table, drawing out a bench. Will and Lyra lifted the sleeping dragonflies up to a shelf in a dark corner, where Tialys said they would rest till daylight, and then the Gallivespians joined them on the table.

The woman had been preparing a dish of stew, and she peeled a couple of potatoes and cut them into it to make it go farther, urging her husband to offer the travelers some other refreshment while it cooked. He brought out a bottle of clear and pungent spirit that smelled to Lyra like the gyptians’ jenniver, and the two spies accepted a glass into which they dipped little vessels of their own.

Lyra would have expected the family to stare most at the Gallivespians, but their curiosity was directed just as much, she thought, at her and Will. She didn’t wait long to ask why.

“You’re the first people we ever saw without a death,” said the man, whose name, they’d learned, was Peter. “Since we come here, that is. We’re like you, we come here before we was dead, by some chance or accident. We got to wait till our death tells us it’s time.”

“Your death tells you?” said Lyra.

“Yes. What we found out when we come here, oh, long ago for most of us, we found we all brought our deaths with us. This is where we found out. We had ’em all the time, and we never knew. See, everyone has a death. It goes everywhere with ’em, all their life long, right close by. Our deaths, they’re outside, taking the air; they’ll come in by and by. Granny’s death, he’s there with her, he’s close to her, very close.”

“Doesn’t it scare you, having your death close by all the time?” said Lyra.

“Why ever would it? If he’s there, you can keep an eye on him. I’d be a lot more nervous not knowing where he was.”

“And everyone has their own death?” said Will, marveling.

“Why, yes, the moment you’re born, your death comes into the world with you, and it’s your death that takes you out.”

“Ah,” said Lyra, “that’s what we need to know, because we’re trying to find the land of the dead, and we don’t know how to get there. Where do we go then, when we die?”

“Your death taps you on the shoulder, or takes your hand, and says, ‘Come along o’ me, it’s time.’ It might happen when you’re sick with a fever, or when you choke on a piece of dry bread, or when you fall off a high building; in the middle of your pain and travail, your death comes to you kindly and says, ‘Easy now, easy, child, you come along o’ me,’ and you go with them in a boat out across the lake into the mist. What happens there, no one knows. No one’s ever come back.”

The woman told a child to call the deaths in, and he scampered to the door and spoke to them. Will and Lyra watched in wonder, and the Gallivespians drew closer together, as the deaths—one for each of the family—came in through the door: pale, unremarkable figures in shabby clothes, just drab and quiet and dull.

“These are your deaths?” said Tialys.

“Indeed, sir,” said Peter.

“Do you know when they’ll tell you it’s time to go?”

“No. But you know they’re close by, and that’s a comfort.”

Tialys said nothing, but it was clear that he felt it would be anything but a comfort. The deaths stood politely along the wall, and it was strange to see how little space they took up, and to find how little notice they attracted. Lyra and Will soon found themselves ignoring them altogether, though Will thought: Those men I killed—their deaths were close beside them all the time—they didn’t know, and I didn’t know . . .

The woman, Martha, dished the stew onto chipped enamel plates and put some in a bowl for the deaths to pass among themselves. They didn’t eat, but the good smell kept them content. Presently all the family and their guests were eating hungrily, and Peter asked the children where they’d come from, and what their world was like.

“I’ll tell you all about it,” said Lyra.

As she said that, as she took charge, part of her felt a little stream of pleasure rising upward in her breast like the bubbles in champagne. And she knew Will was watching, and she was happy that he could see her doing what she was best at, doing it for him and for all of them.

She started by telling about her parents. They were a duke and duchess, very important and wealthy, who had been cheated out of their estate by a political enemy and thrown into prison. But they managed to escape by climbing down a rope with the baby Lyra in her father’s arms, and they regained the family fortune, only to be attacked and murdered by outlaws. Lyra would have been killed as well, and roasted and eaten, had not Will rescued her just in time and taken her back to the wolves, in the forest where he was being brought up as one of them. He had fallen overboard as a baby from the side of his father’s ship and been washed up on a desolate shore, where a female wolf had suckled him and kept him alive.

The people ate up this nonsense with placid credulity, and even the deaths crowded close to listen, perching on the bench or lying on the floor close by, gazing at her with their mild and courteous faces as she spun out the tale of her life with Will in the forest.

He and Lyra stayed with the wolves for a while, and then moved to Oxford to work in the kitchens of Jordan College. There they met Roger, and when Jordan was attacked by the brickburners who lived in the clay beds, they had to escape in a hurry; so she and Will and Roger captured a gyptian narrow boat and sailed it all the way down the Thames, nearly getting caught at Abingdon Lock, and then they’d been sunk by the Wapping pirates and had to swim for safety to a three-masted clipper just setting off for Hang Chow in Cathay to trade for tea.

And on the clipper they’d met the Gallivespians, who were strangers from the moon, blown down to the earth by a fierce gale out of the Milky Way. They’d taken refuge in the crow’s nest, and she and Will and Roger used to take turns going up there to see them, only one day Roger lost his footing and plunged down into Davy Jones’s locker.

They tried to persuade the captain to turn the ship around and look for him, but he was a hard, fierce man only interested in the profit he’d make by getting to Cathay quickly, and he clapped them in irons. But the Gallivespians brought them a file, and . . .

And so on. From time to time she’d turn to Will or the spies for confirmation, and Salmakia would add a detail or two, or Will would nod, and the story wound itself up to the point where the children and their friends from the moon had to find their way to the land of the dead in order to learn, from her parents, the secret of where the family fortune had been buried.

“And if we knew our deaths, in our land,” she said, “like you do here, it would be easier, probably; but I think we’re really lucky to find our way here, so’s we could get your advice. And thank you very much for being so kind and listening, and for giving us this meal, it was really nice.

“But what we need now, you see, or in the morning maybe, is we need to find a way out across the water where the dead people go, and see if we can get there, too. Is there any boats we could sort of hire?”

They looked doubtful. The children, flushed with tiredness, looked with sleepy eyes from one grownup to the other, but no one could suggest where they could find a boat.

Then came a voice that hadn’t spoken before. From the depths of the bedclothes in the corner came a dry-cracked-nasal tone—not a woman’s voice—not a living voice: it was the voice of the grandmother’s death.

“The only way you’ll cross the lake and go to the land of the dead,” he said, and he was leaning up on his elbow, pointing with a skinny finger at Lyra, “is with your own deaths. You must call up your own deaths. I have heard of people like you, who keep their deaths at bay. You don’t like them, and out of courtesy they stay out of sight. But they’re not far off. Whenever you turn your head, your deaths dodge behind you. Wherever you look, they hide. They can hide in a teacup. Or in a dewdrop. Or in a breath of wind. Not like me and old Magda here,” he said, and he pinched her withered cheek, and she pushed his hand away. “We live together in kindness and friendship. That’s the answer, that’s it, that’s what you’ve got to do, say welcome, make friends, be kind, invite your deaths to come close to you, and see what you can get them to agree to.”