Cinnamon (Shooting Stars 1)
I really do.
Anyway. Mommy told me she had fallen in love with our house before she had fallen in love with Daddy, and she got him to buy it after only a year of marriage.
The house appears larger than it really is because it was built on a
hill and looms over the roads and homes below us. It has three stories with a cupola that looks like a great hiding place for a monster or a ghost. Some of the kids think I crawl up into it every night and send spells and curses down on unwary travelers below. Whenever I hear these kinds of things about myself. I laugh, toss back my hair and say what Mommy told me Katharine Hepburn once said about publicity: "I don't care what they say about me, as long as it isn't true."
Very few people understand what that means. They think it's just more proof of my weirdness. They don't understand that when people invade your life and uncover the truth about you, they expose things you want to keep private, keep personal so you can keep your self- respect. It's why we lock our doors and close our windows and pull down our shades, especially in my house.
I don't care what impression my house makes on people. I love it as much as Mommy does. Second Empire houses have what are known as mansard roofs, which are roofs having two slopes on all sides with the lower slope steeper than the upper one. The house itself is square, and it has elaborate decorative iron cresting above the upper cornice. The front of the house has paired entry doors with glass in the top half and a half-dozen steps leading up and under the onestone porch. All of the windows are paired. The downstairs ones are all hooded. Mommy loves talking about it, lecturing about the architecture to anyone who will listen.
Grandmother Beverly thought it was a dreadful place to live, even though she readily moved in with us. Mommy said it was Grandmother Beverly's sole idea to move in. despite Daddy's telling me and everyone else that he asked her to move in with us since we had so much room and there was no reason for a woman of her age to have to live alone.
"No reason." Mammy told me. "except to give us peace of mind."
Anyway people often look at me as if they expect that any day now-- because we live in the eerie looking, supposedly haunted house-- I'll become a raving lunatic and maybe even try to hurt myself. Even when some of my teachers talk to me, I notice they stand a foot or so farther away from me than they stand away from their other students. All I have to do sometimes is stare at someone the way I was staring at Edith Booth and I can see him or her suddenly become overwhelmed with small terrors. The truth is. I've begun to enjoy it. It gives me a sense of power.
"What?" I snapped at her.
She stepped back.
"Mr. Kaplan... wants you... right away," she stuttered.
"Then stop interrupting me," I ordered. I locked my eyes onto hers and the color fled her cheeks.
She remained a few feet behind me all the way to the principal's office where I found Grandmother Beverly sitting anxiously on the small, imitation leather settee. She was rubbing her fingers in her palm as if she were frying to sand down some imaginary calluses, something she often did when she was very nervous.
The moment I entered the outer office, she rose to her full five feet four inches of height. Grandfather Carlson had been six feet two inches tall, but he always looked diminished in her presence. and Daddy never seems his full six feet next to her either. Her shadow shrinks people.
"Stature comes from your demeanor, your selfconfidence," Mommy once told me when we talked about Grandmother Beverly. "You've got to give the devil her due for that."
Mommy was practically the only person I knew who wasn't intimidated by her, but she wasn't strong enough to do constant battle with her, not with what I've come to think of as the Trojan Horse in our home, my own father. He could be strong in so many ways, but when it came to facing down his own mother, he became a little boy again.
For instance. Grandmother Beverly was as critical of the inside of our house as she was of the outside. She hated Mommy's taste in decorations, furniture, curtains, flooring, even lighting and bathroom fixtures. From the moment she moved in, she seemed determined to slowly change it all. She would point out the smallest imperfection, a tiny stain in a chair, a tear in a rug, and advised Daddy to have it replaced. Once he agreed to that, she went forward to choose what the replacement would be, as if Mommy wasn't even there.
One day a chair would be supplanted or a rug, and when Mommy complained that what
Grandmother Beverly had chosen didn't mesh with our decor. Daddy would plead and moan and promise that after this or that there would be no more changes. Of course, there always were.
It was easy to see why I compared
Grandmother's march through our house and lives to Hitler's march through Europe. Daddy was our own little Chamberlain promising "Peace for our time," if we just made one more compromise. Then we would be a happy little family again.
That's something we would never be again.
But I didn't know how definite that prophecy was until I went home from school with Grandmother Beverly.
1 Darkness Descends
"What's wrong? Why have you come for me?" I asked her.
Once I had arrived, she had simply started out of the principal's office and begun her stomp through the corridor to the exit for the parking lot. As usual she expected me to trail along like some obedient puppy.
She continued to walk, ignoring my questions. She always fixed herself on her purpose or destination as if she were a guided missile. Getting her to pause, turn or stop required the secret abort code only her own private demon knew and was reluctant to relinquish or reveal. You just had to wait her out, calm yourself down and be patient as difficult as that was, Grandmother Beverly could spread droplets of poison frustration on everyone around her like a lawn sprinkler.
But this was different. She had ripped me out of school and sent my head spinning. I would not be denied.
"Grandmother?"